Yacht Style, Issue 88
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Yacht Style, Issue 86, Top 100 Superyachts of Indo-Asia-Pacific 2026, Jonathan Beckett, Burgess, Erwin Bamps, Gulf Craft Group, Fraser, Camper & Nicholsons, AB Yachts, AB 95, Van der Valk, Lalabe, Azimut, Grande 30M, Ferretti Yachts, 940, Absolute, Navetta 62, Cannes Yachting Festival, Genoa International Boat Show, Monaco Yacht Show, Lantau Yacht Club Boat Show - Festa Nautica, Rolex SailGP, Maxi Yacht Rolex Cup, Rolex Middle Sea Race, Phuket King’s Cup Regatta, Thailand, Port Takola Yacht Marina & Boatyard, Krabi, Yousuf Al Hashimi, Phoenix Yacht Management, Su Lin Cheah, ICOMIA, Suzy Rayment, Asia-Pacific Superyacht Association, APSA
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yachtstyle2020

Andrea Antichi appointed Azimut GM

Andrea Antichi appointed Azimut GM

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Bringing over 19 years of production experience at Ferrari, Antichi has succeeded Daniele Romiti as General Manager of Azimut Yachts.

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Andrea Antichi, General Manager, Azimut

 

Andrea Antichi has begun his new role as General Manager of Azimut Yachts, following over 19 years with Ferrari. Antichi will report directly to Marco Valle, CEO of Azimut-Benetti  Group, who said the Italian’s appointment reflects Azimut’s aim to integrate the best skills in the nautical sector with high-level managers from other industries.

 

“Andrea’s appointment is an important part of the current phase of evolution of the Azimut division, which commits to building the foundation of an ambitious vision for the coming years: accelerating industrial development with an increasingly structured approach, while continuing to innovate constantly,” Valle said.

 

“Bringing both experience and managerial vision, Andrea will make a decisive contribution in guiding a new phase of growth, in making production processes even more efficient and in continuing to raise our quality standards.”

 

Azimut-Benetti Group, which has led the Global Order Book for 24m-plus superyachts for 25 years, stated that Antichi will be responsible for defining the strategic direction of the [Azimut] division and achieving economic and industrial objectives. His priorities include overseeing the company’s production sites, which are currently at the centre of a transformation and enhancement plan.

 

A mechanical engineer by training, Antichi’s professional background is dominated by his time at Ferrari. Having joined in 2006, Antichi held manufacturing roles of increasing responsibility and in January 2022 was appointed Chief Manufacturing Officer, a position he held until joining the Azimut-Benetti Group.

 

Prior to joining Ferrari, he gained experience in the technical field at Piaggio and was active in the research field at the Rizzoli Orthopaedic Institutes, where he worked on computational biomechanics.

azimutyachts.com

azimutbenetti.com

 

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Nautor Swan, Swan, Swan Maxi, Monaco Yacht Show, Boatbuilding Technology Centre, Pietarsaari, Finland, Germàn Frers, Lucio Micheletti, Misa Poggi, Swan 108, Swan 88, Yacht Style Awards, Singapore, Cannes Yachting Festival

Swan 128 on course for Monaco premiere

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Swan 128 on course for Monaco premiere

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The new flagship of the Sanlorenzo-owned shipyard, the all-carbon 128 heads a refreshed Swan Maxi family.

 

Nautor Swan, Swan, Swan Maxi, Monaco Yacht Show, Boatbuilding Technology Centre, Pietarsaari, Finland, Germàn Frers, Lucio Micheletti, Misa Poggi, Swan 108, Swan 88, Yacht Style Awards, Singapore, Cannes Yachting Festival

 

Nautor Swan has announced that the first Swan 128 is on course for the model’s global debut at this year’s Monaco Yacht Show from September 24-27. At 39m (128ft) in length with a beam of 8.65m (28ft 5in), the yacht marks a significant milestone for the Finnish shipyard’s Swan Maxi range.

 

The Finnish shipyard, acquired by Sanlorenzo in 2024, shared recent production updates on the first unit, showing photos of the hull being painted and exiting a shed at the Boatbuilding Technology Centre in Pietarsaari on Finland’s west coast.

 

 

“The launch of this highly anticipated sailing yacht will showcase the best of Swan’s cutting-edge design, performance capabilities and customisation potential, wrapped in a commanding 39m form,” stated Nautor Swan, which is represented in Asia-Pacific by Simpson Marine, also acquired by Sanlorenzo last year.

 

The Swan 128 features naval architecture by veteran Germàn Frers, exterior styling by Lucio Micheletti and interiors by Misa Poggi. Designed for long-range cruising and performance sailing, the superyacht features a multifunctional deck layout, expansive living spaces and the attention to detail Nautor Swan is renowned for.

 

 

The three-part deck includes a convivial social cockpit, a purpose-designed helm station, and a spectacular aft beach club that opens directly onto the sea. The transom folds down to reveal a garage capable of housing a 4.5m tender.

 

The semi-raised saloon includes a flexible lounge and dining for 10, as well as triple-tier natural lighting. The forward master suite occupies the entire foreship and can be personalised, while guest cabins can be configured for single beds, doubles or Pullman berths. Aft, the crew quarters and technical areas have been arranged for optimal service without disrupting the guest experience.

 

 

In terms of performance, twin rudders and a powerful sail plan help deliver fingertip control and comfort, even at speed. Due to her advanced hull design, the yacht heels to an optimal angle of just 20 degrees, so offering thrilling sailing experiences with onboard comfort.

 

While the first hull is nearing completion, construction has already begun on the second Swan 128, “a testament to the strong demand for large sailing yachts that blend performance pedigree with superyacht-level comfort”, according to Nautor Swan.

 

The Swan Maxi range also includes the Swan 108 that premiered at the 2023 Monaco Yacht Show and the Swan 88, which won the ‘Sailing Yacht Above 20m’ category at this year’s Yacht Style Awards in Singapore in April, having debuted at the 2024 Cannes Yachting Festival.

nautorswan.com

simpsonmarine.com

 

Swan 128 on course for Monaco premiere Read More »

Asia-Pacific, Bluegame, BGM75, multihull, Sanlorenzo Asia-Pacific , Simpson Marine, Singapore Yachting Festival, Luca Santella, Bernardo Zuccon, Zuccon International Project, Philippe Briand, Daniele Lucà, Malaysia International Boat Show, Langkawi, Sanctuary Cove International Boat Show, Australia, BGX63

Asia-Pacific’s first Bluegame BGM75 arrives

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Asia-Pacific’s first Bluegame BGM75 arrives

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Bluegame’s first multihull model arrived in Singapore ahead of the brand’s debut at shows in Australia and Malaysia.

 

 

Sanlorenzo Asia-Pacific – represented by Simpson Marine – has announced the arrival of Asia-Pacific’s first Bluegame BGM75, the brand’s first multihull model, which had its world premiere at Cannes Yachting Festival 2023.

 

The new hull recently arrived in Singapore, with Sanlorenzo Asia-Pacific planning to stage the regional premiere of the four-cabin motoryacht in late June.

 

 

Daniele Lucà, CEO of Sanlorenzo Asia-Pacific and Simpson Marine, said: “The arrival of the Bluegame BGM75 in Singapore marks a pivotal step forward in the evolution of luxury yachting in Asia-Pacific. This yacht embodies the future of sustainable cruising by combining design innovation, cutting-edge technology, and intelligent space planning in a way that’s never been seen before.

 

“We are proud to represent Bluegame and bring such a progressive model to our clients who are seeking a new, more responsible way to enjoy the sea. We expect the brand to follow the success of Sanlorenzo, achieved in the past decade.”

 

 

Luca Santella, Bluegame’s founder and Head of Product Strategy, designed the BGM75 with Bernardo Zuccon of Zuccon International Project, and Philippe Briand for naval architecture. Bluegame states that the yacht offers over 50 per cent more space than a monohull of comparable length, while maintaining the handling, aesthetics and luxury feel of a traditional yacht.

 

Spanning an overall length of 22.7m and a beam of 8.1m, the flybridge motoryacht offers significant international volumes and includes a full-beam owner’s suite on the lower deck, while the extensive outdoor areas include fold-out aft bulwarks either side of the swim platform.

 

 

Featuring Volvo D8 engines, a 5,000-litre fuel capacity and a low-resistance hull, the yacht has a top speed of 21 knots and a range of over 1,500 nautical miles at 8.5 knots. Its range and a shallow draft of 1.5m make it suitable for long expeditions across Indonesia, Thailand, Malaysia and beyond, offering access to over 25,000 islands scattered across Southeast Asia.

 

Harvey Brewin, Singapore Country Sales Manager at Simpson Marine, said: “We’re seeing increasing interest from owners in Asia who want larger, more versatile yachts that are better suited for long-distance cruising, without compromising on comfort or style. The BGM75 delivers exactly that. It’s a beautiful yacht with a huge presence and offers a completely new lifestyle on the water.”

 

 

Simpson Marine is also preparing to represent Bluegame at the first Malaysia International Boat Show in Langkawi from May 21-24 and the 36th Sanctuary Cove International Boat Show in Australia from May 22-25, showing the brand’s BGX63 monohull motoryacht at both events.

simpsonmarine.com
apac.sanlorenzoyacht.com

 

Asia-Pacific’s first Bluegame BGM75 arrives Read More »

GX Superyachts, Turkey, GX42, RPH, Marco Casali, Slovenia, Greenline Yachts, Vladimir Zinchenko

GX Superyachts reveals Casali interior

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GX Superyachts reveals Casali interior

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Having designed the exterior of the GX42 RPH, Marco Casali has also designed the interior of hull one, the first build by GX Superyachts.

 

GX42 RPH exterior design by Marco Casali

 

GX Superyachts has revealed Marco Casali’s interior designs for hull one of the GX42 RPH (Raised Pilot House), which is the first vessel to be built by GX Superyachts. Founded in 2024 by Vladimir Zinchenko, owner of Slovenia’s Greenline Yachts, GX Superyachts has a shipyard in Turkey, where the first GX42 RPH is under construction and due for delivery in 2026.

 

GX Superyachts previously shared Casali’s exterior designs for the GX42 RPH, which has an elegantly curved superstructure crowned by a sleek, low-profile upper deck. Featuring an ultra-efficient hybrid operation, the 42.1m (138ft) superyacht has a beam of 8.5m (27ft 11in), a volume of 353GRT and solar panels generating up to 27kW.

 

GX Superyachts, Turkey, GX42, RPH, Marco Casali, Slovenia, Greenline Yachts, Vladimir Zinchenko

Drop-down bulwarks create a three-sided beach club

 

For hull one, Casali has created a harmonious, organic-inspired interior for a family-minded owner. The layout includes five en-suite cabins including a main-deck owner’s suite with its own private foredeck terrace, a walk-in wardrobe, foyer-cum-office and a large bathroom.

 

The full-beam VIP suite on the lower deck has its own fold-down balcony to port, a walk-through wardrobe, plus a large bathroom with rainforest shower and his-and-her basins. Two guest cabins include double beds that can slide apart to form twins, while the third has been conceived as a children’s cabin, with two single beds and a third Pullman berth.

 

GX Superyachts, Turkey, GX42, RPH, Marco Casali, Slovenia, Greenline Yachts, Vladimir Zinchenko

Saloon on the main deck

 

Social areas on the main deck include a comfortable saloon and a dining table for 10, while the upper deck has a gently curved hardtop, a selection of sofas and sunbeds, a stunning bar and a large Jacuzzi.

 

Zinchenko, owner of GX Superyachts, said: “The debut GX42 shows what is possible, while remaining true to the principles of ‘Responsible Yachting’. For a boat with a slim, efficient hull, the volume is phenomenal, and we have put it to excellent use with full-beam cabins, inviting social areas for relaxed living and that wonderful upper deck. The VIP cabin is breathtaking – it’s just as well suited to a co-owner as a guest.”

 

GX Superyachts, Turkey, GX42, RPH, Marco Casali, Slovenia, Greenline Yachts, Vladimir Zinchenko

Dining area on the main deck

 

Casali’s vision for the interior was embraced by the owner of hull one, with the Italian designer proposing “natural tones and materials that chime with the eco-conscious performance of the yacht and reflect a relaxed family vibe”. Materials include rich walnut wood panelling for walls and cabinetry, white leather, lacquer and Italian upholstery.

 

To create a relaxing ambience, edges are rounded, from the ceiling insets to the leather-clad fiddles of shelves and vanity units. It’s the same with the TVs in each cabin, the bathroom mirrors and the alcoves that display artwork in the saloon.

 

GX Superyachts, Turkey, GX42, RPH, Marco Casali, Slovenia, Greenline Yachts, Vladimir Zinchenko

Full-beam owner’s suite forward on the main deck

 

Loose furniture, from top Italian designers such as Poltrona Frau and B&B Italia, is widely used inside and out. The same neutral upholstery has been selected, enlivened with a splash of natural colour – a sage-coloured cushion or blue woven blanket, for example.

 

Focal points include a spectacular backlit slab of Turkish marble by the dining table and curated paintings, sculpture and objects from the owner’s private art collection. Rippled liquid metal panels reflect the waves of the ocean outside and further the dark-light contrast of the other materials.

 

GX Superyachts, Turkey, GX42, RPH, Marco Casali, Slovenia, Greenline Yachts, Vladimir Zinchenko

The owner’s suite has private access to the foredeck

 

While the floor-to-ceiling windows on the main deck ensure lots of natural light, the interior also features subtle direct and indirect lighting techniques developed by Italy’s Ultra Luce.

 

Casali said: “This is no showboat for flexing the muscles. We worked closely with the owners to realise their priorities for a family-friendly design that favours extended periods on board. By using natural materials like Italian leather, stone and wood, we have created an intensely calming interior, but also one that fits the GX Superyachts principles of Responsible Yachting.”

 

GX Superyachts, Turkey, GX42, RPH, Marco Casali, Slovenia, Greenline Yachts, Vladimir Zinchenko

Full-beam VIP suite on the lower deck has a fold-out balcony to port

 

Casali has also designed the Coupe version of the GX42, a two-level superyacht with a slightly smaller volume of 335GRT but increased solar coverage generating up to 39kW. Other GX Superyachts proposals designed by Casali include the GX34 in Coupe and Fly versions.

gx-superyachts.com

 

GX Superyachts reveals Casali interior Read More »

Benetti, B.Now 67M, Iryna, Oasis Deck®, 50M, 60M, 72M, RWD, Sinot Yacht Architecture & Design, Engage Maritime

Benetti launches second B.Now 67M

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Benetti launches second B.Now 67M

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A month after handing over the first B.Now 67M with Oasis Deck®, Benetti stages a launch party for hull two, which features a Sinot interior.

 

Photo: Silvano Pupella

 

Benetti staged a special launch ceremony for the second B.Now 67M, just weeks after the delivery of the first, Iryna, which was originally splashed in mid-2024. Known internally as FB287 (Iryna was FB282), the second B.Now 67M will undergo sea trials and final outfitting before her scheduled delivery this summer.

 

Like Iryna, hull two of the B.Now 67M  also features the Oasis Deck® option, which is also offered on the other steel B.Now models (50M, 60M, 72M). All B.Now models feature exterior styling by British studio RWD.

 

However, while hull one featured by Benetti’s Interior Design Department, the second unit features interiors by Sinot Yacht Architecture & Design, with Engage Maritime as the owner’s representative.

 

Photo: Giuliano Sargentini


Daniela Petrozzi, Benetti Sales Director, said: “The launch of FB287 heralds the arrival of the B.Now 67M Oasis Deck® in its ultimate form – a yacht with amazing features that has been significantly adapted to meet a client’s specific tastes and requirements.

 

“Working closely with the owners and their representatives Engage Maritime, FB287 demonstrates the capabilities of the Benetti shipyard and the possibilities for clients to realise their ultimate expression of the yachting lifestyle. There was strong communication and productive give-and-take on all sides and openness to ideas.”

 

As the owner wanted customisation beyond the interior, new features include a custom rectangular elevator, a custom guest staircase constructed in marble with a glass balustrade, and widened guest corridors and guest cabin fire doors.

 

Photo: Giuliano Sargentini

 

Expanding on the infinity pool offered as part of the Oasis Deck®, custom pools include a spa pool on the hidden observation deck atop the yacht, while the bow on the owner’s deck has a 40cm-deep reflecting pool with waterfall effect.

 

Other standout features include a full lower-deck gym and spa area with sauna, steam room and treatment room. The Oasis Deck® and aft cockpit flow into a stunning main-deck saloon, which includes a grand piano.

 

The upper deck is entirely dedicated to the owner and includes expansive forward suite, office and private aft saloon. The aft deck, featuring a seating area and alfresco dining table, is also kept private for the owner, with no stairs up from the main deck.

 

For FB287, Sinot originally suggested a light ‘beach house’ style and colour palette, but the owner requested a ‘Great Gatsby’ style, drawing inspiration from a reference yacht that featured very rich, high-gloss materials. However, the result in FB287 is slightly lighter, with the decor using woods like sycamore, ebony, wenge, ziricote and macassar, plus marbles selected specially for the owner.

benettiyachts.com

 

Benetti launches second B.Now 67M Read More »

Silent Yachts SY80, SY89 launches May 2025

Silent Yachts flagship SY80 nears completion

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Silent Yachts flagship SY80 nears completion

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Silent Yachts will follow recent launches of new SY62 3-Deck Open and SY62 3-Deck Closed, affirming Silent Yachts’ commitment to launch 10 yachts in 2025.

 

Silent Yachts SY80, SY89 launches May 2025

SY80 3-Deck Open

 

Silent Yachts is continuing its strong start to the year with the announcement that its flagship SY80 solar electric catamaran is approaching completion.

 

The Italian builder of advanced, environmentally-friendly solar-powered cruising catamarans has already enjoyed the successful launch of two units of the SY62 3-Deck Open version and one further unit of the SY62 3-Deck Closed version – from its shipyard in Fano this year, and is now preparing to take this success to the next level.

 

Silent Yachts SY80, SY89 launches May 2025

SY80 3-Deck Flybridge

 

Measuring 24m, the anticipated SY80 encompasses all the sustainable features found on the previous yachts, but on a larger scale. Capable of accommodating up to 12 guests in style and comfort – and with its ‘Made-in-Italy’ craftsmanship discernible across the yacht’s design – the adventure-ready flagship offers a huge open layout, generous staterooms and plentiful storage for water toys.

 

As Silent Yachts CEO Fabrizio Iarrera explained: “We are so excited to introduce our latest model to the market this year. What sets the SY80 apart from other competing models is the fact that owners can fully customise every deck, tailoring each space to match their functional needs and individual style. We can accommodate a very high number of different configurations.”

 

SY80 3-Deck Flybridge

 

As on the SY62, on the SY80, an owner can choose from 2-Deck, 3-Deck Open, or 3-Deck Closed layouts. All three versions can feature a spacious on-deck master suite or an open-plan saloon, with the master cabin located on the lower deck.

 

Performance-wise, the cutting-edge catamaran also delivers at the highest level. Marrying together impressive eco-credentials and next-generation technology with ultimate comfort, the SY80 boasts award-winning efficiency, promising a silent, nearly zero-emission cruising experience.

 

Capable of reaching top speeds of 12 knots and cruising comfortably at 7-8 knots, the SY80 has an impressive battery capacity of 522 kWh/696 kWh, with a peak solar array of 22.4 kWp.

 

SY80 2-Deck

 

Set to make its industry debut at the 2025 Cannes Yachting Festival (September 9-14, 2025), the SY80 2-Deck will be ready to splash water in the coming weeks.

 

Founded in 2016, Silent Yachts traces its roots back to 2009 and stands out as a pioneer in producing fully electric, solar-powered catamarans.

silent-yachts.com

 

Silent Yachts flagship SY80 nears completion Read More »

Asia-Pacific Superyacht Summit

Second Asia-Pacific Superyacht Summit attendance grows

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Second Asia-Pacific Superyacht Summit attendance grows

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On May 7, 2025, on the first of two days of regional and global speakers and networking opportunities, the yachting industry presence swelled noticeably in Hong Kong.

Words: Andrew Dembina; Photos: SuperYacht Times / Yacht Style

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Asia-Pacific Superyacht Summit

Merijn de Waard of SuperYacht Times gets Day 1 of Asia-Pacific Superyacht Summit 2025 started

 

Founder and Director of SuperYacht Times, Merijn de Waard, was visibly proud as he succinctly welcomed attendees for the second edition of the Asia-Pacific Superyacht Summit. “Last year was the first APSS, also held in Hong Kong and 175 registered,” he said to those seated in the function room on Day 1, ahead of the roster of moderated panel discussions, presentations and interviews. “This year, 275 registered.”

 

Asia-Pacific Superyacht Summit

 

Ralph Dazert (above), Head of the publication’s number-crunching Intelligence Team – who is in charge of the Asia-Pacific Superyacht Report 2025 – then gave a brief overview of its findings.

 

Figures in the Asia-Pacific are a mix of locally-based and visiting yachts, he said, with the most being present in Australia, and with Hong Kong lying in second place, adding that 66 per cent are from the region.

 

The total number of superyachts – of 30m LOA and upwards – owned in the region, including some based in the Mediterranean and other parts of the world, is 443 (an increase of 10 vessels, year on year), Dazert disclosed, which accounts for 7.3 per cent of the world’s fleet in this size category.

 

In the first panel discussion, Hong Kong as a Superyacht Destination, moderator Enrico Chhibber began by saying,The city holds the foundation for superyachting in the region,” later adding that this appears to be flagging.

 

Asia-Pacific Superyacht SummitFrom left: Lawrence Chow, Cissy Chan, Benjamin Wong, Joe Yuen

Exploring various initiatives aimed at further developing Hong Kong as an attractive superyacht destination, the first panel discussion focused on essential upgrades and expansion of infrastructure, enhancement of regulations, and refinement of marketing strategies to better position Hong Kong in the global yachting sector. Lawrence Chow (pictured above), Chairman, Hong Kong Boating Industry Association (HKBIA) mentioned “since [the Summit] last year, when Colin Dawson [Managing Director of The George Group yachts insurance services] made a few comments about how the yachting situation here could be improved, the government has announced some suggestions.”

Benjamin Wong (pictured above), Head of Transport & Logistics and Industrials, InvestHK elaborated on some of these. “Looking at possibly up to 600 berths at Skytopia, depending on their size, expanding Aberdeen Marina Club, and Aberdeen Boat Clu, developing a marina in Hung Hom – with this Victoria Harbour background, and one on Lamma Island, with a greener environment, a lot more berths are under discussion,” he said. “Our catchment area is much bigger than just Hong Kong, we expect there will be demand from the Greater Bay Area as well.”

Cissy Chan (pictured above), Executive Director, Commercial, Airport Authority Hong Kong, went into some of the Skytopia details, including the mention of its Phase 1 scheduled to be ready by 2028, and its fine arts storage facility and gallery spaces expected to be ready in 2026.

On whether it is easy for foreign-flagged yachts to visit Hong Kong and cruise in waters nearby, Joe Yuen (pictured above), Director of Lodestone Yachts mentioned that it is, and they can start or end in Hong Kong and end in HK or different ports, such as Macau or Shenzhen. He added that in Hong Kong, berths exist for up to 65m, but that 70m-plus yachts need to go to the cruise terminal or be moored offshore – and that more superyacht berths would be ideal. He mentioned that Seabob and e-foils are currently not allowed in Hong Kong waters.

Chow suggested that infrastructure for visiting yachts could be improved, such as mooring at outlying islands and remote areas, where piers are built for public ferries and are not always ideal for private yachts.

 

Yuen added, “It would help if those with 180-day foreign-flagged yachting permits could easily extend this to 360 days.”

 

In the second panel, How to Build a Superyacht Destination, Issam Kazim, CEO, Dubai Corporation for Tourism and Commerce Marketing, said that as a home for family offices and business infrastructure, the emirate has naturally attracted superyachts, adding, “we have a very supportive government around us and we work to try to remove any difficulties in regulations for Dubai-based superyachts or visiting ones” and that it has several world-class marinas.

 

Jean-Marc Poullet, Senior Partner Chairman Asia, Burgess said: “Looking at mature markets, it’s not only about the beauty of the waters, but what is onshore – social attractions – as you’d find in the Amalfi coast, Cote d’Azure and others. The Caribbean took 40 years to mature from its start as a destination; Asia is now at about 20 years of development. And some of our Asian clients have plenty to complain about in the Med – so mature markets are not all perfect.

 

“Asia has a lot of areas that are surrounded by water, which is not so easy to find in Europe or some other places. Unique destinations in Indonesia don’t have the ‘full package’ but have great natural attractions. Phuket has it all, so one-month charters are possible; we need more places like that.”

 

Manoa Rey of Tahiti Tourism said: “We choose quality over quantity – 50 to 60 superyachts visit Tahiti per year, has been the same for the past 10 years, and we will be careful not to have too many more, to preserve the after environment.”

 

Bob Hoogendoorn, of McKinsey & Company said, “Marine Protected Areas need to be taken into account when thinking of building more marinas. Key points in investing in a destination as a superyacht destination are: geography and seasonality; infrastructure and facilities; are there enough things to do there; are there enablers in place, such as a supportive government, and a reliable coastguard?”

 

Laura Verbrugge, Fraser Asia Manager said, “Captains in APAC often tallk about the frustration of paperwork for regulations when passing through Asian waters. This is more difficult for newcomers to visiting in particular. Finding 35-45m yachts with owners willing to charter is a challenge.” Poullet agreed with the latter – particularly in Indonesia.

 

Asia-Pacific Superyacht Summit

From left: Issam Kazim, Manoa Rey, Jean-Marc Poullet, Laura Verbrugge, Bob Hoogendoorn

 

A presentation by Nigel Beatty on the upcoming Base Kobe marina followed, which he said is about half the size of Port Hercule in Monaco – with a public dockside. As part of the port regeneration in central Japan, it is well connected by infrastructure and on the edge of a large sheltered Seto ‘inland sea’.

 

Minimum size berths are 24m, and although no repair services are onsite as it’s downtown, it is less than an hour away from maintenance yards. Already in operation, since last month, when it welcomed a 170m superyacht and its support boat, a full opening is expected in April 2027.

 

Panel discussion, How to Manage Refits Successfully in Asia, had speakers mentioning their best experiences.

 

Petre Plesea, Managing Director, Golden Eagle Yacht Management, mentioned how a 70m superyacht refit in Singapore, with new engines, cost US$1.5m, taking 49 days (with 24-hour shifts), compared to an estimate of three times the price and duration in Monoco. “Painting is still not possible for 500GT-plus, even some smaller lengths in Singapore, as there are not large enough painting sheds,” he added. “We have bookings right now for 24 months ahead. Our owner is an engineer, which makes things more possible. I really recommend SD Marine for precision work – they’re experienced in building 40-90ft naval ships, and carpentry in Thailand is very good.”

 

Rob Taylor of Clearvac Engineering Asia in Bangkok and Phuket said, “In Thailand, there are a lot of climate-controlled good painting facilities, maybe not up to 500 GT or above, though. The quality of refit facilities is improving all the time there.”

 

Sam Thompson, Director at JMS Yachting in Monaco, reflected that getting the planning right and the budget right is always the challenge: “We manage yachts remotely, or put our team in places where our owners need refits. We just completed a 90 per cent refit in New Zealand. The key is to have a project manager on site 100 per cent of the time.”

 

Two more one-person interviews held interest next in quite different ways. Captain Fraser Gow of 62.5m Amels Stardust told an interesting account of how the owner took delivery in Norway, June 2020, during Covid, asking for Gow and crew to take it to Phuket, where he joined them six months later to use the boat. “We became one of 140 superyachts moored there,” Gow explained, as Thailand got back to post-pandemic normality.

 

“Thailand is quite free in movement around its waters. Hong Kong needed a certain captain’s license, so we didn’t stop here and we went to Japan instead. It would be incredible to see the [Hong Kong] harbour from the bridge.

 

“We avoided returning to the Med recently, because of wanting to avoid the Red Sea and the Suez Canal. We did stop in Kobe but there was not a good berth we could use there – the new marina sounds very interesting.”

 

Ben Sumadiwiria, aka “Supercoolben”, provided early afternoon levity in his How to Succeed in Social Media interview. He makes fictional / comedic videos about being the son of the richest person in Indonesia, starting with restaurant reviews, following a career as a chef. The popularity of his videos and sponsored restaurant reviews that followed paved the way for his work with yachting companies – in a recent one, Sumadiwiria acted being the father of a family, aboard three different yachts that his character owned, and the company sold one shortly thereafter.

 

His advice for yacht companies to reach a younger viewership was to liven up the likes of a lot of yachting websites and social media that he says he has seen and “are too boring”.

 

Navigating the Luxury Market in Asia was a broad discussion with six panellists. Paolo Casini – CEO, Camper & Nicholsons, Monaco, said: “We are a company offering the highest level of yacht services. Eight years ago, we opened in Asia, in Hong Kong, as we believed in the potential here. In 2022, we opened a second hub in Singapore. We developed our own proprietary software to connect our global offices. We are always looking for ways to improve our staff by training, and we are doing more with a focus in technology all the time.

 

“We believe that Camper & Nicholsons can be a leader in not only yachting but in other areas of luxury lifestyle – by offering the highest quality service and products.”

 

David Lau, founder, Cross Harbour Advisory said: Generation Z are really treating life differently to previous generations. I was at the Singapore Yachting Festival recently,  aboard a Camper & Nicholsons superyacht, and a 32-year-old asked me in Mandarin: “I don’t want the broker to understand me, but should I buy a superyacht or a private jet…?”

 

On whether global trade tensions impacted the super-luxury market, such as superyachts,  Marina Lui, 

Head of Wealth Management, UBS AG Hong Kong, said: “Not really, but UBS getting clients to commit may take more time at the moment. There is a big market for yachts, especially from mainland China clients. If the ecosystem is there, with the new marina near the airport in Hong Kong, this could attract more sales.”

 

Stephane Avis, Asia Co-Head of Lending, JP Morgan said: “Yacht sales are very important to us and we have not noticed a drop-off.”

 

Asia-Pacific Superyacht SummitAsia-Pacific Superyacht Summit

 

Day 1’s Summit presentations concluded with a passionate account of Tam Son Yachting’s successful building by Doan Viet Dai Tu (above), Chairman, of Openasia Group, which also succeeded in bringing other luxury brands to Vietnam, such as Patek Philippe timepieces and Audi motorcars.

 

In 2017 he started distributing Beneteau motoryachts and sailing boats, and then Azimut Yachts. “In 2017,  large commercial boats had the same regulations as an 8m yacht – so we worked to change this.

 

“I looked at Hong Kong and Singapore as good examples of how leisure yachting could be in place in Vietnam, and I recruited captains and experts to develop the country, which I believe has huge potential.

 

“Navigation has been a problem. Domestic yachts can now navigate but foreign-flagged yachts cannot.”

 

Significant rising wealth hints at large potential in Vietnam, he said. The younger generation aspires to quality of life: 80 marathons are held in Vietnam per year, and watersports interest is growing, adding that cruising between Hong Kong and Thailand has huge potential for stop-offs along Vietnam coast.

 

In the last week of April, Tam Son Yachting got its license for chartering an Azimut Grande 32 that it sold – to be the first superyacht charter in Halong Bay – which will be undertaken to “world standard, and offered at the same price as anywhere else: US$25,000 per day, for an overnight stay”. Charters will start in July, and are listed in the global Azimut Charter Club.

 

Asia-Pacific Superyacht Summit

The Asia-Pacific Superyacht Summit 2025 networking dinner took place at the end of Day 1, at The Verandah restaurant, preceded by outdoor cocktails on its lawn, in Repulse Bay.  

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More details of the Asia-Pacific Superyacht Summit 2025 itinerary can be read here.

 

Second Asia-Pacific Superyacht Summit attendance grows Read More »

Australia, Mischief, superyacht, charter, Yachtsmiths, Mitchell Zigenbine, Gold Coast, Awlgrip® HDT, Awlcraft, AkzoNobel, Queensland, Yacht Paint Application Center, Coomera, Gold Coast City Marina

Awlgrip chosen for Australia’s largest charter yacht

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Awlgrip chosen for Australia’s largest charter yacht

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Yachtsmiths, a yacht finishing specialist, explains how it achieved a first-class finish for the 177ft Mischief.

 

Australia, Mischief, superyacht, charter, Yachtsmiths, Mitchell Zigenbine, Gold Coast, Awlgrip® HDT, Awlcraft, AkzoNobel, Queensland, Yacht Paint Application Center, Coomera, Gold Coast City Marina

 

When it came to refinishing the 54m Mischief superyacht, only a world-class coating system could match its status. Yachtsmiths, the Gold Coast-based superyacht finishing company, selected Awlgrip® HDT and Awlcraft® 3000 to achieve the gold standard in superyacht coatings for superior gloss, durability and long-term protection.

 

Spanning almost nine months of meticulous work in 2024, the result was a remarkable high-gloss finish that met the highest expectations of both the owner and the yacht finishing professionals at Yachtsmiths.

 

Mitchell Zigenbine, a co-owner and Director at Yachtsmiths, said he has been working with AkzoNobel products for his entire career and estimated that 90-95 per cent of the company’s projects involve AkzoNobel products, specifically the Awlgrip and Awlcraft lines.

 

“Once we decide on the paint system for a project, we stick with that brand throughout, whether it’s etch priming, fairing or top coating,” he said. “This ensures maximum performance and aligns with warranty systems.”

 

Shed work on Mischief began in January – the height of the Australia summer – and lasted over half a year. In August, the yacht underwent a month-long water-based preparation process, before the refit was completed and she underwent her first charter.

 

Australia, Mischief, superyacht, charter, Yachtsmiths, Mitchell Zigenbine, Gold Coast, Awlgrip® HDT, Awlcraft, AkzoNobel, Queensland, Yacht Paint Application Center, Coomera, Gold Coast City Marina

 

“Our original scope of work included widespread corrosion mediation and a full refinish, but as the project progressed, the owner made additional requests. These included the removal of a few hundred through-hulls to prevent water ingress and addressing minor structural issues,” Zigenbine said.

 

“The hull and topsides didn’t require significant repair work, but the extra requests added complexity. Overall, it was a fantastic experience, and we were thrilled with the results.”

 

Also adding complexity was the changes in weather over the nine-month period, with the team beginning its work in the warm, humid months before transitioning into the cooler winter for the final stages.

 

“Adjusting the mix of thinners allowed us to comply with the different temperature conditions and ensured consistent application quality. We also had the advantage of doing a preliminary application, using Awlgrip HDT as a flow coat option, which allowed us to familiarise ourselves with the product before the final topcoat,” Zigenbine said.

 

“The main challenges were environmental fluctuations and meeting the coating acceptance criteria set by an independent inspector.”

 

Australia, Mischief, superyacht, charter, Yachtsmiths, Mitchell Zigenbine, Gold Coast, Awlgrip® HDT, Awlcraft, AkzoNobel, Queensland, Yacht Paint Application Center, Coomera, Gold Coast City Marina

 

As the first 50m-plus superyacht in Australia to be coated with Awlgrip HDT, Mischief remains a highlight for the Yachtsmiths business, which employs 50 people in Queensland and primarily focuses on refits and repair projects.

 

“Projects usually come to us around the two-five year mark, when vessels start showing service defects like corrosion or rust,” Zigenbine said. “Depending on the owner’s time and budget, we handle either full-scale repaints or spot repairs.”

 

The successful refit of Mischief reflects the long-standing partnership between the two organisations, founded on mutual trust, innovative solutions and technical expertise. 

 

The relationship between the team at Yachtsmiths and AkzoNobel is strengthening even further following the launch of the Yacht Paint Application Center (YPAC) at Gold Coast City Marina in Coomera in October 2024. The state-of-the-art facility delivers world-class technical training and showcases the latest in digital paint application technology.

 

“We’re particularly excited to see further collaboration at the YPAC training facility, which allows us to enhance our team’s skills and stay at the forefront of coating-application techniques. We look forward to utilising YPAC to gain hands-on experience with new products, refine our application methods, and deepen our understanding of AkzoNobel’s innovative solutions,” Zigenbine said.

 

“It’s a fantastic step forward for the industry, offering much-needed training and skill development. Our collaboration with AkzoNobel has been instrumental in our growth, and we look forward to strengthening that relationship further.”

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Johanna Monange and Maison 21G — scenting the world’s most luxurious hotels

Johanna Monange and Maison 21G — scenting the world’s most luxurious hotels

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From Raffles Sentosa to The Ritz-Carlton, Johanna Monange transforms five-star stays into scent-driven journeys by crafting invisible architecture for some of hospitality’s most luxurious addresses.

 

In luxury hospitality, every detail counts — the welcome, the service the surroundings but what truly lingers long after check-out is often scent. Luxury hospitality has long been defined by grand architecture, impeccable service and world-class cuisine — but increasingly, it is what guests feel that defines a stay. At the intersection of design and emotion, fragrance is emerging as the soul of hotel storytelling. Johanna Monange — the founder of Maison 21G — is the invisible hand behind the olfactive identities of destinations like Raffles Sentosa, Marina Bay Sands, Ritz-Carlton, Chedi Hegra and Mandarin Oriental Singapore. In this exclusive interview, she reveals how scent becomes memory, how memory becomes magic and why the future of hospitality is no longer seen — it is felt.

 


You are often described as the creative force behind the scent identities of some of the world’s most iconic hotels. How do you personally define the art of luxury hotel scenting?


Johanna Monange (JM): To me, true luxury isn’t just what you see or hear — it’s what you feel. And scent is the only sense that speaks directly to emotion, bypassing reason to awaken memory and stir the soul. In that way, fragrance is not an accessory — it’s the silent architect of emotional experience. It lingers long after a guest has left, becoming the invisible thread that ties them to a place, a moment, a feeling.


Scent is the most intimate form of design. It enters the guest experience discreetly, yet leaves the most lasting impression. It bridges brand identity with human emotion, transforming spaces into soulful environments that resonate on a personal level. In luxury hospitality, a scent must be more than beautiful — it must be meaningful. It should reflect the brand’s DNA, its culture, its clientele, its geography, and its values. When done right, fragrance becomes the first impression and the final memory—a silent welcome, a gentle goodbye.

 

When I was invited to design the signature scent for Raffles Sentosa Singapore, I walked through the soon-to-open property with their visionary team. We explored the majestic lobby, the serene villas, and spoke at length about the spirit of the space: legacy, intimacy, timeless elegance, and a deep connection to nature. One phrase stood out and became my North Star: “A place of endless possibilities, where you arrive as a guest, leave as a friend, and return as family.”

 

To embody that, I composed a fragrance featuring sparkling Bergamot, Ocean breeze accords, rare Tuscan Orris, and warm, grounding Cedarwood and creamy Sandalwood. It was fresh and uplifting, yet noble and serene — an olfactive portrait of the island itself. But the scent didn’t stop in the air.

 

 

We extended the fragrance throughout every touchpoint: luxurious reed diffusers in each villa, pillow mists to cradle dreams, scented bathroom amenities, and even sunscreen by the poolside — each product carefully infused with the signature scent, subtly enriching the guest’s emotional journey at every moment.

 

The collaboration evolved into a bespoke amenities trousseau, with hand cream, lip balm, aftershave, after-sun lotion, and a curated scent gift kit for VIPs. We also designed a line of artistic candles and reed diffusers, adorned with the traveller’s palm and peacock motifs — symbols of Raffles’ tropical heritage. These weren’t just beautiful objects; they became emotional souvenirs sold in their boutique, pieces of the experience guests could take home. At the request of the General Manager, we designed a monumental ceramic reed diffuser and candle — a bespoke centerpiece for the salon that would embody the unique scent identity of Raffles in both form and fragrance. Over the course of three months, we collaborated with master ceramicists to bring this sculptural vision to life, seamlessly merging olfactive storytelling with artisanal craftsmanship to create a true icon of place and scent.

 

At the heart of the hotel, we installed a Maison 21G Atelier de Création — a creative perfume space where elite guests are invited to co-create their own signature fragrance using natural essences inspired by the Raffles spirit. It’s more than a boutique — it is a chance to write their own scent story. And finally, we extended the scent experience to the spa. Guests can choose from wellness oils — relaxing, energising, or detoxifying — each blend designed to offer both therapeutic and emotional benefits. It transforms a traditional massage into a personalised voyage of the senses.

At Raffles Sentosa, scent is not a finishing touch — it is the soul of the experience. From the moment of arrival to the final farewell, it creates a narrative that unfolds through emotion, memory, and feeling.


At Maison 21G, we don’t just perfume spaces — we craft the emotional blueprint of every space. I love to design how a place should feel before it is ever seen. That is the power of scent — it turns luxury into memory, and memory into magic.

 

 

What is your creative process when translating a hotel’s brand into a bespoke fragrance?

 

JM: The most iconic hotels are not simply destinations — they are emotions, etched into memory. And scent is the invisible signature that lingers long after check-out, binding moments to place.

At Maison 21G, every creation begins with deep immersion. I don’t start with ingredients — I start with immersion. I live the brand, breathe its atmosphere, and only then begin to translate its soul into scent. I craft how a place should feel, long before it is seen.

 

 

For Marina Bay Sands, I created “Limitless” — an iconic scent that captures ambition in motion. I walked its vast corridors as a silent observer, absorbing the pulse of possibility: the interplay of light on marble, the quiet confidence in every guest’s stride, the seamless dance between indulgence and aspiration. This wasn’t just luxury — it was elevation.

 

The fragrance the hotel needed had to whisper elegance while roaring potential. I composed a bold yet refined blend: Sage for clarity and momentum, Cedarwood for a sharp, modern edge, Vetiver for depth and grounded luxury, and Oceanic notes for freedom. The result was “Limitless” — an olfactive crescendo that mirrors the soaring skyline views and the energy of high-stakes moments.

We diffused it as a signature reed scent in every room, and expanded it into pillow mists, face sprays, and bath oils, delicately packaged for premium guests. These sensorial gestures ensure the Marina Bay Sands’ spirit travels with the guest — from arrival to departure, and in memory long after.

 

At the iconic Chedi Hegra in AlUla, the scent journey takes on a near-spiritual dimension. Drawing from the awe-inspiring desert landscape, I crafted a blend of sacred Oud, rare Rose Taif, and radiant solar Saffron — an olfactory tribute to the golden light and profound stillness of this historic site. From the moment guests arrive to their time in the wellness sanctuary, every step is a seamless passage through time and fragrance. Even the massage oils and robes carry subtle scents that echo the space’s meditative essence.

 

Today, personalisation isn’t just a trend — it’s an expectation. In the realm of five-star hospitality, true distinction lies in being remembered, and nothing imprints itself on memory quite like a signature scent.

 

 

How are hotels using scent to elevate their ancillary offerings and guest rituals?

 

JM In real luxury hospitality, scent isn’t just a nice touch — it’s part of the story you’re telling. Whether it’s a lightly misted towel, a subtle fragrance on the pillow, or the fresh aroma in the shower, every detail should evoke a feeling. Scent is the soul of service, made tangible.

With Kimpton Hotel in Hainan, we wanted the fragrance to guide guests through a full sensory journey. We created custom reed diffusers and artisanal candles as welcome gifts, and infused the bath products — shampoo, shower gel, body lotion — with a crisp blend of Vetiver and Ocean. The scent captured that fresh sea breeze and the grounding calm of lush greenery. So even a morning shower or evening wind-down felt like a small, personal escape.

 

For Luura Hotelin Greece, the vision was something truly special — sunlit, soulful, and deeply rooted in the local spirit. Tucked between olive groves and looking out over crystal- clear waters, they wanted a scent that celebrated the beauty of the place without overwhelming the light, breezy summer air. So we created a delicate blend of Fig leaves and wild Olive Tree essence — drawn straight from the land itself. The result? A fresh, green, and comforting fragrance that feels like a soft breeze rustling through sun-warmed leaves.

 

 

This gentle scent now runs through their bathroom amenities — from silky lotions to refreshing hand washes — bringing a sense of calm and connection to nature with every use. But at Maison 21G, it’s not just about how something smells. We care just as much about how it’s made. That’s why we share a strong commitment to sustainability with our hotel partners. Our formulas are clean — no parabens, phthalates, sulfates, or harsh chemicals. They’re 100 percent vegan and packed with high-quality natural ingredients that are kind to both skin and planet.

 

While most ancillary products use only 0.3 percent to 0.5 percent fragrance — often synthetic — we go much further, using 1 percent to 1.5 percent with noble natural essences. It’s one of the most luxurious formulas in the industry — crafted with care and no shortcuts. We also put real thought into the containers. Our ancillaries are refillable and made from elegant, sustainable materials like ceramic, glass, or aluminum — transforming simple moments into beautiful, mindful rituals.

Because honestly, that’s where hotels are headed: ethical, elevated, and emotionally memorable.

 

 

What emerging trends are you observing in the way hotels are incorporating fragrance into their guest experience?

 

JM Hotels don’t just want a nice scent floating through the lobby anymore; they want to create an emotional journey for their guests, and scent plays a huge part in that. It’s the invisible thread that connects every moment of the stay.


That’s why we’re bringing fragrance into every key touchpoint — from the first hello to the final goodbye. Picture this: you step into a beautifully scented limousine, where a discreet diffuser fills the space with a luxurious aroma that sets the tone for what’s to come. You’re greeted at the hotel with a freshly steamed towel, lightly perfumed with the brand’s signature notes. In your room, a ceramic or glass reed diffuser gently scents the air, while in the bathroom, every product — shower gel, shampoo, body lotion — carries a fragrance crafted to reflect the hotel’s identity.


These aren’t off-the-shelf products with no connection to the brand. They’re luxurious, high- concentration formulas made with natural ingredients, turning simple routines into moments of self-care. At turndown, there’s a personalised pillow mist waiting to help you drift into restful sleep. And in the spa, guests can even choose their own massage oil scent — blends designed to relax, detox, or energise, each one packed with real wellness benefits.

 

 

It’s about making every detail feel thoughtful, intentional, and deeply personal.

 

And of course, we don’t stop at the hotel stay itself. We create beautiful, memorable scented gifts that guests can take home — think elegant candles, refined reed diffusers, and bespoke eaux de parfum, all infused with the hotel’s signature scent. These aren’t just souvenirs — they’re emotional keepsakes that let guests relive the experience long after they’ve checked out.

That’s exactly what we did for the new Laurus Hotel at Resorts World Sentosa. We spent six months developing a full collection of unique, scented, and branded objects — each one carefully designed to reflect the hotel’s identity and values. Every detail was considered, just like how luxury houses like L’Oréal or LVMH craft their products.

 

This kind of approach turns hotel guests into active participants in the brand story. They don’t just visit — they connect, remember, and return. In today’s world of luxury hospitality, it’s not just about how a space smells. It’s about how it makes you feel. And when done right, scent becomes one of the most powerful ways to create a lasting emotional bond.

 

 

In your opinion, what’s the biggest miss in how hotels approach scent branding?

 

JM One of the biggest — and most expensive — mistakes hotels make is going with off-the-shelf scents from machine suppliers. Sure, they’re convenient, but they strip away what makes a hotel truly unique. Real luxury isn’t about convenience — it’s about creating a strong, memorable identity.

When I work on a bespoke scent for places like Aquarius Hotel, Crockfords, or Michael Hotel, it’s never a one-way street. It’s a creative journey we take together. I dive deep into the hotel’s story, values, location, and the kind of guests they welcome. Then, through several rounds of olfactive trials and feedback sessions, we co-create a signature scent that’s aligned with the brand on every level. It’s not just about making something that smells nice — it’s about crafting something meaningful and lasting. And that’s not something you’ll ever get from a pre-made scent in a catalog.

 

 

Another common mistake? Getting the intensity all wrong. Too strong, and the scent overwhelms. Too weak, and it vanishes. Even the most beautiful fragrance can fall flat if it’s not diffused properly.

At Maison 21G, we treat diffusion with the same precision as the scent itself. Once the perfume is ready, we work closely with the hotel team to fine-tune the diffusion — adjusting for the space’s layout, airflow, ceiling height, how guests move through the area, even the time of day. Every detail matters.

 

That’s what sets Maison 21G apart. We don’t just create a beautiful scent — we make sure it lives perfectly in the space. Scent shouldn’t shout. It should whisper. It should wrap around the guest gently, leaving a quiet, powerful impression that stays with them long after they’ve left.

To find out more about Maison 21G, visit https://www.maison21g.com/home or contact them at create@maison21g.com

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International Multihull Show, La Grande Motte, France, M2Organisation, M2O, FIN, Fédération des Industries Nautiques, Lagoon, Fountaine Pajot, Leopard, Bali, Yot, Prestige, Four Winns, Windelo, Catana, Aquila, Aventura, Dracan

Multihull Show features record line-up

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Multihull Show features record line-up in France

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Founded in 2010, the International Multihull Show at La Grande Motte featured its biggest display this year while introducing a dedicated powercat zone.
Words: John Higginson; Photos: International Multihull Show / Cameron Joslin Media

 

International Multihull Show, La Grande Motte, France, M2Organisation, M2O, FIN, Fédération des Industries Nautiques, Lagoon, Fountaine Pajot, Leopard, Bali, Yot, Prestige, Four Winns, Windelo, Catana, Aquila, Aventura, Dracan

 

This year’s International Multihull Show in the south of France featured a record 73 yachts, comprising 58 sailing vessels and 15 powercats at La Grande Motte, announced organiser M2Organisation (M2O).

 

The second edition of the show under the ownership of FIN (Fédération des Industries Nautiques) featured 175 exhibitors – including more than 25 new ones – representing 260 brands. Almost a third of exhibitors came from outside France, while non-French accounted for more than half of the visitors.

 

Caroline Popovici, Operations Director at FIN, said: “At La Grande Motte, you’re somewhere else. It’s a unique town, just like our exhibition, which is unlike any other. It’s a real gem. Beyond its role as a place to do business, it’s a great opportunity for networking and friendly conversations.”

 

With the number of powercats at the show rising steadily in recent years, a ‘marina’ dedicated to powercats was introduced and the new zone featured two of the 10 world premieres at the five-day show in late April.

 

International Multihull Show, La Grande Motte, France, M2Organisation, M2O, FIN, Fédération des Industries Nautiques, Lagoon, Fountaine Pajot, Leopard, Bali, Yot, Prestige, Four Winns, Windelo, Catana, Aquila, Aventura, Dracan

 

Aventura – which builds in Tunisia – staged the global debuts of both its 38 SC (Sport Cruiser) coupe and 38 MY (Motor Yacht) flybridge powercats, while Poland’s Dracan Marine exhibited its Dracan 42, following its premiere at Cannes Yachting Festival 2024.

 

Leopard, with all models built by Robertson and Caine in South Africa, exhibited all three of its power catamarans – the 40PC, 46PC and 53PC – plus a Moorings 403, a three-cabin charter version of the 40PC. Aquila, produced by Sino Eagle in China, displayed its 50 Yacht inboard flybridge model, along with its 36 Sport and 32 Sport outboard coupes.

 

The Beneteau Group was represented by the Prestige M48 and Four Winns TH36, while other powercats from French brands include Fountaine Pajot’s MY6 (46ft) and Catana Group’s Yot 36 and Yot 41 coupes built in Portugal.

 

International Multihull Show, La Grande Motte, France, M2Organisation, M2O, FIN, Fédération des Industries Nautiques, Lagoon, Fountaine Pajot, Leopard, Bali, Yot, Prestige, Four Winns, Windelo, Catana, Aquila, Aventura, Dracan

 

In the sailing zone, the Lagoon 38 was among the Beneteau Group’s world premieres. The 38 is the new entry model for the world’s leading builder of cruising sailing catamarans, which has built over 7,300 yachts since 1984. The French shipyard also displayed the Lagoon 43, 51 Iconic, 55, 60 and 620 Neo sailing catamarans, while other models by the brand were shown by charter companies.

 

Excess, founded by the Beneteau Group in 2019, staged the global debut of the Excess 13 (43ft) alongside the Excess 11 and Excess 14, which are all twin-helm models.

 

Chantier de L’Arsenal’s 80ft Samba charter cat and the MODX 70 – an electric version of the MOD 70 ‘Multi One Design’ by Océan Développement – were the largest models among the show’s world premieres. Chinese shipyard HeySea staged the global debut of its Seaview 59, drawn by UK-based Dixon Yacht Design.

 

Vaan, which uses recycled aluminium as its principal material, debuted its R5 (49ft), the second model from the Dutch-owned shipyard. Swiss-owned Cataruga – which builds in Tunisia – unveiled its Tortue 147 (48ft), another aluminium sailing cat among the world premieres. 

 

International Multihull Show, La Grande Motte, France, M2Organisation, M2O, FIN, Fédération des Industries Nautiques, Lagoon, Fountaine Pajot, Leopard, Bali, Yot, Prestige, Four Winns, Windelo, Catana, Aquila, Aventura, Dracan

 

American company Max Cruise Marine revealed its Max 44SC after it arrived in La Grande Motte under its own sail all the way from Vietnam. Italy’s Comar Yachts debuted its C-Cat 38 sailing catamaran, with hull one – belonging to shipyard owners Massimo Guardigli and Flavia Proietti – shown alongside a C-Cat 48 Itinere.

 

The Tricat 8.50, a folding, transportable trimaran built in Brittany, was also among world premieres. The Tricat 30, Dragonfly 36, Neel 43 and Neel 52 were also among the show’s trimarans.

 

Leopard, whose sail and power models are built by Robertson and Caine in South Africa, staged the Europe debut of the electric version of the Leopard 46, with the standard model debuting at the Cannes show last September. Leopard also showed a Leopard 42 plus a Moorings 4200 and 5000, charter versions of the 42 and 50 models respectively.

 

Also among exhibitors spanning both the sail and power zones, Fountaine Pajot showed five sailing cats – an Astrea 42, Elba 45, Tanna 47, Aura 51 and Samana 59.

 

International Multihull Show, La Grande Motte, France, M2Organisation, M2O, FIN, Fédération des Industries Nautiques, Lagoon, Fountaine Pajot, Leopard, Bali, Yot, Prestige, Four Winns, Windelo, Catana, Aquila, Aventura, Dracan

 

Bali, part of the Catana Group, showed six sail cats ranging from the Catsmart (39ft) and Catspace (40ft) to the 4.2, 4.4, 4.6 and flagship 5.8, while another Catsmart and a Bali 5.4 were exhibited independently. Sister brand Catana showed its 49ft OC (Ocean Class), while Aventura showed its 45 and 37 sailing catamarans in the main exhibition area.

 

Other sailing cats from France included Privilege Marine’s Signature 580 and 510, Ocean Rider Catamarans’ flagship ORC57, Outremer’s 55 and 52, an electric Windelo 50, and Nautitech’s 48 Open and 44 Open.

 

Overseas builds included the Knysna 500SE by South Africa’s Knysna Yacht Company, the HH44 by China’s HH Catamarans, and the Seawind 1370 (45ft) and 1170 (39ft) by Australian-owned Seawind Catamarans, which has production facilities in Vietnam and Turkey.

 

For the 2026 edition, which will be held from April 22-26, organisers have talked about a redesign “to offer an even better experience that meets the expectations of professionals and visitors alike” while maintaining the show’s “subtle mix of business and friendly atmosphere”.

 

Popovici said: “In a challenging economic climate, people in the industry need trade shows and we’ve got big plans for the next one, which we’re already working on.”

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Sanlorenzo Asia-Pacific, Sanctuary Cove, boat show, Australia, Queensland, Sanlorenzo, SX76, Bluegame BGX63, Daniele Luca

Sanlorenzo APAC debuting at Sanctuary Cove

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Sanlorenzo APAC debuting at Sanctuary Cove

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The regional representative will display both Sanlorenzo and Bluegame motoryachts at this year’s Sanctuary Cove International Boat Show.

 

Sanlorenzo Asia-Pacific, Sanctuary Cove, boat show, Australia, Queensland, Sanlorenzo, SX76, Bluegame BGX63, Daniele Luca

Sanlorenzo SX76 in Australia; Photo: Salty Dingo

 

Sanlorenzo Asia-Pacific will make its Sanctuary Cove International Boat Show at this year’s edition of the popular Queensland event, which will be held at Sanctuary Cove from May 22-25.

 

Sanlorenzo Asia expanded to become Sanlorenzo Asia-Pacific last year after the Italian shipyard bought Simpson Marine, with the regional dealer following up by opening a Sanlorenzo office in Sydney led by Joachim Howard, Sanlorenzo Australia Country Manager.

 

Sanlorenzo Asia-Pacific, Sanctuary Cove, boat show, Australia, Queensland, Sanlorenzo, SX76, Bluegame BGX63, Daniele Luca

A Bluegame BGX63 in Sydney

 

Sanlorenzo Asia-Pacific has announced that it plans to display both the Sanlorenzo SX76 and Bluegame BGX63 at the Sanctuary Cove show. The SX76 is the smallest model produced by Sanlorenzo, which builds from about 24-80m, while Bluegame’s motoryachts range from 12-25m.

 

Daniele Lucà, CEO of Sanlorenzo Asia-Pacific and Simpson Marine, said: “We are delighted to present Sanlorenzo and Bluegame to the Australian audience at the biggest yacht show in the southern hemisphere, with over 750 yachts on display, spanning the entire range of boats, marine equipment and services.

 

Sanlorenzo Asia-Pacific, Sanctuary Cove, boat show, Australia, Queensland, Sanlorenzo, SX76, Bluegame BGX63, Daniele Luca

Daniele Lucà, CEO, Sanlorenzo Asia-Pacific

 

“Australia is an increasingly important market for our brands and the leading destination for superyacht ownership in APAC, with discerning yachtsmen looking for bespoke yachts that offer exceptional comfort, innovation-driven performance, and design excellence tailored to the region’s unique cruising grounds.”

 

Sanlorenzo Asia-Pacific has also indicated early interest in participating in the newly scheduled Sydney International Boat Show, which will be held in Darling Harbour from November 13-16.

apac.sanlorenzoyacht.com

 

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Amels 80, Netherlands, Damen Yachting, Burgess, Espen Øino, Sinot Yacht Architecture & Design, Rose Damen, Sean Bianchi, Adriaan Roose, Paul Costerus

First Amels 80 launches in Netherlands

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First Amels 80 launches in Netherlands

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Hull one of the largest Amels Limited Editions model to date has been launched in Vlissingen, with Damen Yachting, Burgess and Sinot praising the 80m build.

 

Amels 80, Netherlands, Damen Yachting, Burgess, Espen Øino, Sinot Yacht Architecture & Design, Rose Damen, Sean Bianchi, Adriaan Roose, Paul Costerus

 

Damen Yachting has launched the first hull of the Amels 80, the flagship of the current Amels Limited Editions series. Announced in early 2022 and sold by Burgess later that year, the 80m superyacht has a beam of 12.5m, a volume of 2,175GT, naval architecture by Damen Yachting, exterior design by Espen Øino and an interior by Sinot Yacht Architecture & Design.

 

Rose Damen, Managing Director of Damen Yachting, said: “With the launch of the first Amels 80, we have reached another landmark achievement in the history of Amels. I would like to thank our client and the team at Burgess for entrusting us with this very special build. We are honoured and excited to see the final phase through to delivery.”

 

Burgess sold hull one six months after the model’s online introduction and has since managed the build on behalf of the owner. Now entering the final stages of outfitting, sea trials and commissioning, the yacht is scheduled to be delivered to its owner in the summer.

 

Amels 80, Netherlands, Damen Yachting, Burgess, Espen Øino, Sinot Yacht Architecture & Design, Rose Damen, Sean Bianchi, Adriaan Roose, Paul Costerus

 

Sean Bianchi, Partner and Head of Burgess Technical Services: “We are delighted to see Amels 80 hull one depart her construction dock and enter the commissioning and sea trials phase. This milestone marks the culmination of close collaboration between Damen Yachting, Sinot and the owner’s team in crafting a yacht that is truly one of a kind.

 

“As the first 80m Limited Editions, this yacht has evolved into something truly extraordinary through the owner’s vision and meticulous input. With her striking exterior lines and a bespoke interior like no other, we are proud to support both the owner and the shipyard in bringing her to life. She is set to become an icon, instantly recognisable by her distinctive paintwork and exceptional design.”

 

Engineered with a hybrid propulsion system, the Amels 80 offers reduced emissions, quieter operations and efficient cruising, with a range of 5,000 nautical miles at 12 knots. Design features include a foredeck helipad, 200sqm sundeck, private owner’s deck and a 6.5m swimming pool, while the beach club includes a spa, sauna, gym, hammam and massage room.

 

Amels 80, Netherlands, Damen Yachting, Burgess, Espen Øino, Sinot Yacht Architecture & Design, Rose Damen, Sean Bianchi, Adriaan Roose, Paul Costerus

 

Damen Yachting’s Adriaan Roose, Product Design Manager for the Amels 80 series, played a vital role in fulfilling the client’s expectations and implementing their desired customisations. “The Amels 80 offered the client many custom options while still benefitting from the shortened delivery time,” Roose said. “This yacht is the ultimate balance of individuality and efficiency.”

 

The interior by Sinot, in the Dutch studio’s first collaboration with Amels, includes accommodation for 14 guests – in seven luxurious suites – and 20 crew plus the captain.

 

Described by Damen Yachting as “a sanctuary of calm refinement”, the interior includes a strong use of natural materials and “features fluid transitions between spaces, while a soft, neutral palette encases the occupants in the highest levels of luxury”.

 

Paul Costerus, Partner at Sinot Yacht Architecture & Design, said: “The Amels 80 provided us with the opportunity to develop something truly unique. You will feel at home from the moment you step on board.”

damenyachting.com

amelsyachting.com

 

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