Yacht Style, Issue 88
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Yacht Style, Issue 86, Top 100 Superyachts of Indo-Asia-Pacific 2026, Jonathan Beckett, Burgess, Erwin Bamps, Gulf Craft Group, Fraser, Camper & Nicholsons, AB Yachts, AB 95, Van der Valk, Lalabe, Azimut, Grande 30M, Ferretti Yachts, 940, Absolute, Navetta 62, Cannes Yachting Festival, Genoa International Boat Show, Monaco Yacht Show, Lantau Yacht Club Boat Show - Festa Nautica, Rolex SailGP, Maxi Yacht Rolex Cup, Rolex Middle Sea Race, Phuket King’s Cup Regatta, Thailand, Port Takola Yacht Marina & Boatyard, Krabi, Yousuf Al Hashimi, Phoenix Yacht Management, Su Lin Cheah, ICOMIA, Suzy Rayment, Asia-Pacific Superyacht Association, APSA
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yachtstyle2020

Hans Lo on Why CL Yachts is Using a First-Time Yacht Designer

Hans Lo on Why CL Yachts is Using a First-Time Yacht Designer

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Hans Lo explains how CL Yachts hopes to “shake things up” with the crossover-style CLX96 by first-time yacht designer Jozeph Forakis.

CL Yachts has boldly billed its CLX96 project as ‘the motor yacht – reinvented’. Hans Lo, the brand’s Deputy Director, more quaintly describes it as “workboat chic”, a reference to design traits like the reverse-angle windshields that can also be seen on tugboats produced by parent company Cheoy Lee, which has its head office in Hong Kong.

Hans Lo, Deputy Director of CL Yachts, in Doumen, where Cheoy Lee builds workboats

Hans Lo, Deputy Director of CL Yachts, in Doumen, where Cheoy Lee builds workboats

The 96-footer is scheduled for completion by the end of this year and is set to start the second generation of models by CL Yachts, despite the brand only being formally launched in 2019.

Jozeph Forakis, the Milan-based industrial designer who created the logo and branding of CL Yachts, was chosen to design both the all-new CLX96 and the upcoming CLB88, which launched in late May and will have a world premiere at the Fort Lauderdale International Boat Show (October 28-November 1).

CLB88 to Visit Hong Kong Before World Premiere at Fort Lauderdale International Boat Show

CLB88 to Visit Hong Kong Before World Premiere at Fort Lauderdale International Boat Show SHARE Share on facebook Share on linkedin CL Yachts has launched its flagship CLB88, which will visit Hong ...

An evolution of the popular CLB72, the CLB88 has been pitched as the motor yacht ‘reimagined’, whereas all the talk of reinvention and revolution is focused on the CLX96. For the latter, Forakis started from scratch and wasn’t tied to any previous models, from inside or outside CL Yachts.

“We really wanted fresh eyes that could look at the motor yacht from a new perspective and shake things up,” says Lo, a fifth-generation member of the Lo family that has owned Cheoy Lee since it was founded in Shanghai in the late 19th century.

“We wanted someone who had never been in the industry and that’s what Jozeph offered. He is a recognised innovator across many industries and yacht design has always interested him, so the opportunity was mutually beneficial.”

New York-born, Milan-based Jozeph Forakis created the CL Yachts logo and branding, and is designing its next-generation yachts

New York-born, Milan-based Jozeph Forakis created the CL Yachts logo and branding, and is designing its next-generation yachts

SHIPYARD SCHOOLING

Both new models are being built in the enormous Cheoy Lee shipyard in Doumen outside Zhuhai, where Lo has been working since returning from Canada in 2010.

Born and raised in Hong Kong, Lo spent much of his early childhood at the Cheoy Lee facility in Lai Chi Kok. Even after his family moved to Vancouver when he was eight, he spent a lot of time at the shipyard during summer holidays in Hong Kong. “I grew up with it and spent many of my summers there, so it becomes a part of you,” says Lo.

Lo studied civil engineering at Queen’s University in Kingston, Ontario, later moving south to Toronto to work at a civil engineering firm for a few years, before heading back to Hong Kong.

“Working at the shipyard is both my privilege and my destiny,” he says, smiling. “It’s a rare opportunity to be able to apply my skills and experiences towards flourishing our family’s business.”

His first job was laying up fibreglass hulls. “I joined a crew and we laid up a hull from start to finish,” says Lo, who lives in Hong Kong but works in Doumen from Monday to Saturday. “I’d seen it happen before, but I’d never done it myself. It was a valuable experience.”

ALPHA TALE

Lo joined at a pivotal time. Cheoy Lee was developing its futuristic Alpha series, working with legendary powerboat designer Michael Peters on naval architecture and exterior, and Luiz De Basto for the interior of the Alpha 76, which debuted in late 2011.

The CLX96, scheduled for completion by the end of 2020, has been drawn by industrial designer Jozeph Forakis, with naval architecture by Earl Alfaro

The CLX96, scheduled for completion by the end of 2020, has been drawn by industrial designer Jozeph Forakis, with naval architecture by Earl Alfaro

For a builder renowned for long-range trawler and expedition-style yachts, and series like Bravo and Serenity, the bold decision to embark on the modern Alpha range would prove pivotal in the later decision to create CL Yachts.

“Cheoy Lee started to look at a different type of yacht, creating express cruisers that could compete with brands like Azimut and Pershing. We came up with the Alpha series, which had very sporty lines, was very powerful and had a very efficient hull design,” Lo says.

“It looked like all the yachts you see in the magazines – sleek, sexy lines – and really appealed to me. I had just started working at Cheoy Lee, so it was a really exciting project for me. It was the first yacht I was ever involved with and it really fit the image I had in my mind of what yachting was all about. This project was my first opportunity to feel truly immersed in all aspects of the industry.”

As well as design, the company invested in a lot of new technology including electronically tinted and frosted windows, plus the ability to control and monitor all systems on an iPad, then a groundbreaking product only launched the year before the Alpha 76 premiered.

“Despite it being a strong product, we hit some unexpected hurdles and the entire endeavour turned out to be a great learning experience,” Lo says. “It wasn’t until later that I understood that the product was not the issue. What was a fantastic yacht instead became a stepping stone on our journey to establishing CL Yachts.”

Hans Lo aboard a CLB72 at the 120,000sqm Doumen shipyard in Guangdong

Hans Lo aboard a CLB72 at the 120,000sqm Doumen shipyard in Guangdong

Lo says he had been wanting to update Cheoy Lee’s image since he started attending US boat shows a decade ago. However, the decision to rebrand was only made in late 2017 when James Lo, one of Hans’ eight uncles working at Cheoy Lee, fed back to the other brothers after attending the Fort Lauderdale show following an absence of several years.

“It opened James’s eyes,” says Lo, whose uncle Martin Lo is Director of CL Yachts. “He really saw it was necessary to reinvent ourselves, to refresh and update ourselves. We got the green light to look at how we could change our image for the future.”

Lo, together with his cousins Simon and Karen, have carried on the family legacy at Cheoy Lee, which gave further impetus to look forward. “As the next generation, it was important that we put our own face on the company as we moved forward,” Lo says.

NEW ERA, NEW BRAND

Reputation wasn’t the issue. Those who knew Cheoy Lee knew its boats as dependable, seaworthy, well designed and technologically advanced.

The brand was also still recognised by potential yacht buyers, but as an independent research firm confirmed, it was no longer front of mind after many international brands had made strong inroads into the US market.

The biggest problem was awareness by a newer generation who had spent most of their life consuming content via websites and social media. Word of mouth among yacht owners wasn’t enough anymore.

The CL Yachts display at the 2019 Fort Lauderdale International Boat Show

The CL Yachts display at last year’s Fort Lauderdale International Boat Show

“Cheoy Lee has always enjoyed a good reputation as a builder, but those who knew our boats were older and fewer. We have always believed a good product speaks for itself, and as a family business, we also had traditional values, one of which is you should never talk about yourself.

“Of course, this goes against marketing efforts in today’s age. We live in an era of social media and those rules no longer apply. In a society where consumers are bombarded daily with advertising, we could no longer afford to keep our mouths shut.

“At that point, it became obvious that we needed a holistic vision, one that brings branding, core values and product together under one direction, and so CL Yachts was born.”

Forakis, who studied at RISD (Rhode Island School of Design) in the early 1980s, was engaged as the Creative Director of CL Yachts and tasked to orchestrate the entire new branding and visual identity, while also setting out to design its ‘next generation’ of yachts.

FIRST CL YACHTS

CL Yachts’ first model, the CLA76, used the Peters-designed hull from the Alpha 76 but changed the superstructure, elongating it for more interior volume and a larger flybridge. Intan Nioridwan of Singapore-based Atolla Design, who previously worked for Malaysia-based Grand Banks, was chosen for interior design.

The third CLB72, named I Did It..., was sold to a Hong Kong-based buyer

The third CLB72, named I Did It…, was sold to a Hong Kong-based buyer

The CLB72 was the second model from the new brand. Howard Apollonio of Apollonio Naval Architecture was responsible for the concept and exterior styling, working with structural engineer Gurit to produce a RINA-certified, resin-infused composite hull.

The yacht hits 31 knots with twin Volvo IPS1350 1,000hp engines, while the interior was handled by Carmen Lau of Hong Kong-based Interiors by Carmen.

Both yachts were on display for the soft launch of CL Yachts at the Fort Lauderdale show in 2018 and have since been present at many other major US shows, with the CLB72 in particular enjoying solid demand – the yard was recently working on hull seven.

At the same time, CL Yachts was developing bigger models with Forakis, who was designing yachts for the first time in a diverse career that includes high-tech, mobile phones, furniture, interiors, lighting, accessories and much more.

From 1993, Forakis spent almost a decade working for the likes of Logitech, Swatch and Motorola. During that time, his designs included the ‘vertical’ Logitech Cordless MouseMan Pro, the Swatch Irony Scuba 200 watch and swivelling V70 mobile phone for Motorola, where he worked as European Design Director for three years.

Forakis is the designer of the CLB88, scheduled for a world premiere at Fort Lauderdale

Forakis is the designer of the CLB88, scheduled to premiere at Fort Lauderdale

In 2002, he founded the Jozeph Forakis Design studio in Milan with a satellite studio in New York, his birthplace and where he had been involved in art and theatre.

As well as Swatch, his company’s clients have included Samsung, LG Electronics, Yamaha Motors, Epson, Swarovski, Tecno, Magis and Foscarini. The permanent collection of the Museum of Modern Art (MoMA) in New York houses the Havana floor lamp he designed for Foscarini.

Lo says CL Yachts decided to take a chance on a first-time yacht designer because of Forakis’ understanding of the brand and the breadth of his experience, from big-picture business strategy to meticulous design details.

“We chose Jozeph because he offered a holistic approach when it came to both the brand and the product. He created the CL Yachts branding and we wanted one designer’s perspective on both the brand and the product, so that it shared the same design language and thinking,” Lo says.

“He really dived deep into the project, studying the entire industry from the ground up – our competitors, how people use yachts, what people respond to.”

Forakis’ work will first be seen on the four-cabin CLB88, which Lo says is designed to “remain a classic motor yacht”, although unusual features include a full-beam master suite and a neighbouring VIP suite that’s also full-beam and a similar size.

The master suite (above) and VIP suite (below) on the CLB88 are both full-beam

The master suite (above) and VIP suite (below) on the CLB88 are both full-beam

However, the ‘X factor’ has been saved for the CLX96, which Forakis has designed with American naval architect Earl Alfaro, who worked under Tom Fexas and on many Grand Banks models.

“The CLX96 really represents the CL Yachts brand and our core DNA. The strength of our company lies in the fact we are a builder of both luxury and commercial vessels, and that’s really reflected in the reverse-angle house, which is used on tugboats for practical reasons,” says Lo, who also points out that the reverse-angle house has dramatically increased the size of the flybridge.

Other distinct features include a plumb bow and an enclosed flybridge that houses the sole helm station and has opening windows. Also notable is that the hull gradually widens from the stern towards the bow, so the full-beam master suite on the lower deck is situated forward, at the yacht’s widest point.

There’s much more including an extendable beach club, transformable cockpit sofa and an innovative foredeck, which has a beautifully designed, circular arrangement of adjustable tables and sofas, and is named ‘Piazza Del Sole’.

“Everything sounds better in Italian,” laughs Lo before admitting his pride in the company’s flagship-to-be.

“The CLX96 is built based on our idea of uncharted luxury. Its lines evoke strength, adventure and a hunger for exploration. It really is the essence of CL Yachts, distilled into one product.”

www.clyachts.com

www.cheoylee.com

YACHT STYLE Issue 53: Catamarans Shine in 'Multihulls Issue' 2020

Yacht Style's second annual Multihulls Issue throws the spotlight on power and sailing catamarans, as the boating industry pushes on.

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Rolex supports Perpetual Excellence

Rolex supports Perpetual Excellence

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Linking the past to the present to the future, Rolex and its Testimonees are dedicated to nurturing the next generation of sailors and passing on the sport’s timeless values.

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 SailGP echoes Rolex’s quest for Perpetual Excellence, while the SailGP Inspire programme mirrors Rolex’s commitment to the transfer of knowledge between generations

The continuing viability of any sport depends on its ability to nurture future generations. Integral to the company’s core philosophy laid down by founder Hans Wilsdorf, Rolex has always recognised this critical role and supported its partners in the transmission of knowledge, no more so than in sailing.

Through their inspiration and instruction, yachting legends such as Rolex Testimonee Sir Ben Ainslie ensure sailors following in their footsteps are well-equipped to maintain the highest standards of excellence.

SPORT FOR LIFE
Ainslie, who began sailing at the age of eight, knows from first-hand experience the need for young talent to be encouraged and supported by senior athletes in their chosen field. The Briton is one of the most accomplished yachtsmen in the sport’s history and the most successful Olympic sailor of all time with medals from five successive Olympic Games – four of them gold.

Rolex Testimonee Sir Ben Ainslie is the most successful Olympic Sailor of all time with medals from five Olympic Games® four of them gold® and a four-time Rolex World Sailor of the Year

Ainslie currently leads Ineos Team UK, which is challenging for two of the greatest prizes in professional yachting, the America’s Cup and SailGP.

Yet he was once a novice, a young sailor seeking knowledge and guidance as he took his first tentative steps in the sport. Help was close at hand in the form of his father, Roddy, who skippered Second Life in the first crewed round-the-world race in 1973.

Another of his early heroes was the late Paul Elvstrøm, a Rolex Testimonee whose Olympic record Ainslie surpassed at the 2012 Olympic Games.

“Paul was someone who had really transformed the sport of sailing in his era,” Ainslie explains. “His challenge was very different to the one I had faced and after London I wrote to him to say that he had been a huge inspiration through his achievements.”

Sir Ben Ainslie currently leads Ineos Team UK, which is challenging for the America’s Cup and SailGP

Aside from his father and Elvstrøm, Ainslie looks to another Rolex Testimonee as someone who had recognised the need to mentor young and upcoming sailors such as himself.

“Paul Cayard helped me greatly when I started to transition my career into the America’s Cup,” remarked Ainslie. “I know that Paul, in turn, was helped himself by the likes of Durward Knowles (a sailing gold medallist in 1964) and Raul Gardini (head of the Il Moro di Venezia Cup syndicate).”

Ainslie continues: “As part of my current campaigns, we have a team of young sailors that we are helping bring up into the senior team. This is part of the tradition of our sport. Knowledge gets passed on. This is a sport for life. One is not in it for a short period, and there are always opportunities to help the younger generations come through.”

THE VALUE OF SPORT
Cayard established himself as one of the world’s finest yachtsmen, excelling in a range of disciplines and leading events. A seven-time world champion and a seven-time America’s Cup campaigner, in 1998 he became the first American sailor to win the Whitbread Round the World Race.

Rolex Testimonee Paul Cayard starred in the America’s Cup, the Olympics and round-the-world racing, and is now nurturing the next generation

A two-time Olympian and competitor in several Rolex-partnered events including the Maxi Yacht Rolex Cup, the Rolex Fastnet Race and the Rolex Middle Sea Race, he acknowledges the support he received on his journey to the elite ranks.

“I am a great believer in our sport and what it offers. I have been privileged in my career. Sailing offers so much in life, so it is only natural to give back,” says Cayard, who is now actively engaging with youth to encourage participation in the sport.

“I raced with my teenage children to Hawaii from California to help expand their horizons. I’m also involved in helping build a pipeline of talent in the United States to improve our results in international competition. It takes long-term vision and an investment in thinking, time and energy. It’s so important because what sport teaches is so valuable in life.”

OVER 60 YEARS OF PARTNERSHIP
Both Ainslie and Cayard are members of the Rolex family of Testimonees that includes several other yachting legends including roundthe- world yachtsmen Sir Francis Chichester, Sir Robin Knox Johnston and Bernard Moitessier whose achievements have inspired future generations.

Rolex Works Hand in Hand with Sailing Legends

It is a relationship born of a natural affinity with a sport that exhibits time-honoured values and a dynamic spirit. Six decades into its partnership with yachting, Rolex is the committed supporter of the some of the world's most prestigious yacht clubs, races and regattas.

These towering figures in the sport are an essential part of Rolex’s partnership with yachting that dates back more than six decades, to 1958 and a partnership with the New York Yacht Club. It heralded the launch of Rolex’s deep involvement in yachting that now spans the globe and encompasses a broad range of disciplines and aspects of the sport.

With a rich history underpinning the relationship, upholding traditions – particularly those that help safeguard the future – is a key element.

 Rolex’s association with sailing began with the founding of its partnership with the New York Yacht Club in 1958

SHARED COMMITMENT TO INNOVATION
SailGP, the global championship that is redefining sailing, is one of the latest additions to the Rolex yachting portfolio. As the Official Timepiece, Rolex is proud to be associated with a series that demands precision, dedication and performance from the athletes and their boats.

Combining advanced technology with the most talented individuals, SailGP echoes Rolex’s quest for Perpetual Excellence, while the developing art of foiling – lifting a boat’s hull out of the water to reduce drag and increase speed – further illustrates the sport’s alignment with the brand in its shared desire to constantly evolve and innovate.

Away from the high-profile, high-energy racing, there is another reason why the Rolex and SailGP partnership is such a natural fit. The SailGP Inspire programme endeavours to create pathways to success for young sailors. The aim is to ensure the sustainability of the sport by delivering life changing opportunities to aspiring sailors, regardless of their background.

 SailGP is one of the latest additions to the Rolex yachting portfolio.

These opportunities range from hands-on lessons, mentorship and team building, to connecting the most talented with the pinnacle of the sport, where they meet the sailing world’s best athletes and race on the same course as their heroes.

TRANSFERRING EXPERTISE DOWN THE GENERATIONS
Beyond SailGP and its family of Testimonees, Rolex supports prestigious yachting competitions from ocean classics to leading inshore regattas where expertise is transferred within the sailing community – between peer groups and different generations, and from professionals to Corinthians.

This transmission of knowledge has particularly helped broaden the appeal of offshore racing, with the Rolex Fastnet Race and the Rolex Middle Sea Race enjoying record fleets in recent years. Participation at these demanding races depends on yachts meeting stringent qualification requirements, which include the experience of their crews.

Veteran participants regularly ensure young, inexperienced sailors are included in their team. Passing on their expertise, passion and the camaraderie inherent in the sport are essential for improving performance and promoting a sense of solidarity with the wider fleet.

The Rolex Sydney Hobart Yacht Race is the southern hemisphere’s leading offshore race

Matt Allen, winner of the 75th Rolex Sydney Hobart Yacht Race in 2019, is proof of how this unwritten process works so well. He completed his first race in 1980, aged 17, and was then a winner in 1983, a crew member on Challenge II under the tutelage of Lou Abrahams, a doyen of Australian sailing.

Abrahams took part in 44 Rolex Sydney Hobarts, winning twice, and also sailed in seven Rolex Fastnets before retiring from offshore sailing at the age of 80 in 2007. Abrahams was highly regarded for his enthusiasm in encouraging youngsters to participate in sailing, from dinghies to ocean racing.

The 2019 race marked Allen’s 30th trip south from Sydney. At the final prizegiving in Hobart, he reflected on his win, but more significantly, on his sense of a sport that recognises the importance of bridging age groups.

“Winning the race really brought a lot of history together,” Allen said. “Over the years, I’ve seen amazing boats participate, but it’s the people that make this race: the sailors, the friendships, the competition. They are what makes this race and ocean racing what it is.”

The 40th Rolex Middle Sea Race was won by Elusive 2, co-skippered by local Maltese sailors Maya, Aaron and Christoph Podesta, who dedicated the victory to their late father

Last year’s 40th the Rolex Middle Sea Race was won by Elusive 2, co-skippered by local Maltese sailors Maya, Aaron and Christoph Podesta. Their victory was built on an intrinsic knowledge and respect for sailing and the race instilled in them by their late father, Arthur Podesta, a veteran of 35 Middle Sea Races.

“We used to think it was all about the race,” said Christoph, “but now we know that our father’s purpose was to bring the family together to share adventures and experience. It continues to be special.”

While always respectful of heritage, Rolex is forever forward-looking. During the Swiss watchmaker’s earliest days, its founder recognised the growing appreciation of an active lifestyle when envisaging a
pioneering watch that would be as robust, precise and reliable as a marine chronometer.

The belief in building on the past to shape the future remains as strong today as then.
www.rolex.com

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New Sanlorenzo SX76 reflects local preferences

New Sanlorenzo SX76 reflects local preferences

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The third SX76 in Hong Kong has been carefully configured and decorated by Simpson Marine, Sanlorenzo’s regional partner. By Andrew Dembina. 

The third Sanlorenzo SX76 in Hong Kong is available through Simpson Marine

 

When Simpson Marine unveiled a new Sanlorenzo SX76 hull at Hong Kong’s Aberdeen Boat Club, it was very differently styled to the version presented for the model’s Asia premiere last March.

 

Sanlorenzo prides itself on ‘made-to-measure’ yachts and this new hull is the third variation of the 76-footer to arrive in Hong Kong. Meanwhile, an SX88 – the first model in the crossover series – has been sold in Singapore, further evidence of the popularity of the SX line in Asia.

 

View of the 18sqm beach club, which can carry a 4m tender and a jetski

 

Hong Kong’s first SX76, which arrived in February 2019, had a grey hull and featured contemporary detailing, a sculptural white spiral stairwell, and two cabins that left space for a lower-deck entertainment area. The second hull featured white and pale hues.

 

The saloon is finished in calm, neutral tones

 

The new SX76 for sale was conceived by Simpson Marine, in its guise as Sanlorenzo Asia, with the brand’s Art Director Pierro Lissoni. It’s a study in calm neutral tones and functionality. Featuring light marine teak flooring and detailing, white ceiling panels and Minotti furniture, a ‘floating’ glass-and-timber stairwell allows light and vision easily between stern and bow.

 

A constant element of SX76 configuration is that with only one helm station on the fly deck, the saloon benefits from additional space.

 

The dining area forward of the saloon

 

In this new hull it allows for an elegant dining area forward of a sleek main-deck galley, equipped with regular-sized domestic oven and dishwasher. Crockery and glassware on board are from Sanlorenzo’s in-house range, designed to fit in cabinet storage and dishwasher racks.

 

Expansive outdoor areas paramount in the SX line are evident in the iconic beach club, which sits below an airy cockpit lounge area and features a cleverly concealed crane for manoeuvring a tender or toys.

 

The spacious bow offers shelter and a variety of lounging areas

 

The bow has transformable sunpads, a sofa and tables, while the spacious hardtop-covered flybridge has sun loungers aft of the dining zone and galley, just behind the well-sheltered helm. Thrust is delivered by a twin Volvo 800hp IPS 1050 propulsion system as standard.

 

The flybridge has an open lounging area and a covering dining area, galley and helm station

On the lower deck, four cabins reflect “a growing interest by younger boat owners in Hong Kong to enjoy more regular overnight trips,” according to Ewa Stachurska, Simpson Marine’s Group Marketing Manager and Head of Strategic Partnerships.

 

The VIP cabin is among four guest cabins

 

The master has a large walk-in wardrobe and ensuite bathroom, as does the VIP cabin, while two twin cabins for children or guests complete a traditional plan.

 

Artwork by Hong Kong-born Lai Chi-man adds bursts of cabin colour with abstract paintings and soothing curves in sculptures on the main deck. Collectable Asian art is proposed by Simpson Marine in collaboration with Amanda Wei Gallery in Hong Kong, while Sanlorenzo is in its third year as a partner of Art Basel.

 

Artwork by Hong Kong-born Lai Chi-man adds colour

 

Meanwhile, in Italy, the new flagship of the SX line, the SX112, is making its world premiere at the ongoing Genoa International Boat Show (October 1-6), where an SX76 and SX88 are also among 10 Sanlorenzo yachts on display.

sanlorenzoyacht.com

simpsonmarine.com

 

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How Petek Sutrisno Uses Art To Talk Pop Culture and Politics in Indonesia

How Petek Sutrisno Uses Art To Talk Pop Culture and Politics in Indonesia

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Petek Sutrisno is part of the generation of artists whose works are heavily influenced by comics, cartoons, illustrations, and pop culture, thus mixing a variety of modern and traditional mediums to create a distinct work of art.

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“Fanatik” – Acrylic on Canvas, 140cm x 180cm, 2019

Part of the young artist generation whose works are heavily influenced by comics, cartoons, illustrations, and pop culture, Petek Sutrisno was born in 1988 and has graduated from the Indonesian Institute of The Art in Yogyakarta. Through blending modern and traditional means, Sutrisno deliberately incorporates his daily life into each piece of work, to portray an intended and relatable message.

How Petek Sutrisno Uses Art To Talk Pop Culture and Politics in Indonesia

“Nothing to Fear” – Acrylic on Canvas, 130cm x 170cm, 2020

You are now established in Yogyakarta which can be considered as the art capital of Indonesia. Tell us more about your first steps as an artist?

I’m interested in art since I was a kid, back then during my childhood my big brother always bring me to art exhibition in Yogyakarta and I always express my interest in art by drawing on all of my school textbooks and on the wall at home. I started to pursue my dream in art by studying art in high school (SMSR) in my city. Then I continue my study in Indonesia Institute of The Arts of Yogyakarta and then I decided to be an artist. That decision bring me a dream, in a bigger picture that one day I want the world see my paintings.

“Regal” – Acrylic on Canvas, 150cm x 120cm, 2020

You art is vibrant colors! Tell us more about the symbolic imagery we can find across your art: from Indonesia divinities & traditional motives to cosmonauts & robot?

Most of my work talk about my childhood experience and current political issues. The cosmonauts and robot symbol came into my mind when during my nostalgic session I contemplated my toys when I was a child. I also gave some traditional culture and modernity touch in my paintings like wayang, batik and I mixed them with few characters and some symbols from pop culture like movies, comic books, animation and illustration. Whenever I paint I feel that I need these exposures, the modernity and my traditional roots, for me they create a harmony on my paintings.

“Finding Home” – Acrylic on Canvas, 140cm x 180cm, 2020

Why this fascination for flowers which are prominently featured in almost all of your artworks?

Love, beauty and peace. I tried to put these 3 elements on my work and I choose flower as the symbol of these 3 things. I always think that I have to put nature element in my work since what I see nowadays so many bad news about our planet. This flower is to remind us that we have to preserve nature and the world where we live now.

“Teenage Fantasy No. 1” – Acrylic on Canvas, 140cm x 180cm, 2020

You are always looking for new techniques in your art. How would you describe your style?

I like to try new technique during the process, I don’t like to repeat the same thing all the time, sometimes it bores me and It’s fun to explore many techniques and possibilities during the painting making. It’s true that it affects my style but honestly I don’t really care about style because I don’t want to set a border in my creativity and set a limit for all the new ideas just because it doesn’t suit my style. So, I decided to freed my imagination and doing what I feel right.

“Teenage Fantasy No. 2” – Acrylic on Canvas, 140cm x 180cm, 2020

You works contains social and political themes. Do you see yourself as an engaged artist.

The influence of social – politic issues reflect the condition of my country, it affects me during the process I create my paintings, it’s like I can’t get those things out of my head so I decided to put all what I had in my mind on canvas. I like to use my work as a media to reflect what I thought. I like being critical, not all of the time but you can see I show what I feel about political injustice and some political issue. for me art is one of some ways to speak about the truth, and we can also fight for what we believe through art.

“Identity No.2” – Acrylic on Canvas, 150cm x 120cm, 2019

Any current or past pop artists who has influenced you?

To be honest I don’t know who is the most influential artist during my career but I really like the work of several artists like Jeff Koons,Takashi Murakami,Andy Warhol,I Nyoman Masriadi & Eko Nugroho, they are amazing and they give me good and  positive influence.

“Diantara” – Acrylic on Canvas, 140cm x 180cm, 2019

How do you view the current art scene in Indonesia? How important is the space given to artists in modern Indonesian society?

In my opinion art in Indonesia has been developed over time and you can see there are many galleries where you can find the work of some young artists. Not only that, the society appreciate art a lot better nowadays. Art in Indonesia already take a part in their life, and we see it as a lifestyle. So I’m very glad see how Indonesians especially the young generations taking part on the art development here.

“Toys Story” – Acrylic on Canvas, 140cm x 200cm, 2020

The five words that best describe your art?

Fun, Funny, Beauty, Interesting and Curious

In which city can we expect to see your next solo exhibition?

Currently I don’t have any plan for solo exhibition because I still have to finish many projects till the end of the year. I hope next year I’ll be able to have my next solo exhibition.

Artotel Surabaya 2015

Where can we see some of your work online, are these for sale?

You can check out my Instagram account, but some of them are already sold.

“Sebelum Hujan Turun” – Acrylic on Canvas, 150cm x 200cm, 2019

If you were to name one mentor who has inspired you in life and path as an artist, who would that be?

The reason why I become an artist is my family, but if I have to mention someone who has encouraged me during my early career is Bambang Toko. He was my lecturer when I was studying in university.


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The international side of brokerage

The international side of brokerage

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Buying and selling pre-owned yachts is often considered a local business, but in a Column for Yacht Style, Adam Blackmore of Fraser Hong Kong explains that online information, photos, videos and 3D tours, combined with experienced yacht-shipping operators, are making brokerage increasingly international.

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During the sale of Odyssey, a 44m Royal Denship, I spent a lot of time with the yacht’s new crew, who had come over from Italy, and the previous crew who cared for her during her time in Hong Kong.

 

When the shipping date came, we were all present to load her onto the vessel and I remember thinking, ‘What a dichotomy, the old and the new’, which also embodies Hong Kong.

 

In a city where modern skyscrapers mix with old temples, here I was with the old crew, the new crew, a glistening modern yacht and a very old fishing boat that belonged to the diver who was assisting us with the load. And behind us, the sun was setting on the South China Sea. It was a memorable, unique moment and led me to consider how brokerage is becoming increasingly international.

 

 

Fraser is very experienced in shipping yachts of all sizes around the world, but our Hong Kong office is mainly involved with transport between Europe and Hong Kong or other Asian yachting hubs.

 

The likes of Odyssey are moved around the world using heavy-lift ships that carry a variety of cargo and are equipped with lifting gear and cranes. Once loaded on board, the yacht is then strapped to the deck of the boat in custom-made cradles. Loading a boat onto a ship is a very delicate and precise process, and we only consider moving yachts that are fully insured.

 

 

It’s also important to work with a trusted partner. I like to work with Charles Massey and the team at Sevenstar Yacht Transport because they have loadmasters who are trained to load yachts properly.

 

It requires a specific set of skills and the loadmaster must fully understand the weight distribution of a yacht as well as his gut feeling based on many years of experience.

 

 

Potential buyers are sometimes surprised to hear that it isn’t prohibitively expensive to ship a yacht, even between continents, with many assuming it will take too long and cost too much.

 

Every buyer has unique needs and wants when choosing a yacht, so it becomes particularly important to find the right one, even if it’s located overseas. You don’t buy a yacht because you need it but because you want it, so when a buyer finds ‘their’ yacht, they’re often happy to spend the extra money to ship it.

 

 

It’s a win-win situation, because sellers in Hong Kong, for example, are pleased to hear that the pool of potential buyers for their yacht is much larger than just this city or even Asia.

 

Despite the challenges this year, we’ve witnessed the yachting industry continue to grow throughout Asia. Given travel restrictions, the pandemic has created strong demand for yachts in Hong Kong, which can mean searching other markets to find one that meets a buyer’s criteria.

 

 

As there are now more first-time buyers, there’s an increase in brokerage sales between Hong Kong and other Asian markets and beyond. Considering Fraser’s large network of potential buyers around the world, I believe in taking the time to be creative when marketing a yacht.

 

 

As an example, the former owner of Odyssey allowed us to use the boat for two days to do photography, filming and take 3-D scans, so we were able to give any potential buyer around the world a really strong feeling for what it would be like to be on board.

 

 

And because buying a yacht is an emotional experience, I use film and photographs to highlight the unique features of each boat. This helps potential buyers feel immersed in the experience of what it would be like to walk the decks, enter the saloon, sit up on the sundeck and enjoy the views, whether it’s the sea, towering skyscrapers or a small fishing boat.

 

 

ADAM BLACKMORE

Blackmore is Commercial Director at Asiamarine, having joined in 2017, and a Sales Broker for Fraser, which is represented by Asiamarine in selected markets. Working in the yachting industry since 2007 and moving from England to Asia in 2013, he has helped hundreds of clients buy and sell pre-owned yachts, also guiding many through the new-yacht construction process.

adam.blackmore@fraseryachts.com

www.asiamarine.com / www.fraseryachts.com

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Vietnam looks to learn from China

Vietnam looks to learn from China

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Session two of this year’s Asia Boating Dialogue’s covered Vietnam, China, Hong Kong, Macau, Taiwan, Korea and Japan.

 

A Jeanneau Leader 36 in Halong Bay, one of Vietnam’s key areas for pleasure boating; © VietYacht

 

Vietnam has been touted as Asia’s most exciting emerging yachting market, yet in this week’s second session of the 2020 Asia Boating Dialogue, local expert Sam Do said securing proper government classification for leisure boats was the industry’s number one priority.

 

Do, Managing Director of Saigon Yacht and Marina based in Ho Chi Minh City, said key hurdles still needed to be overcome before the Southeast Asian country could start to follow in the footsteps of its neighbour China, where leisure boating has only become established in the past couple of decades.

 

Do said Vietnam’s first international-standard marina, AnaMarina, is set to officially open in October, but said the yachting industry’s priority was securing proper government classification of private leisure boats.

 

 Vietyacht, which also operates charters, keeps many of its fleet in Ha Long City

 

“There’s no special code for leisure boats, no category for marinas. Leisure boats are basically treated under the same rules as commercial boats and fishing boats,” said Do, whose company represents brands including Aquila, which builds its power catamarans in China.

 

“Boating is new and trendy in Vietnam right now. A lot of people already own luxury cars, but not many people in Vietnam can say they own a Princess or a Ferretti.”

 

Other leading dealerships include Tam Son Yachting (Beneteau, Lagoon, Monte Carlo Yachts, Zodiac Nautic), VietYacht (Jeanneau, Prestige, Fountaine Pajot) and LuxYacht (Ferretti Yachts, Riva, Pershing). Do also said MarineMax Vacations was establishing charter operations in Nha Trang and Ho Chi Minh City.

 

In Ho Chi Minh City, Tam Son Yachting is chartering a Lagoon 630 MY powercat, which has hosted many events

 

Vietnam has a population of just under 100 million, of which 60 per cent are under 35, and a 2,000-mile coastline with warm weather for most of the year.

 

Much of the coastline in the northern half of the country – including world-famous Halong Bay – is just 200 miles from Hainan Island, ‘China’s Hawaii’. Hainan has developed into the mainland’s leading yachting hub and is currently in the process of becoming a free trade port and free-trade zone.

 

“We are learning a lot from the China market, but first of all, we hope to work with the Vietnamese government to have a new category for leisure boats and marinas,” said Do, an electrical engineering graduate of the University of Washington.

 

Speakers at the Asia Boating Dialogue’s second Zoom webinar

 

Hainan’s tax-free status has not yet been implemented, yet international yacht builders and agencies are setting up bases on the island in anticipation of a boating boom in the province, which already features several large marinas.

 

As well as Vietnam, the second session of the Asia Boating Dialogue also included presentations on China by Zhang Weihang (China Cruise & Yacht Industry Association), Hainan, China (Stuart Hu, Sanya Central Business District Administration), Hong Kong and Macau (Lawrence Chow, Hong Kong Boating Industry Association), Taiwan (Virginia Chuang, Taiwan Yachting Industry Association), Korea (Dr Kim Choong-hwan, Korea International Boat Show) and Japan (Kenta Inaba, Super Yacht Association of Japan).

www.asiaboating.org

Vietyacht, Tam Son Yachting Pioneering Charter Activity in Vietnam:' Charter Issue' 2020

Vietnam's Halong Bay is almost 1,700km northeast of Thailand's Phang Nga Bay, yet in some ways they're sister environments, featuring stunning limestone karsts, islands, caves and beaches, and toured by millions of visitors each year. With almost 2,000 islands and islets, Halong Bay is the big sister and spans about 1,500sqkm, making it almost four times the size of Phang Nga Bay.

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Genoa show celebrates 60th edition

Genoa show celebrates 60th edition

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Benetti Oasis 40M, Sanlorenzo SX112, Azimut Magellano 25 Metri and Prestige X70 among world premieres at Genoa International Boat Show.

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Benetti’s new Oasis 40M at a private Azimut-Benetti event in Portofino

Benetti is hosting the world premiere of its Oasis 40M at the 60th Genoa International Boat Show, which launched today (October 1) and concludes on October 6 (Tuesday).

Featuring an exterior by UK firm RWD and interiors by New York-based Bonetti/Kozerski Architecture, the first Oasis 40M is owned by American Tim Ciasulli and had a private showing at Azimut-Benetti’s annual press conference and gala evening in Portofino in September.

Azimut’s Magellano 25 Metri features on the cover of Yacht Style Issue 55 (Sep/Oct 2020)

Azimut’s new Magellano 25 Metri was also shown at the same private event and is also making its public premiere in Genoa. The flagship of the Magellano Collection is among a large Azimut display including models from its Atlantis, Flybridge, S and Grande ranges.

Sanlorenzo is debuting its SX112, the new flagship of its SX crossover series. The Italian builder is also showing the SX76 and SX 78, as well as the SL78, SL86, SL96 Asymmetric, SL102 Asymmetric and SL106 from its planing line, and the SD96 from its semi-displacement range. Sister brand Bluegame is debuting its BGX60.

French builder Prestige is showing its much-anticipated flagship X70

Prestige, part of Groupe Beneteau, is showing its new flagship X70 along with its smallest model, the 420 launched last year, and a 520S.

Beneteau is showcasing its new Oceanis Yacht 54 and Oceanis 40.1 sailing yachts, as well as a First Yacht 53 and Oceanis 46.1. Motorboats from the French brand include the new Antares 11 Fly, Gran Turismo 36 and Flyer 9 Sundeck models, along with a Monte Carlo 52 and Swift Trawler 41 Fly.

Beneteau’s Oceanis Yacht 54 is also among world premieres in Genoa

Sunseeker’s display includes the Manhattan 68 that debuted indoors at Boot Dusseldorf in January. The Poole yard is also showing a Predator 50, Predator 60 EVO, 74 Sport Yacht and 76 Yacht, while fellow British builder Princess is displaying a V50, V55, F55, S62 and S78.

After a Covid-plagued year that has led to the cancellation of most boat shows, including the Cannes, Southampton and Monaco shows traditionally held in September, organisers were delighted to finally open the 2020 Genoa International Boat Show.

This year’s event marks the 60th edition of the Genoa International Boat Show

Saverio Cecchi, President of the Italian Marine Industry Association, said: “The wait is finally over. This is the beginning of an emblematic edition, inspired by safety and effectiveness. This year’s Genoa International Boat Show will act as a shining example of management in these demanding times and as a unique point of reference for global events, even beyond the yachting sector.

“We never doubted the event would take place. It’s the cornerstone of our Association’s mission. Our boat show will be a global icon of determination and Italian know-how, an event that will reflect Italy’s world-class industry; a strategic, international, must-see showcase of the Made in Italy brand.”

Genoa is going ahead after the Cannes, Southampton and Monaco shows were cancelled

Liguria President Giovanni Toti added: “Even in such difficult times, we need to give the world a sign that things are getting back on track, particularly when it comes to such a strategic sector for the Liguria region and the nation’s economy, in need of this world fair as a way to reinvigorate it.”

Tickets are only available online, while the strict health and safety protocols also include a pool of experts and engineers monitoring the situation, two entrances, thermo-scanners, automated turnstiles and varied routes through the venue.

Toti said: “All measures are aimed at making sure the highest standards of health and safety are met when it comes to visitors and exhibitors.”

www.salonenautico.com

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Virtual Monaco Yacht Show

Virtual Monaco Yacht Show

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Asia-Pacific update on superyacht developments and the latest launches by the world’s leading builders. By Bruce Maxwell.

Recent Monaco Yacht Shows run by Informa have been fully booked. They also own Fort Lauderdale, Miami and Palm Beach. Photo: MC Clic

 

As the ghosts of Monaco Yacht Shows past gather on the hallowed quays of Port Hercule, a partial solution to the problem that postponed MYS this year may be emerging from an unlikely source – Fiji in the South Pacific.

 

In Asia-Pacific, superyachts bound for the Tokyo Olympics diverted when that event was put back to 2021, although some took the opportunity to cruise the intriguing North Pacific anyway. Now the focus is on whether the America’s Cup in Auckland, New Zealand, from January to March 2021, can be saved.

About 70-80 superyachts were originally expected for the America’s Cup season, compared with an average of 50-60, but numbers have been depleted already by the global Covid-19 pandemic.

Ron Holland-designed 78m sloop M5 formerly Mirabella 5 on the outer berth of Port Denarau Marina with 73m SilverYachts Dragonfly inside her

 

If approaching from the Med and Suez Canal, there are adverse contingencies to consider in Phuket, Singapore, Indonesia and Australia. From the Caribbean via the Panama Canal and Galapagos Islands, the South Pacific route has seen bottlenecks too, but is a little more open.

 

French Polynesia remained marginally okay for approved and locally-based superyachts. We understand more than 3,000 Americans have been permitted to enter, facilitating some cruising and charters, after self-administered covid-19 tests, which raised questions as to how these visitors may handle things like nasal swabs.

 

Some vessels have arrived at or are heading for Fiji, where the cost of living is considerably lower, and the government is cautiously trying a Blue Lane VIP scheme devised by David Jamieson, of Yacht Help and Port Denarau Marina, the only entry point.

 

Fifteen superyacht berths, including four over 70m, open next year at Nawi Island Marina facing Savusavu on Vanua Levu, Fiji’s second largest island north of Viti Levu

 

This involves strict covid-19 tests prior to departure and on arrival, quarantine for arriving vessels including passage time, and similar strictures for crew, most of whom are coming on transfer from relatively Covid-free states of Australia and New Zealand.

 

Owners may turn up by private plane, and cruise the extensive Fijian islands if they do not come into contact with local people ashore. Fijian navy boats are being despatched to ensure both sides observe this rule.

 

“At least we’ve got a wicket to play on,” remarked Jamieson, evoking a cricketing term. He had a Russian owner arriving that weekend, and an American in early September. Largest yacht in port was the 67m Amels Maria ex-Shanti from Bali in Indonesia, which according to some reports is “officially closed”.

 

The Seychelles and Maldives have been allowing access to superyachts under quarantine conditions, and owners and guests can fly in and out, so this is another cruising and chartering bright spot in the Indian Ocean. Imperial Yachts advises that the 81m RoMEA was highly sought-after last season, and will be returning to these waters

 

Owners and captains in the South Pacific had been hoping to hear after the New Zealand elections in September if the country would re-open to superyachts, but having had 100 virus-free days, another outbreak caused new restrictions on 12 August, and the elections were put back to October 17.

 

This may be too late for some owners to wait, as it falls shortly before the South Pacific cyclone season begins. America’s Cup teams and their boats can enter under quarantine rules, but if visitors are still banned, this could have a dire effect on other planned AC events.

 

The situation in Singapore, a crossroads for superyachts in Asia, took a turn for the worse when a second wave of covid-19 infections occurred, traced to foreign workers who commute daily to the city state from Malaysia and Indonesia. As yacht crew are also classified as foreign workers, further complex tests and quarantine procedures apply.

 

One captain told Yacht Style: “All yachts in this region are presently stuck in port, with few if any countries allowing them entry, and certainly none allowing crew to rotate home.

 

“We are hoping Phuket will open, followed by Subic or Palau, but with crew rotation still impossible, and I understand Fiji is now considering some cruising. Superyacht Australia and our friend and yacht agent Carrie Carter have been helpful in getting a few yachts
in.

 

“Some of our crew were allowed to go home due to serious family issues, but as this rotation is mostly one way, with no return guaranteed, we are now below Minimum Safe Manning levels, and could not sail, even if we had a safe port of refuge available.

 

“It is frustrating that, even though yachts are a very safe environment to keep everybody quarantined, tested and constantly checked, we are still being treated as commercial crew on a container vessel pulling into port for the day, this after 4+ months isolated on board”.

 

In the Indian Ocean, charter agents Camper & Nicholsons advise one bright aspect is that the Seychelles and the Maldives have been allowing access to superyachts under quarantine conditions, and that owners can fly in and out.

 

In lieu of Monaco Yacht Show 2020, Camper & Nicholsons International has chartered the 105m Lady Moura (above and below) for a series of five events with private bankers

 

In lieu of Monaco Yacht Show being held this year, C&N is hosting a series of five events with Private Banking and Monaco authorities aboard the 105m Lady Moura, which was built by Blohm & Voss, now part of Lürssen Yachts.

 

Imperial Yachts is another agency active in the Indian Ocean. Their 81m Abeking & Rasmussen RoMEA was highly sought after last season, and will be returning. They are agents for the largest charter yacht afloat, the 136m Flying Fox, have recently added the 107m Benetti Lana, and offer the already popular Amels 55 Lili.

 

Most Asia-Pacific industry people interviewed for the section above are usually at MYS, promoting facilities and services in the growing Indian Ocean-Asia-Pacific cruising region.

 

Leading superyacht yards Lürssen, Feadship, Amels and Benetti all have new builds in place for Asia-Pacific owners, so that at least is a positive sign that this market continues to grow.

 

Two views aboard the 136m Lürssen Flying Fox, which is available for charter through Imperial. Indian Ocean is an option © Imperial (Photos: Guillaume Plisson)


 

Looking at recent launches by yards that are Monaco’s mainstays, Lürssen’s 136m Flying Fox in her first season is creating waves by becoming the largest and most expensive vessel ever offered for charter. There is change from US$5 million a week, but not much. Lürssen, meanwhile, has spent the last two years trying to convince the market that it doesn’t only build the world’s biggest superyachts.

 

Sales Director Michael Breman, who is also President of the Super Yacht Builders Association (SYBAss), says that they tackle bespoke builds from 60-90m as well, and even dip below that figure on occasions.

 

As an example, their Project 13800, a Chinese lucky number, is a 55m that will be delivered in 2021. The initial concept was influenced by Bannenberg & Rowell studies based on the classic yacht Carinthia V1 designed by Dickie Bannenberg’s late dad Jon, a London-based Australian doyen of the industry.

 


Bannenberg & Rowell’s modified design for a custom 55m being built at Lürssen

 

Several design iterations followed, and she now has her own strong identity, but retails the very real heritage of her predecessor. “Fearless use of colours and textures,” says a spokeswoman, “as well as museum-quality interior furniture, underline the approach.” James Hutchison is owner’s representative.

 

Peter Lürssen, Managing Partner of the yard, comments: “We are very grateful for the success of all the large yachts we have built. However, our core business is 60-90m, and Lürssen has built more vessels over the last 15 years under 90m than above. As long as it is a bespoke yacht, Lürssen is the right shipyard.”

 

Feadship’s latest Pilot update, released in August, says the yards have continued to work through lockdowns while implementing the widest range of Covid-secure measures.

 


Jonny Horsfield of London designers H2 has finally built a Feadship

 

“Putting the safety of our people and guests first, we managed to successfully deliver three new builds, Moonrise, Podium and Arrow, and complete the major refit of W. A range of new-build projects continue apace, and we will share more details on these in due course.”

 

Separately the yard observes that “these are astonishing times, the likes of which very few of us have experienced. We have been hugely encouraged by the way the global Feadship family and the wider superyacht world has been supporting each other on an individual and collective level.

 

“You won’t hear us say this very often, but there are more important things than business, and we’re putting the well-being of our clients and people first. Obviously we can’t predict further developments with the virus, but rest assured that we have everything under control that can be controlled in such a crisis.”

 

In one year recently, Feadship delivered five yachts to Asia-Pacific clients, and another spectacular vessel is on the slips at Royal De Vries in Amsterdam. The yard has been active in Asia for over 30 years, and Merle Hinrich’s Double Haven, named after the anchorage in Hong Kong’s Mirs Bay, is regarded as a classic.

 

One new star born into the Feadship firmament this year was the 99.95m Moonrise launched at Makkum, the group’s gigayacht facility out in Friesland. Described as having “sleek sensual lines with a modern masculine profile”, the vessel has long hull windows, grey hull and a striking vertical bow. Exterior is by Studio De Voogt and Rémi Tessier Design, which also handled the minimalistic-style interiors.

 

Amels and parent yard Damen have been extremely successful in the Asia-Pacific market in recent years, to the point where their regional fleet now forms 20 per cent of our annual Top 100 Superyachts of Asia-Pacific feature. They too have a history stretching back to 70m-plus custom vessels like Reg Grundy’s Boadicea and Frank Lowy’s much-modified Ilona V.

 

Damen 77m SeaXplorer La Datcha

 

Damen’s multi-purpose Yacht Support and SeaXplorers boost the total. Originally these were meant to be super tenders to even larger superyachts, hence names like Garçon, but increasingly in the Pacific and Indian Oceans both are being used as stand-alone explorers, sometimes under contract to universities and ocean
institutes for research voyages.

 

Amels Limited Editions concept took off in the early 2000s. Tried-and-tested hulls and other basic fittings are constructed in advance, so that an owner need only wait two years instead of the usual four, but can still make critical custom decisions about interiors, and to a lesser extent, exterior profiles. The cost of this exercise is underwritten by Damen, a wealthy family-owned shipyard and shipbuilding
group operating in 120 countries.

 


Damen 55m Support Vessel Blue Ocean

 

Most recent launches are the 63m Amels 206 Limited Edition Stardust, which has just made her maiden voyage to Norway, the 77m Damen SeaXplorer La Datcha and the 55m Yacht Support vessel Blue Ocean.

 

Stardust is another signature vessel from Tim Heywood and Laura Sessa, who announced their Limited Editions project at a Monaco hotel breakfast 15-plus years ago and have not looked back since. Espen Øino was last year asked to handle some LE concept builds, too.

 


Amels 206 Limited Edition Stardust on her maiden voyage to the Norwegian fjords

 

This owner specified a light grey hull and white superstructure, highlighting the long lines from the Scimitar bow to swim platform. Range at 13 knots is 5,000 nm, comfortable for Atlantic crossings, and she looks absolutely spectacular in the Norwegian fjords.

 

I was in Mike Simpson’s office in Aberdeen, Hong Kong, in the mid-1980s when Azimut owner Paolo Vitelli and Sales Director Massimo Perotti, who were just acquiring the family-owned Benetti superyacht shipyard, called to see if he would be interested in representing them in East Asia. A Simpson-run Azimut sales base was set up in then-burgeoning Japan as well.

 

Benetti delivered the 107m Lana (above) and the 108m IJE (below), the latter for Australian casino billionaire James Packer

 

A few years later Benetti’s largest yacht at the time, the 83m Nabila built for Saudi businessman Adnan Khashoggi, was purchased by an American, Donald Trump, who renamed it Trump Princess, and among other things called at Hong Kong on a world cruise, offering day trips for the RHKYC ladies. So the brand Benetti, founded in 1873, has also been around for a long time.

 

Ambrous Young, who owns the 65m Benetti Ambrosia 111 often based in Kaohsiung or at Gold Coast Marina in Hong Kong, has owned three Benettis, and was a substantial shareholder in the yard at one time.

 

The Benetti yards have expanded from Viareggio, Italy’s yacht building centre, to Livorno in recent years, and the last year has been one of their most spectacular yet, with the delivery of 107m IJE to Australian casino billionaire James Packer, the 108m Luminosity listed shortly after for sale, and finally the 107m Lana which as mentioned is joining Imperial Yachts’ charter fleet.

 

Luminosity (above and below), a third gigayacht by Benetti, one of the oldest superyacht builders in Europe

Packer, a former media mogul, is always in the paparazzi spotlight, so it is no secret that IJE is named for his three children Indigo, Jackson and Emmanuelle. The vessel has lately been on the Pacific Coast of Mexico.

 

Italy, the world’s largest pleasure boat builder, was affected earlier this year by a national lockdown when it became a covid-19 hotspot. It is thus interesting that although Monaco has been postponed, and Cannes in France as well, Genoa in Italy from October 1-6 is still going ahead.

 

Massimo Perotti is Executive Chairman and majority holder of Sanlorenzo Spa, founded in 1958 in Viareggio and now with further shipyards in Ameglia, La Spezia and Massa. Like the big four superyacht yards above, it too has new Asia-Pacific clients, these introduced by Simpson Marine, which continues their long-time association.

 

Sanlorenzo launched its first 62Steel earlier this year

 

Sanlorenzo anticipated a record output this year and is still on track for impressive results. Awaited with great interest is the new Sanlorenzo 62Steel, launched in La Spezia early June before her autumn premiere.

 

Described as a “100 per cent Sanlorenzo creation”, this is a five-decker which the yard says “sets new standards in the metal superyacht sector”. Two units had been sold by the second quarter of 2020.

 

There is a vast, sumptuous owner’s apartment, for which the whole upper deck has been set aside, as well as featured principal living areas and a “majestic beach club” on the lower deck. The owner’s deck alone spans 97sqm indoors, comprising the night-time zone, a studio, two spacious bathrooms and a walk-in dressing room, and 123sqm outdoors.

 

Sanlorenzo 44Alloy and other models have been selling well in Asia-Pacific due to the yard’s ongoing relationship with regional dealer Simpson Marine

 

Another development is the Sanlorenzo 44Alloy, “a true conceptual update on the prize-winning 40Alloy, famous for its fold-out terraces in the owner’s zone, its gullwing doors on the bridge, its remarkable performance and commercial success, with as many as ten yachts sold”.

 

Martina Zuccon handled interior design for the first Sanlorenzo 44Alloy, while the second is done by Florence-based architect Michele Bonan, and the third will bear the signature of the France-based architect firm Liaigre. Two 44Alloys have been sold to Asian clients.

 

SilverYachts is another Monaco regular whose most recent showings were the 77m Silver Fast and 85m Luxury Expedition Vessel Bold. They complete five successful builds and sales for this aluminium specialist Western Australian yard, and a second 85m is under construction.

 

SilverYachts, another Monaco regular, is building a sister ship to Bold (above) in Australia

 

Earlier models were two 73ms, one based in Dubai and the other, now called Dragonfly, has spent years in the South Pacific as the steed of an American IT guru. She was in Bora Bora’s lovely lagoon in August. There must be worse places to ride out a pandemic. All SilverYachts come with a go-fast pedigree at relatively economic rates. Silver Fast, for example, sailed from Australia to Europe in a comfortable 21 days.

 

Designer Espen Øino has come up with a new concept for SilverYachts’ second yard at Jiangmen, one of the principal cities of the Pearl River Delta enclosed by Hong Kong, Macau and Guangzhou.

 

This is the 36m SpaceCat, first announced at Singapore Yacht Show last year and covered by Yacht Style then. Initial builds are now well under way, advises SilverYachts executive Jona Kan, and smaller yacht owners who want to upgrade to a 50m monohull superyacht are showing strong interest, as interior space is comparable, at an attractive price.

 

“The typical curves Espen Øino has created on the bow and the aft sundeck resemble her Australian-built iconic cousin Silver Fast,” says Kan. “SpaceCat deliveries will start in the summer of 2021.”

 


SilverYachts has added a new line, the 36m Espen Øino-designed SpaceCat, which has a volume that equates to a 50m monohull and is being built at a yard near Hong Kong

 

SilverYachts Jiangmen is being run by Australian COO Rod Davies, who was formerly Singapore-based. He set up the yard from scratch in mid-2018 and has a small group of managers from SilverYachts in Western Australia. The build team has been ramped up and is now about 80-strong.

 

Øino comments: “As most yachts are floating homes, this unique project gives you the possibility to create something much more exciting with a catamaran. You are less limited with length to beam ratio and can design the spaces in a completely different way.

 

“At the same time, you can be extremely efficient, which aligns perfectly with the SilverYachts philosophy, using all-aluminium, lightweight and slender hulls to run at high speeds with very modest power. The SpaceCat will operate at cruising speeds around 14 knots with ridiculously low consumption, but we are expecting to get up to about 20-plus knots at around 60 litres an hour.”

 

In other news, the 89m Oceanco Barbara is in Fremantle, Western Australia, after a 13-day voyage from Addu in the Maldives. Her designer Sam Sorgiovanni is also based in this port city to State capital Perth.

 

Former Oceanco executive Michele Flandin now represents Australian designer Sam Sorgiovanni in Monaco

 

Once a protégé of Jon Bannenberg, Sorgiovanni has handled several previous builds at Oceanco, and Yacht Style recently ran a back page on his latest concept, a luxury 99m expedition project called Frontier.

 

In Monaco he is now represented by former Oceanco media executive Michele Flandin, who is well-known in the superyacht industry and whom Sorgiovanni tells us “has been a great asset during these difficult times”.

 

Michele herself, when we last spoke in August, said “Monaco is pretty quiet at the moment and so is the port. A few usual large ones like Alfa Nero, Wedge Too and Lady S, but there are nearly no yachts at anchor in the bay.”

 

Heesen, another very large Dutch superyacht builder, has managed to launch Amare 11, Solemates and Triton.

 

Solemates, the Heesen 55m Steel Class, has six staterooms on three decks, and uses the ultra-efficient fast-displacement hull form devised by Dutch hydrodynamicists van Oossanen

 

Solemates is the latest Heesen 55m Steel Class and uses the “fast displacement hull form” devised by Dutch hydrodynamicists van Oossanen, whose founder’s winged keel may also have helped Australia win the America’s Cup in 1983.

 

Burgess Yachts, now with a network of Asia-Pacific offices, is one of the most prominent dealers and agents in Monaco, often taking a substantial hospitality and display area on one of the quays.

 

In Asia-Pacific they presently have the 60m CRN Ramble on Rose and 55m Amels Papa available for charter in Australia, while the Asian-owned 52m Lind is in the Med. Lady E has had a refit, and plans to charter in Australia and New Zealand this season, but is carefully watching latest port rules and regulations.

 

The 30th edition of Monaco Yacht Show will now be held from September 22-25, 2021, in Port Hercule. A lot of water has ebbed and flowed in the Med since the first one in 1991, under the auspices of Lord Irvine Laidlaw, who bought a series of Lady Christines from Dutch builders including Heesen, Oceanco and Feadship. He will visit Papua New Guinea, Vanuatu and Philippines waters later this year.

 

I was at the dealer meeting in the old Monaco Yacht Club which approved the event. There were rival venues in Nice and Antibes, but for big boat sales, dealers wanted only one. The inimitable Herbert Dahm of Dahm International spoke strongly on Monaco’s behalf.

www.monacoyachtshow.com

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Sunseeker On Show hosts VIP visitors, new yachts

Sunseeker On Show hosts VIP visitors, new yachts

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The British builder has opened a permanent indoor-outdoor facility for VIP visitors and is busy completing five new models set to debut at Boot Dusseldorf in January.

 

Located on West Quay Road, Sunseeker On Show includes hardstand space for five yachts

 

Sunseeker has opened its Sunseeker Showcase indoor suite and Sunseeker On Show display for 11 yachts, offering visitors a year-round opportunity to view and compare many of the British builder’s newest models.

 

The Poole shipyard has converted its former head office at its original shipyard in West Quay Road – close to the current Sunseeker House headquarters – into a permanent VIP visitor experience.

 

Sunseeker has been partnering with various luxury car brands at the new facility

 

The Sunseeker Showcase is a VIP suite for clients and prospects, and features a hospitality lounge, dining area and Robert’s Bar, named in tribute to Sunseeker founder Robert Braithwaite.

 

It also has a VIP cinema room with a 100-inch screen, a meeting room and the Selections Lounge, which displays samples of the brand’s fabrics, woods and colours, and allows clients to specify their boat with Sunseeker’s interior design team.

 

The Sunseeker Showcase is a conversion of the brand’s former head office

 

Sunseeker On Show, the outdoor display, comprises five yachts in front of the Showcase and another six or more in the water, with the models regularly updated. After guided tours of the yachts on the hard, visitors can be taken on electric golf carts through the shipyard to the pontoons, where they can see more new yachts on display and be taken on a cruise or sea trial.

 

Sean Robertson, the company’s Sales Director, said: “The team has created a one-of-a-kind destination nestled in the heart of the original Sunseeker shipyard. Sunseeker On Show and the Sunseeker Showcase are truly exciting developments in how we can give our clients a real Sunseeker experience, a chance for us to provide our legendary hospitality year-round.

 

The Sunseeker Showcase welcomes clients and prospects from around the world

 

“We have already been very busy and continue to welcome clients from across Asia, many of whom have visited previously. The display is open seven days a week and visitors are requested to make an appointment to visit through their local dealer.”

 

Robertson started working at Sunseeker in 1986, so remembers when the building was the company’s headquarters. “Back in the 1960s, 1970s and through to the mid/late 1980s, the West Quay Road site was the main production facility and the building was the main office,” Robertson said.

 

“Now, we’re using the site to provide an all-in VIP visitor experience for clients and prospects that includes an overview of the history of this amazing, historic brand while enjoying some local south-coast delicacies with the Sunseeker family.”

 

Robert’s Bar is named in tribute to Sunseeker founder Robert Braithwaite

 

Andrea Frabetti, CEO since mid-2019, says the new facility provides an uplifting occasion after a difficult year that will always be remembered for the effects of the Covid-19 pandemic.

 

“We are trying to minimise the delay in showcasing the new models, so Sunseeker On Show and the Sunseeker Showcase help with this,” Frabetti said. “We welcome visitors to see the new models privately even before the models’ official show debuts.”

 

Sunseeker plans to debut the Manhattan 55, Predator 55 EVO, 65 Sport Yacht, 88 Yacht and revolutionary 90 Ocean at Boot Dusseldorf in January, and visitors to the shipyard have the chance to see the models before their international debut.

 

The 90 Ocean is the largest of Sunseeker’s five new models set to show at Boot Dusseldorf in January

 

The 90 Ocean has already had a very positive impact, with strong sales before the yacht has even been launched.

 

“We’ve sold out production slots for the 90 Ocean for all of this year and most of 2021,” Frabetti says. “It’s beamier, bigger and a lot roomier than comparative models. For example, it has 20-25 per cent more volume than the 88 Yacht, a traditional fast motor yacht.”

 

Sunseeker’s new X-TEND sunbeds can be used on the swim platform or in the cockpit

 

The model is the first to feature Sunseeker’s new X-TEND sunbeds, which were developed in-house and can be raised to main-deck level to face forward to other cockpit furniture, or opened downwards to face the 6m by 4m beach area, which includes a submersible platform.

 

“The beach area is unbelievable. It’s a huge entertainment area with barbecue, Seabobs, other toys, X-TEND beds, a submersible swim platform and much more. Everyone who has seen it in build has been amazed at the size. It has to be seen to be believed,” says Frabetti, who also highlights the yacht’s efficiency at low cruising speeds.

 

The Predator 55 EVO follows the 60 EVO launched last year

 

“The yacht can reach 26 knots, but the best feature is its efficiency at low speeds. The hull lines are designed to maintain a trim and keep the boat horizontal up to 14 knots, so this helps reduce consumption a lot. Most customers like two cruising speeds, which this has at 12-14

knots and 24-25 knots.”

www.sunseeker.com

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Luxury Destinations Every Post-Pandemic Traveller’s Been Missing

Luxury Destinations Every Post-Pandemic Traveller’s Been Missing

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Portofino, Saint Tropez, and Ibiza are just a few Insta-worthy destinations some of the world’s super-rich are keenest to head back to.

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Whether it’s ideas for a date night, the trendiest fits, adventure or vacation, Instagram users have long established the site as the go-to platform for all things inspiration. With the world barely recovering from a severe global pandemic and lockdown, here are a few Insta-worthy destinations some of the world’s super-rich are keenest to head back to.

Luxury Destinations Every Post-Pandemic Traveller’s Been Missing

Saint-Tropez

In the Provence-Alpes-Côte d’Azur region of south-eastern France, lies a coastal town on the French Riviera, revered for its long lineage of esteemed artists and international “jet setters”, dating as far back to the 1960s. Remaining known for bustling its beaches and nightlife, the miniscule fishing villages of Saint-Tropez have since evolved and expanded to accommodate a multitude of million dollar yatchs.

Showcasing a collection of beaches, each measuring an estimated 30 metres wide with their own private huts and public tanning areas, along its five-kilometre shore, Saint-Tropez is the ideal destination for windsurfing, sailing, canoeing, and other motorized water sports such as, power boats, jet bikes, water skiing and scuba diving.

Most popularised by the film ‘And God Created Woman’ featuring Brigitte Bardot, Saint-Tropez has earned its reputation an artistic and hedonistic town, but also as a clothing-optional safe-haven.

Antibes

Revered for its old town enclosed by 16th-century ramparts with the star-shaped Fort Carré, the resort town of Antibes between Cannes and Nice on the French Riviera, overlooks a sea of luxury yachts moored at the Port Vauban marina. Generously dotted with grand villas, Antibes borders along the chic resorts of Juan-les-Pins and the Jazz à Juan music festival, buzzing enthusiastically all night long.

Ibiza

Considered one of Balearic islands, and an archipelago of Spain in the Mediterranean Sea, Ibiza is well known for its ideal balance of innumerable European nightclubs, hotels, bars, shops, quiet villages, yoga retreats and beaches of sandy coves backed by pine-clad hills.

Shop the quirkiest fashion, and one-of-a-kind jewellery, accompanied by tasty local food stalls, and live music entertainment, every Wednesday at Es Canar – or stop by the highlight of Ibiza’s daytime party scene, Bora Bora for the ideal mix of music, social gathering, drinks, relaxation, and water-sport.

Sardinia

Boasting coastlines, sandy beaches and a mountainous interior crossed with hiking trails, the rugged landscape of Sardinia spans nearly 2,000km, dotted with thousands of mysterious Bronze Age stone ruins. Rich with a tumultuous history, the Italian island has seen influence from the Arabs, Greeks, and Catalonians, amongst many others who have left their mark.

Home to picturesque town of Ozieri, the atmospheric cliffside ruins of Tharros, and the flavourful San Teodoro, Sardinia is renowned for its architecture, food, culture and heritage – offering an expansive variety of local delicacies, including shellfish mixed platters, with gelato, and the region’s famous fish zuppa, a light seafood stew crammed with crustaceans and fresh catches of the day.

Portofino

Pastel-coloured houses, high-end boutiques and seafood restaurants fringe its Piazzetta, as a small cobbled square overlooks the super-yacht-lined harbour of Portofino. Once a humble fishing village southeast of Genoa city and along the Italian Riviera coastline, Portofino is regarded a 16th-century fortress, encompassing museums with art exhibitions, luxury shopping, panoramic views of the town and the Ligurian Sea, and an array of outdoor activities along the marine reserve.

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Sixty 5 rounds out Lagoon’s ‘big four’

Sixty 5 rounds out Lagoon’s ‘big four’

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Joining Lagoon’s Seventy 8 and Sixty 7 powercats and the pioneering Seventy 7 sail cat, the new Sixty 5 offers comfort, easy handling, remarkable space and a wide range of layout options for all three decks.

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Appearing a year after the Sixty 67 powercat, the Sixty 5 has a mast clearance of 111ft. Photos: Nicolas Claris

 

Lagoon’s new Sixty 5 sailing catamaran completes the brand’s current ‘big four’ and comes out a year after the Sixty 67 powercat debuted at the Cannes Yachting Festival.

 

The Sixty 5 is the French builder’s second-biggest sail model and is inspired by her big sister, the Seventy 7 that debuted in 2016 at Cannes, from where the first hull eventually made her way to Hong Kong for her Asia debut before heading to her home in the Philippines.

 

The Seventy 8 powercat premiered at Cannes the following year, with the model’s first hull in Asia arriving this year.

 

The Sixty 5 is Lagoon’s second-biggest sailing catamaran

 

The Sixty 5 is the sailing sister of the Sixty 7, but despite the name, has a greater overall length of 67ft 5in (20.55m), exactly a metre longer than her hull length of 64ft 2in (19.55m).

 

She’s also the successor to the acclaimed 620, which was launched in 2009 and upgraded with a Nauta interior in 2012, and has proved popular across Asia’s warmer cruising destinations including Thailand, the Philippines and the tropical island of Sanya, ‘China’s Hawaii’.

 

Like the Sixty 7, the Sixty 5 has streamlined bows, a rounded cockpit, high freeboards and, above all, great volume, as well as a beam of 33ft (10m).

 

VPLP’s Marc Van Peteghem says: “Her long legs allow you to eat up the miles and then you can enjoy her comfort at stopovers.”

 

Constructed at the Lagoon headquarters in Bordeaux, where the brand’s 50ft-plus models are built, the yacht was drawn by the brand’s trusted design team of VPLP for naval architecture and Italy’s Nauta Design for the interior. The result is wide circulation spaces on board and a modern, well balanced silhouette.

 

Marc Van Peteghem, who co-founded VPLP in 1983, says: “I’m a sailor at heart and there was no way the Sixty 5 wasn’t going to be a really easy-to-use yacht that could cruise far and wide under sail in comfort and with seakeeping qualities inherited from her big sister (Seventy 7).

 

“I dream of going long-term cruising on this boat. Her long legs allow you to eat up the miles and then you can enjoy her comfort at stopovers.”

 

SPACE ABOARD

Stepping aboard via the aft platform, you immediately appreciate the comfort and ease of moving from one space to another, with the sheltered cockpit acting as a hub for most outdoor activities.

 

A rotating, smokeless barbecue is fitted into the port side of the cockpit, by the aft sofa

 

The aft of the cockpit features the reversible bench seat seen on the Sixty 7, an innovative and practical design for use at anchor where guests can relax facing the sea.

 

The heart of the cockpit is an L-shaped sofa and long dining table with plenty of space to port for loose chairs, offering comfortable dining for six people and up to eight at a squeeze. A wet bar to port includes a fridge, freezer, cooler and sink.

 

A wide staircase to port leads to a great flybridge, which offers over 330sqft of space protected by a rigid composite bimini, with a wet bar beside the staircase.

 

The bright, spacious saloon features a C-shaped sofa and lounge area with a low coffee table to port, and a large dining table and L-shaped sofa on the starboard side

 

The fly has two helm consoles and top-of-the-range electric winches. For the skipper, the visibility is excellent and is aided by a camera system that monitors the front and rear hulls of the catamaran, while a bow thruster is an option for those who may need help parking a yacht of this length and width.

 

Lagoon offers various furniture options and layouts for the flybridge including a large sunbathing area aft and a dining table alongside a fitted starboard sofa. The Tribu version features an athwartships dining table with loose furniture aft.

 

OPTIONS ABOUND

There are also a range of choices for the interior, starting with either the galley up or down in the port hull.

 

Grey oak and beige are among upholstery options for the sofas in the saloon, where a 54in TV is hidden in the ceiling

 

With the galley up, located along the port side of the saloon and featuring an island bar, the accommodation options are six cabins, three on each side, or five, with the owner’s suite using the space of the aft two cabins in the starboard hull.

 

The hull we sea trialled featured the galley down in the aft port hull and this is likely to be the most popular option for Asia-based buyers, with accommodation ranging from four or five cabins, still a large offering.

 

With this layout, the 322sqft (30sqm) saloon offers two huge sofas on either side, with a coffee table to port and a dining table to starboard. Forward is a navigation station including an elegant chart

table, while to its right is a well-equipped bar area with ice maker, wine cooler and refrigerator.

 

The galley has Miele home-size appliances including a microwave, electric stove and oven, double fridge, double sink and a secondary freezer in the floor

 

The interior offers remarkable views on all sides including through to the forward lounge, which is accessed by a central door and is one space that underwhelms. More cosy than expansive, it has sunken sofas and just two fixed sun loungers, on either side, although there’s room to throw down a few towels if more people want to lounge.

 

LUXURY ACCOMMODATION

If the large owner’s suite is chosen, as it was on the version we viewed, it’s located aft on the starboard side and has two stairways, from the saloon and beside the cockpit. It’s also the favourite room of Nauta’s Massimo Gino, who led the interior design with Mario Pedol.

 

The owner’s suite is in the starboard hull and has an en-suite bathroom with private stairs up to the aft cockpit

 

The interior headroom is impressive and the large window offers plenty of light and a nice sea view. Other strong points included a low king-size bed, a library, plenty of storage areas and, through sliding doors, a large en-suite bathroom with his and her sinks, a separate toilet and stairs leading up beside the cockpit.

 

The guest cabins all feature sea-facing beds and en-suite bathrooms, and are similarly well finished. There’s an additional layout option. The midships cabin in the starboard hull can be used as a crew cabin with bunk beds, en-suite bathroom, desk by the window and direct access to the kitchen in the galley-down layout.

 

The galley-down is suitable for a crewed yacht but also offers a beautifully designed enclosed kitchen with a comfortable dinette that could be used by guests for breakfast. Again, the choice is yours.

 

The Sixty 5 is as attractive at night as she is during the day

 

Designed for long cruises, the Sixty 5’s long-haul design benefits from the experience of the VPLP office and the builder, which has produced over 5,000 Lagoons for the global market since 1984.

 

Despite its 40-tonne weight, the catamaran flirts silently with nine knots in 15 knots of wind propelled by an almost 100sqm genoa. The mast set back offers good stability and should reassure family owners, although some will reproach the cat’s lack of feeling at the helm.

 

Standard engines are twin 150hp Volvo D3s with a cruising speed of nine knots or you can upgrade to 180hp Volvo D4s for a cruising speed of just under 10 knots. The range on the latter is about 800nm at 1,500rpm or 467nm at 2,000rpm, which is over nine knots, reassurance that you can reach your next anchorage even on days without wind.

www.cata-lagoon.com
www.simpsonmarine.com

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Fraser welcomes ‘summer rebound’ for superyachts

Fraser welcomes ‘summer rebound’ for superyachts

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In Fraser’s latest exclusive commentary for Yacht Style, CEO Raphael Sauleau comments on data showing an impressive resurgence in the global superyacht market.

 

Forwin, a Sanlorenzo 46Steel, is listed for sale by Fraser in Hong Kong

 

Raphael Sauleau, CEO of global brokerage house Fraser, has provided insight on the latest data provided by Fraser’s in-house Market Intelligence department, which showed a strong first quarter and signs of a summer rebound alleviating the effects of the Covid-19 lockdown.

 

“In the first two months of this year, 33 per cent more superyacht sales were closed than

during the same period in 2019. Transactions slowed throughout March and April, but picked up worldwide from May, with June and July surpassing 2019 demand,” Sauleau said.

 

 

 

“As clients realise the benefits yacht ownership offers today in terms of having their own space to escape to and enjoy with greater flexibility, we see the number of sales in the 40m-and-below sector now outpacing even last year’s results and sales overall tracking at just seven per cent behind 2019 levels, with the US market marginally leading the return.

 

“Among our own clients, about 20-30 per cent decided that this year was the right time to buy, having previously hesitated for years,” the Frenchman concluded.

 

 

 

Fraser is represented by Asiamarine in Hong Kong and Thailand.

www.fraseryachts.com

www.asiamarine.com


The data, graphics and intel provided are the property of Fraser’s Market Intelligence department; no reproduction permitted unless authorised by Fraser

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