Binance NFT celebrates Elephant Day with inaugural Jim Thompson NFTs
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In collaboration with NFKings Productions.
Aug 02, 2021 | By Terence Ruis
Binance NFT has teamed up with Jim Thompson and NFKings Productions on an exciting new “Mystery Boxes” sale to celebrate Elephant Day on August 12, 2021.
“Mystery Boxes” are an innovative and engaging way for Binance NFT users to unlock special NFTs. Each “Mystery Box” is guaranteed to contain one NFT, ranging from common collectibles to ultra-rare, limited-edition NFTs. All users are provided with an accessible and exciting way to add new NFTs to their collection.
Jim Thompson NFT Mystery Box. Image: Jim Thompson
For the upcoming “Mystery Boxes” sale, Binance NFT has partnered with the iconic lifestyle brand Jim Thompson to launch a limited series of 10 collectible elephants. Jim Thompson is renowned for its range of lifestyle products using only the finest silk and unique craftsmanship that originates from Thailand.
Everyone who buys an NFT from the First Sale will be entitled to one year of Jim Thompson’s loyalty enrolment. Membership level (and associated discounts) will depend on the rarity of the elephant.
Users who collect one elephant from each tier (Common, Rare, Super Rare, Super Special Rare) will be entitled to enter a draw to win exclusive prizes including Vouchers, Unique Private Dinner Experience for 2 at Jim Thompson House in Bangkok, Romantic Dinners for 2 on the Chao Praya River, a Two-night stay at the Jim Thompson Suite at the Mandarin Oriental Hotel, Bangkok and, last but not least, the opportunity to name one elephant rescued by “Save the Elephant Foundation”.
Part of the sale proceeds will be donated to the recognized Thailand-based Foundation, which provides care and sanctuary to ageing elephants.
Frank Cancelloni, CEO of Jim Thompson shares “This project is an exciting milestone for Jim Thompson who has always been associated to beautiful Elephants design on its products. Thanks to the great partnership with NFKings Productions, Binance and Heart Media Group, elephants lovers and Jim Thompson fans will have the opportunity to own a unique Jim Thompson NFT elephant and win experiential prices”.
Matthew Lim, CEO of NFKings Productions adds “We are very proud to have brought Jim Thompson, a brand with so much history and heritage, into the NFT scene. This project is just the start of how we are going to see an inevitable marriage between the physical and digital world. Blockchain technology through the application of NFTs has now enabled traditional businesses like Jim Thompson an opportunity to experience and interact with the increasingly digitally savvy user base in a scalable and efficient manner.”
This NFT sale is supported by Heart Media Group which owns and operates across Asia various lifestyle media such as LUXUO, L’OFFICIEL, YACHT STYLE, PALACE, MEN’S FOLIO, ART REPUBLIK and WOW.
See you all on the Binance NFT Platform (www.binance.com/en/nft/home) on August 12 2021 to participate in a very unique “Mystery Boxes” NFT sale.
“Jim Thompson is a recognized iconic Thai lifestyle brand, with a global reputation for its beautiful silks. Offering a wide range of exquisitely designed high-quality products that include ready-to-wear, lifestyle accessories, home furnishing fabrics, as well as fine Thai dining experiences with restaurants in Thailand, Singapore, and Japan. The company is highly vertically integrated, from silkworm breeding, cocoon reeling, degumming and dyeing, hand and power loom weaving, printing and finishing, right through to the cutting and sewing of finished products. Jim Thompson fashion products are available through a large network of stores in Thailand as well as online at www.jimthompson.com and its home furnishing fabrics are distributed in more than 60 countries worldwide.”
Jim Thompson, an American military officer posted to Thailand after the Second World War, founded The Thai Silk Company Limited in 1951 along with a group of his friends including Thai nobility and silk merchants. Jim Thompson is credited with the revival of the then moribund Thai silk cottage industry and successfully introducing handwoven Thai silk to the fashion and home furnishing fabric world. Jim Thompson is very well known by all tourists visiting Thailand thanks its elephant inspired fashion items and Jim Thompson himself designed one Elephant which is the Super Super Rare Elephant of the NFT mystery box.
He also designed and completed in 1959 the famous Jim Thompson House which is today one the most visited landmarks in Bangkok. On 26 March 1967, while on holiday in Malaysia’s Cameron Highlands, Jim Thompson walked out of the Bungalow where he was staying and disappeared never to be found. The mystery of his disappearance has never been solved…
Established in 2021 by two young entrepreneurs from Singapore and Macau, NFKings is a fast-growing NFT creatives and production company that has now signed over 100 world-class IPs and brands, to create, produce and distribute their NFTs. The Company’s first distributed IP, TokidDoki, sold over US$2.5mil of NFTs in minutes (June 2021).
Binance Labs Invests In NFKings, NFT Creatives and Production Company
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NFKings is an NFT creatives and production company with over 100 intellectual properties (IPs) to date.
Image: Binance, NFKings
Binance Labs, the venture capital arm and incubator of Binance, has revealed a brand-new strategic investment in NFKings. The latter is an NFT creatives and production company with over 100 intellectual properties (IPs) to date.
The new partnership will allow Binance NFT and NFKings to bring the gamification and digital creativity of the NFT ecosystem to the next level. It will see NFKings IPs and brands feature their own NFTs on the Binance NFT marketplace platform, to create seamless interactions with customers.
In a statement, CZ (Changpeng Zhao), CEO of Binance, said that the new investment is in line with the company’s dedication to building an inclusive NFT ecosystem. He also said the aim of the partnership is to “foster the growing NFT industry and bring unique digital content to the global blockchain community”.
Image: Matthew Lim
Matthew Lim, co-founder of NFKings said: “The amount of investment interest into NFKings by some top-notch investors and IP owners has given us great validation of our core business model. NFTs are here to stay and it is our responsibility to build a viable and sustainable ecosystem where brands, IPs, and their customer base can interact seamlessly. We aim to work with Binance NFT to achieve this.”
Binance is the world’s largest bitcoin exchange and altcoin crypto exchange by volume, with over 2 billion transactions daily — that averages out to 1.4 million transactions a second. Its portfolio of cryto products spans trading and finance, education, data and research, social good, investment and incubation, decentralisation and infrastructure solutions, and more. Its incubator, Binance Labs, identifies and invests in blockchain entrepreneurs and startups, providing funding to projects that help advance the blockchain ecosystem at large.
NFKings was established by two young entrepreneurs from Singapore and Macau. The founding team is made up of veterans from numerous fields including digital creative design space, blockchain technology, e-gaming, and artiste management. NFKings’ first distributed IP, tokidoki, sold a jaw-dropping US$2.5 million worth of NFTs in seconds.
TAG Heuer Aquaracer: A Bold Timekeeping Instrument
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The TAG Heuer Aquaracer collection gets a major refresh for 2021, with ergonomic performance top of mind. We put the watches through their paces while creating a visual impression of what they represent.
By Ashok Soman
Image: CHING@GREENPLASTICSOLDIERS
When we wrote in issue #59, just a few short months ago, that TAG Heuer should spare a little love for its dive watch collection, the Aquaracer, I really had no idea that a suitable reply would be coming from the manufacture quite so soon.
Here is what I wrote in that story: “Taking note of the winds of change that are swirling around watchmaking once more, we hope that the powers-that-be at the brand and LVMH consider the powerful allure of the dive watch, and seize the opportunity with what is already a pretty good model. It could be great.” Ask and ye shall receive, apparently. Well played TAG Heuer.
Before I let my enthusiasm for the Aquaracer get the better of me, a few confessions are in order. I wrote an extensive story on the family of watches known as the Aquaracer in 2018 for the Indonesia edition of WOW, and I followed up with the aforementioned piece last year. Part of the reason for this is that one of my first proper watches was a TAG Heuer 2000 Series chronograph, featuring an early appearance of the full colour version of the TAG Heuer logo on the dial.
It is only one of several dive watches that I own, or have owned. While my current tastes go in quite a different direction, the dive watch is a must-have for most people who love watches. In this case, I am still in the “most people,” camp. The overall popularity of the dive watch is a narrative thread woven into a number of parts of this story, which is likely the most personal of cover stories we have done in the last five years. The TAG Heuer Aquaracer is the contemporary successor to the aforementioned 2000 Series, after all.
Admissions of bias aside, I will also assert that dive watches are far more than useful tools for professional and amateur divers. We certainly put the watches through full immersion testing while shooting the images you see here, and no harm came to any of the Aquaracers. Even such superficial challenges are far from the reality that these watches will face on the wrists of the enthusiasts and collectors. Amateur divers may well put these watches through their paces, but even they will not touch the depths that the 300m water-resistance promises.
That said, we are getting ahead of ourselves here, because you may be surprised by TAG Heuer’s focus on the dive watch this year. Yes, despite our exhortations and my own advocacy, TAG Heuer is not strongly associated with water sports. For that reason, we will begin this story with a couple of old Heuer models called Seafarers and Mareographs. These watches offered the very specialized tidal indications function, and were in the Heuer range from the 1950s to the 1970s.
The story goes that Jack Heuer himself — then just 15 — created the first tidal indication watches for the Heuer manufacture. In his biography, he notes that he collaborated with his high school physics teacher to calculate the wheels and cogs needed to show the times of the tides at a specific location. It will turn out that on the waves or below them, the story of TAG Heuer timekeepers might be titled the Life Aquatic with Jack Heuer.
To return to the Aquaracer for a moment, I can confirm that over the years, the various versions of this model have always got the job done beneath the waves, in such a way that you never need to think about the watch. My wife has taken one version, the quartz model from 2018, diving and it survived her… As for legibility, I cannot speak to how it performs in the no-light conditions beneath the waves, but in low-light scenarios the luminosity is perfectly acceptable. It also will not startle anyone in a cinema, which is a very real issue with some luminescent watches. The story will return to professional standards briefly, but for now, the history lesson continues.
The birth of the Aquaracer collection
As mentioned briefly in the introduction, the Aquaracer is certainly not TAG Heuer’s first dive watch. Not for nothing but the Swiss Heuer watch firm patented its first water-resistant case in 1895 — a pocket watch no less. It is not the first such case in watchmaking, and there is a big difference between making any sort of dive watch and a watch that is merely water-resistant, but this 19th century patent shows that engineering excellence has been the order of the day from early on at TAG Heuer.
Three versions of the Aquaracer Professional 300 43mm in steel. Image: TAG Heuer
The contemporary collection got started under this name in 2004, as the TAG Heuer 2000 Aquaracer, which was both the first appearance of the Aquaracer name, and the last hurrah for the 2000 Series. From the next year, Aquaracer watches no longer carried the 2000 moniker. It was this earlier collection though that heralded TAG Heuer’s entry into the undersea realm, so it is worth a short look before we turn to the Aquaracer in particular.
The 1980s were not the best of times for the Swiss watch industry, as many of you will no doubt know. The entire trade had to justify its existence, now that cost-efficient and cutting-edge quartz technology had delivered precise timekeepers to, well, everyone. The Heuer watchmaking firm (it had yet to get its TAG, as it were) had a novel solution, pushed reportedly by the legendary Jack Heuer himself. Basically, in the 1970s, Jack discovered a significant gap in the market – reliable timekeepers, at a reasonable price, for aquatic activities.
Thus, just as the 1970s closed out, was born the Heuer Diver Professional, also known as the 1000 Series. Although mostly powered by quartz movements, there were automatic and complicated versions too, such as the peerless Autavia Diver 100 chronograph in the early 1980s, but we digress. The point here is that Heuer was a pioneer in bringing the dive watch to more wrists than ever before, and it did so by taking advantage of quartz technology. In a way, the company was demonstrating that it would not buckle under pressure (and thus living up to its moniker in the 21st century).
Tribute to the Number 844
The diving helmet that marks the new Aquaracer models is distinct from the one that marks existing models. Image: TAG Heuer
Past and present collide in 2021 for the Aquaracer in the form of the Aquaracer Professional 300 Tribute to Ref. 844. Famed watch designer Guy Bove, who presented the entire collection for Watches & Wonders 2021 alongside TAG Heuer CEO Frederic Arnault, took the audience through a meticulous examination of all the major design points, and more than a few details. Perhaps this is to be expected, given that Arnault declared that the Aquaracer was his first watch… something he has in common with Bove. So it is that our journey into history is interrupted here by the magnificently named tribute number, which TAG Heuer itself calls a meeting between heritage and modernity. To our minds, this is simply the future of the dive watch at TAG Heuer, forged under immense pressure at the 21st century manufacture.
From the full name of the watch, you can immediately tell that it is a reference to a model known only by the number 844. While we went into some of the seagoing history of the Heuer brand, there was one watch in particular that opened up the depths to the watchmaker. It was 1978, and the watch known as Ref. 844 was what Jack believed the market needed, although he did express some trepidation because the Heuer company had no expertise here. The first dive watch from Heuer then was an experiment, which is why the word Professional is printed on the dial as Professionel. It was not an error, of course, and reflected the fact that Jack brought in a French specialist called Monnin to help develop and produce the first 844 models.
Today, these are known as the Heuer Monnin Reference 844 watches, according to The Veblenist; the maker of after-market straps went to the trouble of scouring the forums and some of our favourite TAG Heuer resources, including Calibre11.com, to get what looks to be the definitive story of the original 844 so we recommend you head there for that. For our purposes, we will note that this reference has been absent for too long from the official narrative of the Aquaracer. As the author of this story, my own biases for the successor 2000 series limit my ability to offer an objective look at Heuer’s first chapter in the world of dive watches. On the other hand, the story can and will note where and how the Tribute to Ref. 844 takes its cues, and how it represents the future of the Aquaracer.
To begin with, the 2021 limited edition is in Grade 5 titanium, which might well be the ideal material for a 43mm watch designed to withstand the equivalent of 300m of water sitting on top of it. The 42mm original was rated water-resistant to 200m, and was issued in stainless steel. It was likely also issued with a steel unidirectional bezel, with some kind of anodized metallic bezel insert. By way of contrast, the Tribute to Ref. 844 sports a titanium unidirectional bezel with black ceramic insert, which is just what is expected of a contemporary dive watch. It also tracks well with the 2014 rework of the Aquaracer collection, but there are some key changes here that we will address in the overall section on the 2021 makeover.
Back on the subject of the 844 vs the Tribute to Ref. 844, we continue with aesthetics, which in a tool watch are often functional too. On the dial, the original features an unusual 24-hour scale in red Arabic numerals, which is recreated in the Tribute to Ref. 844. While the original used tritium, this has been replaced with Super-LumiNova®, which is given the aged-look here. The hands and hour markers are entirely contemporary in the Tribute model, being essentially the same as the regular collection details, but completely different to the 2014 Aquaracer. The same is true of the caseback, except for the “One of 844” text, and the movement. Interestingly, the original 844 used a France Ebauches calibre, which was then the French equivalent of ETA in Switzerland today.
The final notable point in looking at both the 844 and the Tribute is the strap. Both are in rubber, but the original is a tropic strap while the Tribute model uses a perforated rubber strap. Essentially, the strap is punctured by octagonal holes at precise intervals. With that, we return to the regular chronology, and find ourselves in the 1980s.
Engineering made to last a lifetime
The magnifier in the new Aquaracer Professional models is particularly intriguing and notable, sitting on the underside of the sapphire crystal. Image: TAG Heuer
By the time the 1000 Series became the 2000 Series in 1983, TAG Heuer had successfully found the formula that would define prestige sports watches across the industry. As I learned on a TAG Heuer junket to Phuket a few years ago, there are six parts to this formula: superlative water-resistance (200 meters or more), screw-down crown, unidirectional bezel, sapphire crystal, luminous hands and hour markers, and a double safety clasp. More than 35 years later, these features still define the luxury professional sports watch, more or less.
The popularity of the Aquaracer at this time, and right through the 1990s, explains why men of different generations such as Bove and Arnault can find themselves united in sharing the same first watch. This may be so, but the collection itself went through several evolutionary stages at TAG Heuer, including that important moment when it got its official name, and the former practice of naming the series 1000, 2000 and so on was put to rest. One thing that did not change, and remains with us in the contemporary collection is that six-part formula.
It is important to remember that some elements of that formula relate to ISO 6425, the standard that governs proper dive watches. This relates mostly to the water-resistance level, the unidirectional bezel, and the legibility of the watch underwater. The water-resistance and legibility are mostly self-explanatory but the bezel could do with a bit of explaining. This kind of bezel turns only in one direction, theoretically allowing one to safely keep track of time spent underwater. Accidental knocks to this sort of bezel will only turn it anti-clockwise, making it seem like you have spent more time underwater than you thought, and making it necessary to surface sooner. It is all about safety first, you see (more details on dive watches here).
In reality of course, the unidirectional bezel is a last resort, and offers only a rough guide. As Roger Valberg noted, how much air you have in your tanks depends on how deep or shallow the breaths you take. The pressure gauge on the tank itself remains the best reference.
As far as water-resistance goes, it is a fair question as to why watch brands such as TAG Heuer go to such lengths to offer exceptional ratings; non-professionals are not going down to 100 meters, and those who do will likely get purpose-built tool watches (such as those for COMEX, for example). Such instruments are purpose-tested across the production run, which is where standards such ISO 6425 come in. This standard requires every watch in the production line to be tested, not just a sample, and adds to the price of the final pieces. The value of this to the average watch lover is highly subjective. Professional standards are highly specialised, and relate to specific scenarios, but when you buy a watch, water-resistance means something else.
Arguably, the idea behind the water-resistance is build quality, which Bove alluded to in his introduction to the Aquaracer collection. This generally means that the watch has been engineered to the level that it is suitable for professional use, even though that is not its purpose. In cars, we see the same philosophy of over-engineering; no one is going to hit all the peaks of a Porsche in everyday driving, but it is nice to know that you could, if you had to. Of course, a road-going version would perform very differently to a track version, and legal restrictions (also common sense) prevent overlaps in the extremes.
Bold design for the future
Profile view of the Aquaracer Professional 300 Tribute to Ref. 844. Image: TAG Heuer
The new Aquaracer line-up consists of eight watches in two sizes, three case materials, and various colours and dial variations. That seems easy enough, and we have already covered the Tribute to Ref. 844, leaving us with seven more pieces. As mentioned in that earlier section on the Tribute model, there are some common features that distinguish the Aquaracer as a collection, and are reflected in all models, including the Tribute. Of the seven core models, four are sized at 43mm and three are more petite at 36mm, which appears to be the default-yet-unofficial unisex size. Across all eight models, stainless steel is the case material of choice with the exception of a single watch in Grade 2 titanium, which is distinguished by its green dial, and of course the aforementioned Tribute version. The rest of the stainless steel models are available with either blue, black or silver dials.
In addition, notable upgrades over the existing models include a scratch-resistant ceramic insert, now basically a necessity on luxury watches, a magnifier integrated under the sapphire crystal, which keeps the exterior surface smooth, and the application of green and blue Super-LumiNova® on the hour and minute hands for improved clarity and legibility under low light conditions.
The profile of the Aquaracer’s case, bezel, and bracelet was also slimmed down in response to modern demands for improved ergonomic performance. The manufacture recognised that not all who buy an Aquaracer are looking to explore the ocean’s depths. Many landlubbers simply desire an elegantly versatile and robust timepiece to accompany them in a variety of different environments. Bove confirmed this point while introducing the collection. Practically speaking, this means the new Aquaracer’s profile was minimised, with the bezel having lost a full 1mm. It also lost the grips that defined the collection since the days of the 2000 Series, but gained the grip-friendly texture of the 844. Bove was keen to show off what he called the pleasing clicks of the bezel as it turned, and we can report that it does sound oddly satisfying. Adjusting the bezel is physically a pleasant experience as well – if you did not know the grips were there before, you would never think the bezel needed it.
Another significant appointment is the new integrated metal bracelet with an improved fine adjustment system, which allows the user to easily extend or reduce its length on the go to fit over a wetsuit or in accordance with changes in climate and temperature. The new design of the Aquaracer Professional 300 is rounded off with a tweaked scaphander diving helmet motif on the caseback, an emblematic feature since 2004. The helmet is now more angular and features a 12-faceted faceplate which reflects the updated bezel design. Other commentators observe that one of the nifty details of the current design is that the diving helmet is now in the same position on all watches. Previously, the helmet could have been askew depending on how the caseback was fitted, so if you sent it in for servicing it might have come back a little different.
On the dial, the octagonal hour markers are a nice detail, which is sometimes incorrectly described as dodecagonal, like the bezel. The horizontal lines across the dial remain, although the spacing appears to have opened up. Bove suggested that even the steel models are lighter than their 2014 predecessors, but it is certain that the titanium versions are lighter, to the tune of 50% versus the same model in steel. Shorter and steeper lugs might also make for a better fit on the wrist, while simultaneously making any of the new Aquaracers feel lighter.
Between the dial and the caseback, the movement is actually the easiest to address in this update because everything is powered by the automatic Calibre 5, even with the change to the date position in the 2021 models. To recap on this calibre, it is TAG Heuer’s version of the automatic Selita SW200 or the ETA 2824-2 (which are basically interchangeable). The balance beats at 28,800vph and the power reserve is 38 hours. Given that TAG Heuer is pretty firm on keeping the watch slim, any calibre lined up for this collection will have to take that into account. For the record, the manufacture informs us that the 2021 Aquaracer is 12.20mm thick, as opposed to the 2014 version, which is 12.55mm thick. Now neither of those measurements are particularly chunky, when one considers that dive watches are typically above 14mm in thickness.
Prestigious watch adapting to all lifestyles
Image: TAG Heuer
It may surprise collectors and enthusiasts alike to realise just how big a part the Aquaracer plays in the contemporary TAG Heuer story. Almost every year, to use just one example, the brand has a very strong focus on its racing legacy watches, including the perennial favourite, the Carrera, but also important standards such as the Formula 1 family and the Monaco.
Nevertheless, if you take a look at the TAG Heuer website, the sheer scale of the Aquaracer collection cannot fail to impress you. There are simply too many to get into here, even if this entire story had been dedicated to showing them all. This brings us to the existing 2014 models, most of which appear to remain in the offering. This is unusual but not unheard of, and will no doubt offer a useful point of reference for the brand, and perhaps some useful data from the website. The biggest advantage for Aquaracer enthusiasts though is the ability to benchmark the current collection against its own recent past.
At any rate, the collection continues to celebrate variety. From mechanical models powered by Calibre 16, Calibre 5, Calibre 9 and Calibre 45 to quartz offerings and gem-set versions, there is something for everyone here. Chronograph lovers should take note that there remain only quartz models for now, but we are sure that this complication will return in mechanical form sooner rather than later. We draw your attention to the Aquagraph from 2002. This professional dive watch (discontinued since 2008, roughly) was water-resistant to 500 meters and the chronograph could actually be activated underwater, which is a rarity among dive watches. It was also an automatic, not quartz, and was tested and certified by the US Navy Seals, according to TAG Heuer.
Ermenegildo Zegna Group To Go Public in SPAC Deal Worth $3.2 Billion
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Upon completion of the deal, the Zegna family will retain a controlling stake of approximately 62 per cent.
By Terence Ruis
Credit: Ermenegildo Zegna
Italian luxury house Ermenegildo Zegna Group has agreed to go public by merging with Investindustrial Acquisition Corp. (IIAC), a US special-purpose acquisition company. The deal values the world-renowned fashion house at US$3.2 billion.
Upon finalisation of the transaction — expected to happen in the fourth quarter of 2021 — the Zegna family will hold onto the company’s control with a stake of approximately 62 per cent. IIAC will be provided with an 11 per cent stake in the Italian brand.
This is a strategic shift for the 111-year-old family-run business and follows a trend of consolidation in the luxury goods market. In 2018, Michael Kors Holdings Ltd. acquired Versace for US$2.1 billion. Earlier this year, LVMH Moët Hennessy Louis Vuitton SE purchased Tiffany & Co. at US$15.8 billion. Unlike these deals, however, Zegna’s transaction allows it to go public yet retain a controlling stake.
Credit: William Daniels
In a statement to FT, Gildo Zegna, the brand’s 65-year-old CEO said Zegna could have remained independent for another 100 years, but felt the moment was appropriate as “the world has changed a lot and luxury has become very challenging”.
He added: “The opportunity came and we took advantage. Scale is becoming important . . . with the right partner . . . we can do a super job in taking new opportunities if they come along.”
Zegna was founded by Ermenegildo Zegna — Gildo’s grandfather — as a fabric maker in 1910. Since then it has grown into a global leading player in luxury menswear. It has hit numerous milestones along the way, including becoming the first luxury menswear brand to open in China. Now, Greater China represents Zegna’s largest market.
In 2018, Zegna acquired the majority stake in American luxury fashion brand Thom Browne. The move came about as Zegna sought to attract a new generation of customers. Since the acquisition, Thom Browne has doubled its revenues.
Attracting a younger customer base remains a key focus for the brand.
Story Seychelles: The New ‘Paradise on Earth’ Now Welcomes Guests
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A paradise awaits your arrival this summer.
By Joseph Low
Credit: Story Seychelles
Luxury hospitality management company, Story Hospitality has opened its flagship hotel in Seychelles: Story Seychelles. Located on the scenic island of Mahè, the hotel is surrounded by the pristine beach and turquoise water of Beau Vallon.
Credit: Story Seychelles
Just in time for the beginning of summer, the luxurious hotel boasts a total of 100 suites and villas to accommodate families or couples looking to take a break from the hustle and bustle of city life. This lavish experience awaits guests to explore as they craft their own stories through the carefully curated activities. Be it enjoying a full day of spa or embarking on a gastronomic journey through the eclectic choice of restaurants available, not a day is wasted at this new hotel.
Credit: Story Seychelles
The island nation of Seychelles is home to many of the world’s most expensive hotels and Story Seychelles is a great addition to the family of resorts around. What makes this establishment unique is the unparalleled view of the Indian Ocean and guests can also take a dive and swim among the biodiversity.
Credit: Story Seychelles
“Fuelled by a unique set of operating beliefs, [the new hotel]’s objective is, in essence, to inspire its guests by kindling passions and awakening new dreams either through their introduction to new experiences, or to existing experiences but freshly perceived in novel and surprising ways,” said the hotel in a statement.
The United Arab Emirates-based luxury hotel is only a 20-minute drive away from Seychelles International Airport and 10 minutes from Victoria (the capital).
For more information or to make a reservation at Story Seychelles, head over to their website here.
American Artist Burton Machen: “Art raises our consciousness”
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Known for his “urban decay” style, Machen chats with us about controversial figures, his creative process and art’s influence on society.
By Joseph Low
Pursuit of Happiness Cuffs
Whether it is present on a canvas or a photograph, art’s melange of medium has an ultimate aim: shedding light on pertinent issues that might otherwise be overlooked. Artist Burton Machen is fond of using portraits of famous figures to convey his message, and he encourages collaborations so that there is engagement between what he has created and what people think. Documenting “urban decay” is what fascinates Machen the most because the final product contains elements from various sources and in totality, it speaks volumes of what society thinks of the current situation.
To understand more about Machen as an artist, we speak to him about his creative process and his philosophy in creating art.
You were born in Ashville, Alabama in 1970 and you have lived in Los Angeles, New York, Washington DC, New Orleans, Atlanta and Rio de Janeiro, Brazil. You also travelled numerous times to Europe and Asia. Tell us more about your first steps as an artist and how these travels around the globe have “impacted” your vision of the arts?
Being from rural Alabama and living [in the south] for the first 16 years of my life gave me an appreciation for nature and how nature puts its mark on objects, buildings or anything exposed to the natural elements over time – marking the passage of time. As I’ve travelled around the world I’ve noted the natural evolution created by the elements is much the same everywhere.
It varies depending on humidity and dry climates but the natural elements create the evolution of things or the deterioration of things, which to me are one in the same. As things evolve what was deteriorates and evolves into what is. In urban settings, this process is much the same but the addition of human action or interaction and location culture, customs, colloquialisms all play a part. Also, the colour palette varies greatly from place to place.
You are a photographer at heart. Yet, you seem to take inspirations from very diverse sources – politics, pop music, television series, movie posters – how would you describe your style?
Artist Burton Machen
My photographic style is very much documentarian and interactive. My collage work is visually much the same. Both are studies of human nature and the human psyche and also showing the effect of the passage of time.
Tell us more about the “Portraits Project” which has generated substantial interest for your art?
Ali
I’m fascinated by human nature and like to observe how people interact with elements (portraits) on the street. Whether it be deliberate with street art and graffiti or reactive by trying to destroy the piece or deface it, or by simply writing a comment.
My Urban Evolution Portraits Project series process is where I wheat paste portraits of people up on abandoned buildings or structures, some of the people are famous and some not. Some loved and some despised. I then watch to see the reaction that they incite. So much of my work (Urban Evolution and Portraits Project) is basically the documentation of a visually expressive conversation. Once the starter piece is up the conversation begins. One element is added and then causes a reaction or statement from someone else and the conversation continues until the subject matter is lost and no longer visible or known.
It’s the fact that people are unknowingly collaborating on these pieces with me and with each other that really fascinates me.
A lot of your work deals with a sociological observation of societal power structures. Your work also contains political themes (The “Mao Zedong” series for instance). Do you see yourself as an “engaged” artist?
Mao
I am and I like to engage others. I believe that we are constantly creating, collaborating with each other all of the time. We just don’t often take responsibility for what we create because we are unaware of our participation. We don’t own it but our actions speak volumes all the same.
You have been advocating the raw power of “Street Art”. What is the most challenging part about creating your artworks?
Butterfly
Navigating and actually getting the pieces up legally and without being noticed. Also, having people realise that if I put up a portrait of a controversial figure it’s because I want to know what the portrait painted by society will be? How will it look? What will it say? It’s not that I like or approve of all of who/what I put up. I’ve taken a break from posting new images for the last couple of years. In those years the world has changed and I am now called to put up images of people who have been instrumental in changing our world. In positive, negative and yet to be defined ways. I find it challenging to watch and allow things to evolve as they do especially when what evolves does not reflect my opinion or attitude. Allowing that to be what it is takes great restraint on my part. It was easy enough when posting celebrities but when the people being posted are less benign it’s much more intense. We’ll see how this next generation of Portraits Project evolves.
What is the role the artist plays in society? How important is the space given to artists in modern American society
Pursuit of Happiness
I believe that artists act as mirrors. They wake people up to what’s really going on in the world. Art is not always about presenting a pretty picture. Sometimes it’s about revealing what lies beneath the surface. Exposing what we don’t consciously acknowledge. Exposing the dark side (hidden side) so that we may allow light in to see more clearly and understand the world and ourselves a bit better.
You have today collectors around the world. You are referenced amongst the leading global art websites. How does such recognition inspire you?
A series of images captures the evolution of a painting after the artist puts it on a wall
My experience through my art with both artists and collectors have given me respect for the platform artists have to influence and shape the world. It inspires me to be more direct and intentional with what I create.
What is the current project you are working on? In which city can we expect to see your next solo exhibition?
Pickford
A feature film that I created artwork for with writer, producer and director Jennifer Delia is in the process of being released. It is called “Why Not Choose Love? A Mary Pickford Manifesto” and it premiered at the 2019 Venice Biennale along with an installation of artwork from and inspired by the film. Follow Jennifer and the film on Instagram: @jennifer.delia@marypickfordmovie
I am also working on a few commissions. One is a portrait for a collector of their family and the other is a collage derived from and inspired by one of my Urban Evolution photographs. Also, I’m looking to start a new collection (new incarnation) of Urban Evolution Portrait Project — one that goes deeper into equality and inclusion. Erasing racial identity. Erasure.
Can you let our readers know which is your favourite art museum in the US?
There are so many that I have not been to but of the ones I have been to I am partial to the Whitney Museum in NYC and the Broad in Los Angeles.
If you were to name one mentor who has inspired you in your life and path as an artist, who would that be?
Visually I’m inspired by many… a few of which are… Shepard Fairey who I was fortunately lucky enough to do a collaboration with his clothing company OBEY. Mark Bradford is another… though I was making art long before I discovered Bradford’s work, I found parallels with our art. He continues to inspire me and his work resonates with me. Stuart Davis is another.
Personally, I’ve been mentored and inspired by a 25-year friendship with a very spiritual and kind-hearted artist named Geraldine Neuwirth. Her commitment to her art and her ability to tell a story with her art is awe inspiring.
Her willingness and ability to allow the work (and spirit) to flow through her has influenced the way I approach creating art. I aspire to have the discipline and dedication she does. Follow her Instagram: @geraldineneuwirth
Head over to the artist’s Instagram: @burtonmachen or visit his website burtonmachen.com to view more of his artworks.
Rolls-Royce Landspeed Collection Celebrates The Forgotten Record Holder
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In total, Rolls-Royce plans to manufacture only 25 Dawn Black Badge and 35 Wraith Black Badge.
By Joseph Low
Rolls-Royce Wraith Black Badge Landspeed Collection
The year was 1937 when Captain George Eyston’s Thunderbolt reached a record land speed of 312 mph, powered by two Rolls-Royce R V12 aero engines. The British racer was not new to the world of racing as two years prior, he had already set new 24-hour and 48-hour endurance speed records held at the Bonneville Salt Flats in Utah. For his outstanding achievements, he was presented with the Segrave Trophy — an award to “British national who demonstrates Outstanding Skill, Courage and Initiative on Land, Water and in the Air”.
While the world is acquainted with Sir Malcolm Campbell and his car, Blue Bird, he was bettered by Eyston and the new record timing would stay in place till 1939. More than eight decades later, Eyston’s accomplishments still hold a special place in the chronicles of Rolls-Royce. Determined to proclaim to the world Eyston’s inspiring feat, the British marque has unveiled two special versions of the Wraith and Dawn in a Black Badge finish, which collectively is called the Landspeed collection.
“With this Collection, we have revived Eyston’s memory and retold his remarkable story. Throughout Wraith and Dawn Landspeed, clients will find numerous subtle design elements and narrative details that recall and commemorate his amazing achievements, grand vision and exceptional courage.” — Torsten Müller-Ötvös, CEO, Rolls-Royce Motor Cars
The Landspeed collection, unfortunately, is not equipped with the V12 engines seen in the Thunderbolt. Only about 19 of these engines were ever made and the ones in the Eyston’s are now preserved at the Royal Air Force Museum, Hendon and the Science Museum in London. Motor enthusiasts be sure to mark down these places and make a quick pit stop when visiting the UK. In replacement, Rolls-Royce has fitted the well-known 6.6-litre twin turbo engine, which also provides the same horsepower as the V12.
In designing the marque’s Landspeed collection, the allure of the Bonneville Salt Flats has been irresistible to dismiss. Aside from being the prime location for famous motor events, stunning views at night also warrants attention. The star-filled sky is meticulously captured in the Wraith Landspeed’s Starlight Headliner, which calls to mind the heavens of 16 September 1938, the date that Eyston and Thunderbolt sealed their last land-speed record. Using exactly 2,117 fibre-optic ‘stars’, they are fastidiously placed to resemble the constellations of that date and the largest number of stars ever fitted in a Roll-Royce Wraith Starlight Headliner.
Elsewhere on the car, identical Grosgrain weave silk and colours as with Eyston’s accolades he had received during his lifetime can be found on the driver’s door — Military Cross for serving in the Great War, a Chevalier Légion d’honneur and the Order of the British Empire. Reminiscence of the Thunderbolt could be seen with the occasional splashes of yellow and black, a combination pertinent in allowing the day’s timing equipment to accurately record the results. The colours are translated subtly onto the clock, which also resembles closely to the instrument dials of the Thunderbolt.
The Landspeed collection will no doubt be rare as the marque has planned to only manufacture 25 Dawn Black Badge and 35 Wraith Black Badge.
Ferrari Roma lives ‘la nuova dolce vita’ in Singapore
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The fastest way to enjoy ‘la nuova dolce vita’, the Ferrari Roma is a beautiful marriage of comfortable elegance and supreme speed – and looks even more stunning with Singapore as her playground.
Words: Aw Yizhong. Photos: Ital Auto.
The latest Prancing Horse has left the stables and arrived on the streets of the Lion City. Luckily for me, Ital Auto, Ferrari’s dealer in Singapore, invited Yacht Style to trial the new Ferrari Roma and experience a slice of la nuova dolce vita, the new version of Italy’s grasp of the ‘good life’ or ‘sweet life’.
When one thinks of the supercars that make up the marque’s impressive catalogue, the first thing that comes to mind is of a beast possessed of great power that must be tamed before one can bring this force to bear. But this couldn’t be further from the truth.
We’re not saying the Roma isn’t powerful. It is. But at first glance, the sleek lines and graceful curves of the Roma conjure feelings of lightness and speed rather than overwhelming force.
Think of the difference between a rapier and a broadsword. The former was designed to be light enough to strike quickly while the latter has more heft to it and provides more force to a blow when swung.
With its small, almost dainty proportions, the Roma is one of Ferrari’s lighter cars and this contributes to the way it accelerates and handles. But more on that later.
DETAILED LUXURY
Apart from its sophisticated curves, the Roma also sports an eye-catching paint job. For the model we tested in Singapore, Ferrari went with a more understated colour rather than their trademark Rosso corsa.
The dark blue coat had the same effect as a classic black tuxedo, giving off an air of mystery and allure. But under brighter conditions, the reflective specks in the paint caught the light and came alive, wrapping the Roma in a starry night sky.
The interior was similarly understated yet classy. The moment you’re seated, you become more aware of the car’s SG$888,000 price tag. The seats and much of the dashboard are finished in a mix of luxurious, full-grain Frau leather and Alcantara, while streaks of chromed aluminium and carbon-fibre provide tasteful highlights.
The classic furnishings of the dual cockpit blend seamlessly with the more modern appointments such as the driver’s widescreen display for main instruments and two additional touchscreens. The radical digitalisation of the Roma is Ferrari’s most extreme to date.
Practically all the controls were either an electronic switch or a touch-sensitive surface, apart from the iconic red ‘manettino’ knob used to switch driving modes.
Along with the choice to place more of the car’s instrument controls on the steering wheel, this is all part of Ferrari’s ‘eyes on the road, hands on the wheel’ philosophy. Slightly confusing at first, but much more intuitive than other layouts once you’re used to it.
TAMING THE STALLION
As mentioned, the Roma isn’t a speed monster that you must struggle with to control. Right off the bat, it handled like a dream.
As with the other turbocharged cars in the Prancing Horse stable, its throttle response was instantaneous, necessitating a gentler touch on the accelerator pedal. The 3.9-litre V8 mid-front engine produces 620hp and combines with the car’s small size and light weight to produce startling acceleration, reaching 100kmh in 3.4secs.
All the Roma’s innovative features, like the new eight-speed gearbox, come together to create a driving experience that’s beyond pleasurable.
When put in the hands of Sean Hudspeth, a professional race driver and official Ferrari driving instructor who accompanied us, the stallion’s full potential was revealed. With the manettino set to ‘Comfort’ mode, the Singaporean showed us how Ferrari designed the Roma to be more than just a sports car.
Accelerating and braking was efficient, and oh so smooth, even making it enjoyable to cruise along Singapore’s shorter roads, where traffic lights abound. Switching to ‘Sports’ mode then kicked things up a notch and left us in no doubt that we were riding a Ferrari.
Yes, we were in good hands with a pro behind the wheel, but for someone who only popped his supercar cherry about 10 minutes earlier, speeding round the bends of Vigilante Drive was both exhilarating and slightly terrifying for me. All I could do was try not to dig my nails into the expensive leather upholstery.
On the ride back, though, we swapped places and my heart skipped a beat as I had my first hands-on experience of la nuova dolce vita.
While I’m not a professional driver like my co-pilot, the ease with which the Roma handled amazed me. Switching lanes and overtaking other vehicles was a breeze.
One thing I will point out, though, is that the hood of the Roma is a little longer than conventional cars, owing to the front-mounted V8 engine, so be wary of that stop line.
To conclude, Ferrari’s new Roma is a masterful fusion of super speed and luxurious comfort. With good looks and superior handling, this new addition to the legacy of the Prancing Horse provides a heart-racing introduction to the good life.
www.ferrari.comwww.singapore.ferraridealers.com
Yacht Style’s annual Multihulls Issue highlights new models from the world’s leading cruising catamaran builders and features reviews of the Aquila 70, Lagoon 55 and Bali 4.8, as well as MCY 76 Skylounge and Ferretti Yachts 500, while Gulf Craft Chairman Mohammed Alshaali, Lee Marine and Water Revolution Foundation are also in the spotlight.
“So, an artist is selfish because they have something they want to express and they make it happen through art.”
By Joseph Low
Looking at Gabriel Dufourcq’s artwork, you will inevitably have your focus on the icons that have been featured. But there is more than meets the eye because laying behind the iconic figure are newspaper headlines and original archives as old as 200 years, related to the political and pop icons. At first glance, an artwork presented to us may speak of our preconceived notions, but Dufourcq’s artwork invites us to inspect with greater detail questioning our established certitudes. Doing so, it could perhaps help to shed light by providing more information.
Chatting with Gabriel Dufourcq, the artist takes us through what it means to be an artist and how beyond his formal background in Economics and an MBA, his holistic approach to life stimulates his creativity and drive his pictorial and stylistic development.
You originate from France and you are now based in Singapore. Tell us about your first steps as an artist?
I don’t really think there are any first steps as an artist. It’s more like things gradually reveal themselves to you over time, and you ultimately end up creating something which others call “art”. If I recall, I feel the start lays in a sincere and profound need to create something, to give birth and reveal your inner self in one way or the other by connecting ideas and inspirations. Materalising an idea for an artwork is ultimately making space in your mind!
I’m originally from France but have spent the last 12 years in Singapore. After spending few years on the road starting in Madrid then Rome, followed by a couple of months in the Middle East and the Horn of Africa, I finally landed in Kuala Lumpur in 2007. The cultural diversity coupled with the intellectual excitement of being out of my comfort zone is something that also creates many “sparkles of creativity”. It is freeing the mind of your own stereotypes and allowing you to expand your own intellectual horizons. Discovering new flavours, colours, philosophies, mindsets, thinking and religious standards create a very fertile ground for the growth and the revealing of your artistic expression.
So like I said, there aren’t any “first steps”, it’s more like a spiritual journey, growing in the silence of our minds. I don’t have any formal Art education or training. Instead, I studied economics and statistics. One can go to school to study arts but ultimately, like entrepreneurs, an academic background is not what makes you! It took me years to call myself an artist. I didn’t want to self-proclaim as such. For me, this is a title to be won and should be given by others in recognition of your work. It is only when people start calling you “artist” that you know for sure you’re one.
Vintage newspapers, archive papers and bright pop-style colours are recurrent across your work. What led you to associate these rather opposite mediums?
Portrait Series, Queen Elizabeth, 120 x 80 cm
As I mentioned earlier, the creative process is gradual and therefore this came slowly to me as a real thought process. I started with simple newspapers collages and then began painting iconic elements onto them to create a dialogue — a parallelism between the background and the icon. In this way, we’re touching on the exact intentions of my work, which is to have a double-reading and provoke a reflection to the audience on these preconceived icons
My artworks require two layers of reading: First you have a very familiar pop icon, which is a straightforward visual element that can be easily repeated (the principle of Pop(ular) Art). Then there are the newspapers and archive documents I work with that could be 150-200 years old, and so the goal is to create a dialogue between historical elements and more contemporary elements. It is about bringing modernity to old memories or history into modernity. I try to incorporate a “back-to-the-future” element into my artwork and create dialogues between two very different time periods, the 21st century and 18th or 19th and 20th century.
For example, when I draw the Maharaja’s face in Fluo pink on an old Indian paper from the 19th century, the contrast of the dull documents and vibrant colours is really like travelling through time. Also, the value of these pieces stems not only from the actual art but the historical documents that are part of the artwork. These can cost thousands when I acquire them from auctions or antique collectors but are often just lying dormant in some library before I revive them using art.
Through my artwork, I aspire to open people’s eyes to history and remind them of where they come from. The question of origins is central in my work. It is especially important in the 21st century where we have mass production of Pop art icons, like Muhammad Ali or Marilyn Monroe. But no one knows really their full story, beyond a name or a function. In contrast, when I work on a portrait of Ali with 300 newspapers titles in the background, I am reviving all the elements that built the icon. When people see the portrait, everyone recognizes Ali but to truly get to know him you must dive into the background reading.
How do you choose the icons and personalities you are portraying in your artworks? What is your creative process like?
Portrait Series, Lee Kuan Yew, 120 x 80 cm
I started with political icons as I was fascinated with how these figures could become famous. Aside from 20th century dictators, I have been focusing on those universally known personalities like Mandela, Queen Elizabeth, Churchill, Kennedy and others.
In line with this series, I also portrayed Lee Kuan Yew as a tribute to Singapore, who helped with building and fixing the history of the country’s art scene, but also because Mr Lee‘s legacy is beyond the achievement of many global political leaders in my eyes.
That is how it started and then I gradually shifted to more popular icons like The Beatles and Muhammad Ali who also had tremendous social and political impact.
Keeping up with pop culture, in some ways, has deviated my artistic style of double-reading as it is now influenced by more commercial icons. But anyway, an artist shouldn’t be doing the same thing over and over… Consistency is important as I mentioned earlier, but collectors are expecting to see progression, evolution trajectory and ability to continuously evolve. Collectors do not want to buy another “Printing Machine” style artwork, and being an artist is also being able to explore new territories, different styles and techniques, expanding our own boundaries
What is the most challenging part about creating your artwork?
The process of collecting and building historical archives is physically challenging and very time-consuming but that is not the hardest part. The most challenging part of creating art is the ability to judge yourself and ask, “Does my artwork deserve to be shown?”. I never ask my friends nor my family, because I want to avoid any complacency and false confidence. I usually keep an artwork to myself for a certain amount of time before releasing it publicly so that I can contemplate it alone in my home studio and take the time to judge what I created.
One of my favourite stories is The Little Prince. In the story, the Prince travels to seven planets before arriving on Earth. On the first planet he lands on, he is greeted by the sole inhabitant, a King, who makes him his Minister of Justice. The Prince remarks that there isn’t anyone else to judge on his planet and so the King asks him to judge himself. To this, the Prince replies, “that is the most difficult thing of all. It is much more difficult to judge oneself than to judge others. If you succeed in judging yourself rightly, then you are indeed a man of true wisdom.” And I absolutely agree with that.
More realistically the two major challenges I face are time constraints to create what I have accumulated in my notebooks and on papers, and secondly judging which of my artworks deserve to be shown out of the countless pieces I have created.
What emotions do you hope the viewers experience when looking at your art?
That’s the toughest question yet! I would love to be able to feel the emotions of my collectors when they look at my artwork. As an artist, I already know what my work means and what emotions it elucidates since it is by essence an expression of my inner self, mirroring a certain perception of my reality.
But I would like to feel what they truly feel, what catches their eyes, and what invites them to pause in front of the work and even to acquire it. In communication there’s always a difference between what one intends to say and what other hears and interpret. I feel this to be the same with art.
“Nothing touches a work of art so little as words: they always result in more or less fortunate misunderstandings. Things aren’t all so tangible and sayable as people would usually have us believe” — Rainer Maria Rilke
A work of art is good if it has arisen out of necessity. That is the only way one can judge it. On this note, my latest works from the series “Oedipal Disobedience” involve the use of mixed media. Robots in this series are painted in a post expressionist style, which are more complex to read and more open to individual interpretation. It is also the result of more mature thoughts and technical experimentations and countless influences.
I do not really believe that artists should impose their definition of what people have to feel or understand from their work. If your art is good enough, it will speak to people, but just let them appreciate it and form their own interpretations.
You have started a new series focusing on robots, tell us more about this new artistic venture?
As part of my artistic endeavour, it is a natural progression, pushing my boundaries and challenging myself with a new stylistic approach. In short, it is a fusion of my technicalities and different influences aiming to question our contemporary purpose and trajectory. In many of my works, I include the math equation from Chaos Theory, inspired by my economics and statistics background. The theory’s fundamental conditions fascinate me as it is the start and end of everything. It echoes my religious influence when I include Greek symbols of Alpha and Omega, which represent eternity.
These robots are an invitation to contemplate, and self-reflect on what the future looks like, and how robots could replace or complement humanity. The shape and size of my robots are remastered version of religious effigies, like those used by the Incas and in Voodoo. My robots are acting as the religious effigies of this 21st century, the new totems of the Digital Age.
What is the role the artist plays in society?
I am not sure that artists must own a specific role in society; a very fixed and constrained concept. I mean a limited time frame conditioned by norms and bias. The artistic condition is before all a self-centred necessity to explore our innermost feeling. I am no one to impose my thoughts on others. If people find a common message in my work, it is great that it has contributed to their own reflections. But artists by themselves have no specific role, their works might have one by contributing beyond the temporality of the artist.
When creating, I simply bring to my own life and the light I want to see in the world. It is a bit similar to Gandhi’s quote, “be the change you want to see in the world.” I create what I would like to see.
In fact, an artist should just provide an escape, a dream state for others to plunge into and feel at peace, inspired, as they enjoy the art piece. As a final point I’d like to share one of my motto in life: Who are my creative irritators and to whom am I a creative irritator? If it is not the universal artist role, it is at least my guiding principle…
How is Singapore inspiring you in your daily life and in your personal evolution as an artist?
My journey in Southeast Asia started 14 years ago and has been a steep learning curve since. I was not an “artist” when I landed here. And I would have probably never been if I had stayed in Europe. Loneliness, away from my native country, has been an eye opener from a cultural, religious, historical point of view. Singapore’s multicultural diversity has been a true accelerator, fuelling the sparkles of creativity in my mind. Even after 12 years, every day here is a new opportunity of discovery and questions. Recently I really liked this statement I came across on a public advertising in the train: “Singapore is not boring, you are boring.” I simply cannot understand why people find Singapore boring. There are so many flavours, colours, and diversity here! It is a constant effervescence that offer you so many opportunities. Some people made use of the opportunities to start their own businesses and start-ups, I used it to become an artist.
The five words that best describe your art?
Introspection, personal need, meticulous, lonely, combination.
Tell us about your major projects and highlights across 2021?
Portrait Series, Obama, 120 x 80 cm
Covid-19 affected many of my recent projects. I was supposed to do an art fair in New York a few months ago and an exhibition in Paris back in March. Looking at the positive side, I have been focusing on maturing my style and creating new works that are well received by my collectors and the public.
The next big milestone will be toward my robot series. I feel I am at the beginning of a journey with something big at the end. Also, I’m currently finishing a residence at Intercontinental Hotel in Bugis and planning to attend the Singapore Affordable Art Fair this coming November (if restrictions are lifted). By 2022, we are planning some bigger things overseas mostly in the US, London, and Paris so stay tuned!
How can the LUXUO and ART REPUBLIK readers purchase an artwork from you?
For the latest releases, head over to my Instagram or my website, then contact me via WhatsApp or email. I ship my works worldwide, from Singapore to Rio de Janeiro and Johannesburg to London. It is very important for me to have a personal connection with every collector, even briefly; to chat and advise them on the different pieces, their stories and thought processes. Buying an artwork, it is before all buying a part of the artist story and thought process. It also allows my collectors to be my creative irritators, sometimes bringing to life new works, as a collaborating effort.
If you were to name one mentor who has inspired you in your life and path as an artist, who would that be?
I don’t have just one! There are plenty of people who gave me fantastic pieces of advice along my journey or supported me, from my mother to my wife but also many friends or even unknown people. My childhood as well as my life experiences, have been significant sources of inspiration, making my art almost a form of psychotherapy.
If pressed, perhaps one mentor I would highlight would be Michael Brimm, an INSEAD teacher during my MBA, who gave me the words I used earlier of “creative irritator”, advising us to identify who are these creative irritators in our lives. It has been a guiding principle since.
To follow Gabriel Dufourcq’s artworks, head over to his website or you can also follow his Instagram here: @gabrielsg_art.
Berluti x Bang & Olufsen Collaboration Mixes Artisanal Craft with Sensual Sound
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The limited edition collection celebrates the design excellence of two brands in distinct fields.
By Abram Yum
These days, it isn’t enough that a product has cutting-edge features guaranteed to enhance its functionality. When every product you use sends a message to others about your personality, it has to look good as well. And only the best will do. Berluti’s collaboration with luxury Danish audio brand Bang & Olufsen checks all the boxes here. The new collection features six products designed to enhance your listening experience while making a statement with Berluti’s signature leather work.
For audiophiles looking for delightful sound and style while out and about, the collection’s first three offerings are your best bet. Let’s start with the portable Beosound A1 2nd-Gen Berluti Edition. Like the original Beosound A1, it has a waterproof rating of IP67 and is designed to be completely resistant to sand and dust. The portable speaker delivers stunning 360° omnidirectional sound and features a three-microphone design with built-in Alexa, allowing the user to make calls and control it using just their voice. The stylish Beosound A1 2nd-Gen Berluti Edition has Bang & Olufsen signature minimalist Scandinavian aesthetics but with a twist courtesy of the French maison. On the speaker grille, the Berluti logo is boldly emblazoned while a calf leather cord provides a more subtle hint at the collaboration and provides a greater degree of stylish portability. With its 18 hours of play time, it’s perfect for days at home or out with friends.
Moving on to the Beoplay H95 Berluti Edition wireless headphones, this is for those who want a truly immersive and enjoyable listening experience while on the go. It has an over-the-ear design which provides unrivalled noise cancellation, sound production and comfort. The latter is enhanced by the use of soft lambskin ear cushions for an over the top level of luxury. The headband is similarly covered in leather but this time utilising Berluti’s signature Venezia calfskin, crafted in Manifattura Berluti, with a TDM Intenso patina and embossed with the logo of the French maison. On the left and right, the aluminium speaker plates are engraved with Berluti’s and Bang & Olufsen’s logos respectively.
Both of the aforementioned products can be stored in the elegant Berluti Sound Pouch, made with Berluti’s Signature Canvas and “Scritto” text, when not in use, keeping them safe while adding a touch of class and elegance.
For those who are looking to enjoy their favourite tracks from the safety and comfort of their homes during this pandemic, the Berluti X Band & Olufsen collection has offerings for you as well. The Beosound Balance Berluti Edition home speaker offers a great entry point for those looking to get into high-end home audio. The Beosound Balance was designed with input from Benjamin Hubert of London-based Layer Design and delivers impressive acoustic performance despite its relatively smaller size. Apart from great sound, its Scandinavian minimalism and the addition of Venezia leather to its unique construction makes it a uniquely luxurious interior design feature.
Finally, the pièce de résistance of the collection, consisting of the Beolab 90 Berluti Edition speaker and Beovision Harmony Berluti Edition. These products are produced under only under a made-to-order system. The Beolab 90 Berluti Edition is the most powerful speaker in Bang & Olufsen’s entire range, boasting a whopping 8200 watts of power and cutting-edge speaker design to completely immerse an entire home with your favourite tracks. Paired with the Beovison Harmony Berluti edition’s LG 4K resolution and 77-inch OLED screen, it’s a delectable treat for the eyes and ears. Of course, all these features mean nothing if the products don’t look stunning. Like the rest of the offerings in the collection, the Beolab 90 Berluti Edition’s base, as well as the TV’s covering, has been customised with artisanal Venezia leather with a TDM Intenso patina, ensuring that they will be the highlight of any home even before they are turned on.
All products in the aforementioned Berluti x Bang & Olufsen Collection are available in select Berluti and Bang & Olufsen stores and e-shops in limited quantities, with the exception of the Beolab 90 and Beovision Harmony Berluti Edition which are available to order and will be constructed upon receipt of the order. For more information on this luxurious marriage of artisanal French leatherworking and Danish audio innovation, head over to Berluti’s and Band & Olufsen’s websites now.
You don’t have to be a courtier to stay at one of the world’s most opulent addresses, the Palace of Versailles.
By Joseph Low
It has been two years since France first closed its borders and on June 9, the country will once again welcome foreign tourists back. “From June 9, the flow of travellers between France and foreign countries will be reopened according to terms that vary depending on the health situation in third countries and the vaccination of travellers,” the French government announced last Friday. Likewise, starting on June 7, Spain has allowed entry of international visitors.
With vaccination programmes starting to pick up across the world, more European countries are looking towards reopening their borders in a bid to restart their currently dormant travel sector which is said to rake in billions of euros every year during pre-Covid period.
Exterior view of the Palace of Versailles
If you are ready to spare no expense, you can now spend a night at the world’s most lavish address, the Château de Versailles. Check into Le Grand Contrôle, the newly launched luxury hotel by French brand Airelles. Built in 1681 by Louis XIV’s favourite architect Jules Hardouin-Mansart, the hotel occupies three historic buildings on the estate that has since been restored to its former 18th century glory by architect and interior designer Christophe Tollemer.
The Arielles Château de Versailles, Le Grand Contrôle is the luxury hotel group’s sixth property. Originally the residence and working space for the minister of finance, the newly renovated buildings have a total of 14 rooms and suites that have all been furnished with furniture from the era and this entailed a countrywide hunt through various auction houses and antique shops. Furthermore, a small team of the nation’s most talented craftsmen and artisans were also convened to salvage the stonework, parquet and wall panelling.
The Necker Suite
Nestled within the hotel is the Valmont spa that touts treatments inspired by Marie-Antoinette, such as the “Majestic Mirror” facial and “Divine Hand Beauty” massage. Guests can also look forward to gastronomical delights prepared by Michelin-starred French chef Alain Ducasse, who has specially curated a menu inspired by the Sun King. In the afternoon, indulge yourself in an afternoon tea session dedicated to Marie-Antoinette herself.
Lavishly looking indoor dining area
An indoor swimming pool
The highlight of this hotel stay is perhaps the exclusive experiences available. Guests will be assigned to a dedicated butler, access to boats and golf carts as well as private tours to areas such as the Queen’s Hamlet, Hall of Mirrors and other previously unseen living quarters used by the monarchs — this once-in-a-lifetime chance to explore these places without crowds is a huge motivating factor to book a night at Le Grand Contrôle, which costs €1,700 a night (S$2,740). As international travel slowly resumes, it is not a bad idea to include this into your bucket list.
Embark on a Life-Changing Luxury Travel Experience With Ker & Downey Africa
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“To get lost is to learn the way” – African proverb
By Joseph Low
In the world of high-end luxury travel, the concept of experiential travel is a hot topic that is not about to cool off anytime soon. It is an ever-growing trend that sees people wanting to do more with their time, immersing themselves in adventure and tailored trips that allow them to do something, try something, and experience something unique.
Leading award-winning travel company, Ker & Downey® Africa, is made up of a community of explorers, mindful travellers and adventurous souls who are driven by a shared passion for the continent they call home – Africa Their one-of-a-kind LuxVenture® trips aim to connect you with the best of both worlds — bucket list worthy days and luxurious nights in some of the most remote and unique corners of Africa, taking the concept of experiential travel to a whole new exhilarating level.
Ker & Downey® Africa are world-renowned for pioneering quality expeditions and crafting African experiences for people from around the globe that are nothing short of life-changing. There is no place on the planet like Africa, teeming with thrilling once-in-a-lifetime experiences – from the world’s biggest inland delta in Botswana, to the vast plains of the Serengeti to witness the Great Annual Migration, and gorilla trekking in the jungles of Rwanda, the adventures and experiences are endless.
Want to get inspired? Thought you’d never ask…
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The Greatest Wildlife Show on Earth – Kenya
It is considered the world’s quintessential wildlife experience and for good reason. The Great Wildebeest Migration, that sees millions of animals make the treacherous journey across Tanzania and Kenya each year, is a wildlife spectacle that moves through some of the most exquisite ecosystems on the planet. Experience survival of the fittest first-hand as you witness the pitfalls and triumphs of the massive herds as they undertake this hair-raising journey. The team of East African experts at Ker & Downey® Africa have put together a monthly calendar that follows the migratory pattern of the herds as they make the circular route through some of the most wildlife-rich regions in the world. Their LuxVenture® trips are uniquely tailored to ensure an unforgettable experience with you at the very heart of the action of this epic event.
Roam with Africa’s endangered mountain gorillas – Rwanda | Uganda
Having a face-to-face encounter with the rare and endangered Silverback Mountain Gorillas is a once-in-a-lifetime wildlife experience. Considered to be the ultimate primate experience, gorilla trekking takes place deep in the African jungle, in a small handful of remote locations in the Albertine Rift montane forests. With only around 1,000 mountain gorillas left in the world, a gorilla trekking safari is a unique and impactful experience that contributes directly to the conservation and preservation of these magnificent primates. However, this bucket list worthy experience doesn’t come without a few challenges, which is why booking through a trusted travel partner is so important. From securing permits and expert local guides to seamless travel logistics in remote locations – Ker & Downey® Africa’s team has you covered.
Explore the African bushveld on foot – Zambia | Botswana
Become part of the landscape and not merely a spectator by exploring Africa’s most remote and pristine bushveld wilderness… on foot. A walking safari is an epic wildlife experience that takes you off the roads, and deep into the unexplored parts of the bush. Led by professional guides, a walking safari guarantees a more intimate encounter with wildlife than if you were in a vehicle. For some of the best walking safaris on the continent, venture into Zambia’s South Luangwa National Park – a region considered to be the birthplace of walking safaris. Their one-of-a-kind LuxVenture® trips aim to connect you with the best of both worlds like wildebeest, giraffe, zebra, buffalo and lechwe attract an abundance of lurking predators…
The best of the bush and the beach – South Africa & Indian Ocean Islands
Africa’s melting pot of diverse ecosystems, remarkable wildlife and breath-taking landscapes are not just found inland, but all along the spectacular Indian Ocean
islands and rugged coastlines of the continent. It is the only place on the planet with such a uniquely juxtaposed blend of inland bush country and pristine tropical beach destinations. A bush and beach safari combines the high-paced thrill of a safari with a more chilled idyllic white-sand beach experience, giving you the best of both worlds. Want to add a beach destination to your African safari trip? Ker & Downey® Africa’s team of experts can recommend the best bush and beach combinations for a well-rounded African itinerary.
Exclusive, exclusive, exclusive – Tanzania | Zanzibar
There’s luxury travel, and then there’s super-luxury travel, where remote destinations offering utmost privacy and exclusivity are key. A private safari is on your own terms. From flying private, unlocking new and exciting destinations, to private safari vehicles, exclusive-use luxury villas and lodges, and private staff to cater to your needs, this is the epitome of luxury travel. Get whisked away to some of the most secluded regions in Africa, skipping the crowds and while the team at Ker & Downey® Africa craft your bespoke itinerary to suit all your needs. It doesn’t get better than this…
Experienceluxury travel in Africa at its best with someone you can trust by your side, tailoring your trip to suit your every desire and need. It’s the only way to go. And with a trusted partner like Ker & Downey® Africa, you can rest assured knowing that the experience of a LIFETIME awaits.