Yacht Style, Issue 88
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Yacht Style, Issue 86, Top 100 Superyachts of Indo-Asia-Pacific 2026, Jonathan Beckett, Burgess, Erwin Bamps, Gulf Craft Group, Fraser, Camper & Nicholsons, AB Yachts, AB 95, Van der Valk, Lalabe, Azimut, Grande 30M, Ferretti Yachts, 940, Absolute, Navetta 62, Cannes Yachting Festival, Genoa International Boat Show, Monaco Yacht Show, Lantau Yacht Club Boat Show - Festa Nautica, Rolex SailGP, Maxi Yacht Rolex Cup, Rolex Middle Sea Race, Phuket King’s Cup Regatta, Thailand, Port Takola Yacht Marina & Boatyard, Krabi, Yousuf Al Hashimi, Phoenix Yacht Management, Su Lin Cheah, ICOMIA, Suzy Rayment, Asia-Pacific Superyacht Association, APSA
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Patek Philippe Cubitus Breaks Tradition with Revolutionary Square Design

Patek Philippe Cubitus breaks tradition with square design

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The Cubitus redefines Patek Philippe’s legacy, introducing the brand’s first square wristwatch with a daring design and a vision for modern form watches.

By Ken Ke

From left: Patek Philippe Ref. 5821/1A, Patek Philippe Ref. 5822P and Patek Philippe Ref. 5821/1AR

The horological year that began with Watches and Wonders Geneva in April last year was perhaps most notable for what was not revealed there: a brand-new collection from Patek Philippe. Select press attending the fair heard about this coming launch via requests to block calendars in October. This news was then reported on by virtually everyone, including Luxuo. Why the fuss? It really is not every day that Patek Philippe unveils a new collection; it is not even every decade because the last full collection was the Twenty~4 in 1997, which was and remains for ladies. For a collection with more breadth, and inherent appeal to men, we have to go back to the 1995 launch of the Aquanaut. Needless to say, that is a long time between collections and is somewhat reflective of how long collectors take to fully embrace something new from the grand old names.

We made this very point in our initial story on the Cubitus, published right after the collection made its public debut. This story also covered the basics of the three new watches so we will not rehash that, except where necessary to hammer home any points. On that note…


From left: Patek Philippe Ref. 5821/1A, Patek Philippe Ref. 5822P and Patek Philippe Ref. 5821/1AR

Make no mistake about it, the Cubitus is entirely new and, in case you are wondering, it is indeed a properly square watch. Do not let the rounded corners deceive you. Not only is the shape new for Patek Philippe, it is actually the first time the brand has made such a wristwatch. Any similar shape you might be conjuring up in your mind, such as the Gondolo with its famous Ref. 5100, is not square (although we will return to these watches later).


Patek Philippe Ref. 5100, limited edition white gold

“(Two reasons why the square shape is important), first because I never had it in (the brand’s permanent) collection, and I always enjoy seeing some of the square watches (from other brands),” said Patek Philippe President Thierry Stern. “And secondly, because I thought it would be good to surprise people with it. It’s a personal challenge for me also to say, well, nobody expected me to go there!”


Patek Philippe Nautilus Ref. 5712/1R-001 Rose Gold

With those words, Stern dispels any notion that market forces or collector demands fuelled the creation of the Cubitus. Ref 5821 is indeed the successor to the much-loved and now-discontinued Ref. 5711A and Stern tells us that he very much envisioned the Cubitus as part of the Nautilus family. Such is evident from the choice of hands, dials and even the integrated bracelet of the time-only models. While it is not so evident in the Ref. 5822, this is arguably because the end link for the Nautilus models with leather straps is not as famous as the integrated bracelets. A side-by-side comparison between Ref. 5822 and something like Ref. 5712 with leather straps shows that the links between the Nautilus and Cubitus are quite solid, if you will pardon the pun.


Patek Philippe Ref. 5822P-001 Platinum

Patek Philippe asserts that what we might see as Nautilus hallmarks though are brand signifiers. “I didn’t even think of the Nautilus when (the design process started). The target for me was really to find a kind of sporty and classic watch, that’s for sure. (Maybe) I was inspired by the Nautilus because it’s such a strong design yet, when I look at (that watch), I said ‘Oh, how can I do something as strong as the Nautilus or even the Aquanaut but in a square shape? The square was really the number one target for me.


Patek Philippe Nautilus Ref. 7010/1R-013

“I know people will say (the Cubitus) is a little bit the sister of the Nautilus, but I don’t mind,” Stern continued. “Why should I change just because (of design carry-overs)? So what, if the watch is nice? We don’t try to change things just because we have done something before…imagine if we had to say that of all the round watches we have done! ‘Don’t do another round watch.’ It would be impossible.”


Patek Philippe Gondolo Line Ref. 4962/200R-001

On that well-defended point, it should be noted that Patek Philippe mostly reserves its form offerings in the aforementioned Gondolo line. That Stern did not reference this collection, nor the Golden Ellipse, is an important indicator of what the Cubitus is, or what Patek Philippe hopes it will be. While the team struggled to find the significance behind the new collection in a pithy sentence or two, we have now settled on this: the Patek Philippe Cubitus is meant for wide commercial success. Aside from the Twenty~4, Patek Philippe does not have a properly commercial form watch collection.


Patek Philippe Twenty~4 Automatic Ladies Collection Ref. 7300/1200A

On that point, the Twenty~4 was the last big commercial collection for the Geneva brand, although it does not break down sales by collection. By way of contrast, the Nautilus and Aquanaut are both hugely popular but Patek Philippe considers both to be niche. We think the Cubitus represents a way for the brand to take advantage of the commercial potential of its sports lines while keeping the iconic models protected from market forces.

We will end on a positive remark about market forces, unlikely as that sounds. Movements matter, especially Patek Philippe ones, and if there is a hunger for the Cubitus, it might also make sense for those wonderful form movements from the Gondolo collection to make a comeback. Until that time, do look out for our full interview with Stern and several pieces on the Cubitus itself in the coming Festive issue of WOW.


For more on the latest in luxury watch and news reads, click here.


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Enchanting Asian resorts for a warm winter

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Enchanting Asian resorts for a warm winter

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Indulge in sea-view focused properties or resorts offering epic mountain vistas, one will be pampered with LUXUO’s selection of luxury getaways this festive season.

By Joe Lim

From the serene shores of Vietnam’s Son Tra Peninsula to the cultural depths of Kyoto and the verdant valleys of Bhutan, Asia’s latest luxury resorts offer more than just a stay — they provide transformative experiences. These meticulously designed properties marry architectural brilliance with natural beauty, creating sanctuaries that immerse guests in the best of their surroundings. Whether you’re seeking high-performance sustainability in Singapore or intimate escapes on Tioman Island, each resort delivers its own unique blend of comfort, culture, and sophistication. Be it local staycations or far-flung escapades, LUXUO’s list of luxury hotels will suggest the perfect getaway with your loved ones this festive season.

 

Intercontinental Danang, Vietnam

 

Intercontinental Danang

Views of the Son Tra Peninsula from the pool. Image: Intercontinental Danang

 

Located just outside Danang, Vietnam, the InterContinental Danang Sun Peninsula Resort is roughly a 40-minute from the city’s traffic-free airport. “Monkey Mountain” is the resort’s nickname, so monkey sighting is to be expected. The 197-key property occupies 39 hectares of the peninsula, including 700 metres of private beach. Be warned that the resort is remote, so don’t expect to hop into town quickly or to eat outside the property easily during your stay. There are no restaurants or shops near the resort. Once you check-in, you’re here to stay. For example, if you want to take a day trip to Hoi An, you’d face about a one-hour drive each way.

 

Intercontinental Danang

Whimsical designs pepper the interior; designed by Bill Bensley. Image: Intercontinental Danang.

 

Bill Bensley, a quirky architect and interior designer known for his lively personality, created the rooms and common areas to impress visitors. Expect a fantastic experience as you take in Benley’s quirky, artistic, expressive, and colourful style inspired by traditional Vietnamese design with opulent and modern components.

 

To stimulate the senses, the resort’s primarily black-and-white design incorporates splashes of colour. An example would be the main restaurant, Citron, which has a homogeneous décor with lime green and yellow touches. Visitors can have a magnificent dining experience at the Michelin-starred La Maison 1888, where they can savour its culinary pearls with a Gallic flair.

 

Intercontinental DanangThe property offers creature comforts, lifestyle conveniences and plenty of lush greenery. Image: Intercontinental Danang
 

The facility, which runs down a cliff and is separated into four levels —Sea, Earth, Sky, and Heaven — is administered by employees who transport visitors using a pulley system called Nam Tram. If visitors are not in a hurry, they may also use golf buggies to navigate the property and take in the well-kept gardens and verdant surroundings. The Intercontinental Danang is a fantastic retreat for those who value privacy and a warm welcome.

https://www.danang.intercontinental.com

The Standard Singapore

 

The Standard SingaporeThe Standard Singapore is nearby to Orchard Road – Singapore’s famous shopping district. Image: The Standard Singapore
 

Are you in the market for a staycation? With 143 rooms, the much-awaited The Standard, Singapore, is set to open its doors shortly. Designed by the Ministry of Design, the interior features various curvy elements, such as a wooden deck ceiling that sprawls over the bed and expansive floor-to-ceiling windows.

 

The Standard SingaporeThe modern interior features curvy details. Image: The Standard Singapore
 

The Standard aims to provide a unique visitor experience with its signature dining and entertainment options and a peaceful infinity pool surrounded by a lush botanical garden. Among the many facilities available to visitors are conference spaces, a fitness centre, and various cultural and artistic events. In keeping with Singapore’s environmentally conscious culture, the property is dedicated to a Green Plan. Furthermore, Singapore’s famous UNESCO Singapore Botanical Gardens are easily accessible by foot from the hotel.
https://www.standardhotels.com/singapore/properties/singapore


Boathouse Pulau Tioman, Malaysia

 

Boathouse Pulau TiomanEnjoy sea views and beach-focused activities. Image: The BoatHouse, Pulau Tioman
 

Nestled along the pristine west coast of Tioman Island in Malaysia, HPL Hotels & Resorts, a subsidiary of Singapore-listed Hotel Properties Limited and operator of hospitality establishments in the Asia-Pacific and Indian Ocean region, has announced the opening of a new resort called The Boathouse Pulau Tioman, which opened in the first quarter of 2024.

 

Boathouse Pulau Tioman

Modern trappings set in cosy, resort-chic comfort. Image: The Boathouse Pulau Tioman

 

This hotel will be HPL Hotels & Resorts’ newest addition to The Boutique Collection. The Lakehouse Cameron Highlands, Casa del Mar Langkawi, Casa del Rio Melaka, and The Boathouse Phuket are more hotels. The Boathouse Pulau Tioman is a picturesque haven on a remote beach where visitors may enjoy native simplicity at its best. It is reachable by boat from Mersing or Tanjung Gemok on the east coast of Peninsular Malaysia. All 31 bungalows are made of locally obtained renewable wood and are designed like typical Malay houses, drawing inspiration from nature. A common hall for informal gatherings and celebrations is available, along with an infinity pool, beachfront bar, and all-day dining.

 

Flying to Kuala Lumpur and then taking a bus or rail to Mersing or Tanjung Gemok, where you may board a ferry to the island, is how one gets to the resort. Another option is to travel four to six hours by bus or train to Mersing or Tanjung Gemok, where you can board a ferry to the island. The third option is to take a ferry from Singapore to Pulau Tioman; depending on the weather, the trip could take 2.5 to 4 hours. Boathouse Tioman is a cheap retreat that lets you relax with a jungle and beach experience.
https://boathouse-tioman.com/


Umana Bali, Indonesia

 

Umana BaliModern resort furnishings and stylish decor dominate the interiors. Image: Umana Bali
 

Enjoy the sea wind, ocean views, and beach life at Umana Bali, a brand-new resort that Hilton debuted in November, and that was created by the international design firm WATG and Wimberly Interiors. A hand-blown chandelier in the lobby that takes its shape from the native Legong Keraton dance is one example of how the design idea combines features like sculptures of Balinese dancers with lighting and furnishings that draw inspiration from local tales, customs, and themes.

There are 72 luxurious villas to choose from, each with an infinity-edge pool and an outdoor hot tub for relaxing soaks whenever you choose. These opulently large buildings, which range in size from 4,337 square feet (the one-bedroom villa) to 12,916 square feet (the three-bedroom villa), entice guests to stay inside and take in the small pleasures of a beachside getaway.

 

Umana BaliBe prepared to take in arresting sea views at this posh property. Image: Umana Bali.
 

When you’re ready to explore, take advantage of the direct access to the immaculate beach from your lodging and enroll in customised itineraries designed by the guest experience team to make the most of your trip. These may include cooking lessons, kite building, stargazing, and helicopter rides to see Mount Batur’s peak. Lastly, savour lunch at any of the hotel’s five restaurants and bars, paired with Bali-produced wines, and take advantage of several additional amenities, such as a spa, a fitness centre, and a kids’ club where you can schedule individual and group wellness sessions.
https://www.hilton.com/en/hotels/dpsolol-umana-bali-resort/


Banyan Tree Higashiyama Kyoto, Japan

 

Banyan Tree Higashiyama Kyoto

Pared-down aesthetics and a calming interior greet guests. Image: Banyan Tree Higashiyama Kyoto

 

Travelers have long been drawn to the old city of Kyoto because of its customs, rich cultural legacy, and famous historical sites. Located next to the bamboo forest that leads up to the well-known Kiyomizu-dera temple, this hilltop property honours the city’s rich artistic heritage with a Noh stage as its most distinctive feature. It is currently the first and only hotel in Kyoto to have such a cultural venue. The property is nestled in Kyoto’s Gion and Higashiyama “geisha” districts.

 

The 52-room Banyan Tree Higashiyama Kyoto, which will open later this year, offers vistas of the surrounding vegetation and old neighbourhoods. Kengo Kuma & Associates’ architectural design was constructed around the site’s mature trees, maintaining the compound’s existing stone retaining wall while compacting the construction.

 

Banyan Tree Higashiyama Kyoto

Enjoy modern spa services. Image: Banyan Tree Higashiyama Kyoto

 

Hashimoto Yukio Design Studio’s guest room interiors feature natural materials and contemporary Japanese design features. Design Worldwide Partnership’s public spaces have a similarly minimalist look meant to highlight the area’s peaceful ambience.
https://www.banyantree.com/japan/kyoto


Pan Pacific Orchard, Singapore

 

Pan Pacific Orchard

The Jenga-like architecture devised by WOHA Architects for Pan Pacific Orchard. Image: Pan Pacific Orchard

 

Pan Pacific Orchard was the only hotel in Singapore to receive the World Selection designation from UNESCO’s Prix Versailles, one of the top architectural and design awards in the world in 2024.

The Pan Pacific Orchard was named one of the world’s 16 most exquisite new hotel debuts by the World Selection Award. The lone hotel in Singapore to make the list is the 23-storey, 347-key establishment, which debuted in June 2023. Renowned architects WOHA redesigned it and renovated it for US$22 million.

 

The Hanok Heritage House in Yeongwol, South Korea, won the Prix Versailles top prize for hotels. The Dolli in Athens took home a special award for exterior design, while the Ned Doha took home a special honour for interior design. W Macau, Raffles Al Areen Palace Bahrain, and Pulso Hotel in Sao Paulo, while the others were awarded World Selection titles.

 

Pan Pacific Orchard

Modern amenities and thoughtful aesthetics abound in the room’s interior. Image: Pan Pacific Orchard

 

Visit St. Gregory, our opulent spa for hotel visitors, to experience profound rest and renewal. The hotel is situated on Orchard Road, a premier dining, shopping, and hospitality district providing many unforgettable experiences for locals and visitors.

 

With 7,300 square meters of vegetation spread across four cut-out terraces—Forest (floors 2-3), Beach (5–10), Garden (floors 11–16), and Cloud (18–23)—the towering structure is a breathtaking sight, resembling a tropical Jenga tower. Hotel services are provided on the fourth and seventeenth floors. Chef Pedro Samper of San Sebastian serves Peruvian-meets-Mediterranean fare at the all-day eatery Mosella, a naturally light-filled, spacious area.
https://www.panpacific.com/en/hotels-and-resorts/pp-orchard-sg.html


And Beyond Punakha River Lodge, Punakha, Bhutan

 

AndBeyond Punakha River Lodge

Bhutanese decor and tent-like details create a glamping experience. Image: AndBeyond Punakha River Lodge

 

The Himalayan nation of Bhutan is already a popular tourist destination on many people’s wish lists. Another compelling reason to visit is the AndBeyond Punakha River Lodge. The property’s valley setting in Punakha, northeast of Thimpu, offers peaceful views of the Mo Chu River and the surrounding mountains. Six safari-style tented rooms and two private pool villas are part of the property, which pays homage to traditional Bhutanese architecture and the picturesque setting.

 

AndBeyond Punakha River Lodge

Indulge in a bath and enjoy the sensory experience. Image: AndBeyond Punakha River Lodge

 

The hotel may set up outdoor activities that allow you to take in the beauty of nature in addition to visiting the adjacent famous Khamsum Yulley Namgyal Chorten monument. Enjoy paddy field meals and riverside picnics alongside mountain biking, kayaking, swimming, and trekking adventures. Moveable feasts will be served, allowing guests to eat outside in the most picturesque locations carefully chosen to let city dwellers forget about the hustle and bustle of the metropolis.
https://www.andbeyond.com/our-lodges/asia/bhutan/punakha/andbeyond-punakha-river-lodge/


Rissai Valley, A Ritz-Carlton Reserve, Jiuzhaigou, China

 

Rissai Valley, a Ritz-Carlton Reserve

Escape to Rissai Valley to witness the jaw-dropping mountain views: Rissai Valley, a Ritz-Carlton Reserve

 

Travel to Jiuzhaigou, China’s Rissai Valley, a Ritz-Carlton Reserve, a breathtaking resort that looms over picturesque views of alpine mountains, turquoise lakes, lush woods, and imposing waterfalls. The American architectural firm WATG created its 87 houses, which are set up in the shape of a typical local town in an “endless Tibetan knot.”

 

The late, famous Indonesian design icon Jaya Ibrahim created its interiors, decorated in vibrant colours inspired by Jiuzhaigou’s gem-hued lakes waterfalls and local craft customs. John Pettigrew’s designed garden, which includes native species to complement the breathtaking mountain views, completes the tranquil appearance.

 

Rissai Valley, a Ritz-Carlton Reserve

A warm and cosy interior courts chic Chinese decor. Image: Rissai Valley, a Ritz-Carlton Reserve


In addition to organising everything from meditation sessions, outdoor lunches, and daring treks to cultural events with Tibetan traditional dance and music, a dedicated host for each villa will handle the finer points of your visit. Families will love the kid-friendly indoor and outdoor amenities and activities that will keep the little ones occupied during their stay, and the infinity pool is the ideal location for a picturesque dip.

https://www.ritzcarlton.com/en/hotels/jzhrz-rissai-valley-a-ritz-carlton-reserve/overview

For more reads on luxury hotels, click here.

 

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Jewellery icons: timeless fantasy and elegance

Jewellery icons: timeless fantasy and elegance

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The art of high jewellery continues to push the bounds of creativity, combining iconic motifs and craftsmanship to birth fantastical pieces.

By Yasmine Loh

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The world of luxury would not be complete without an appreciation for jewellery. For so long, the industry has pushed the boundaries of artistry and craftsmanship, with pieces becoming cultural icons or signifiers of immense status. But beyond its adoration, high-end jewellery has become a powerful medium for storytelling — allowing artisans to explore the limits of creativity, bringing fantastical visions to life.

 

Central to this creative evolution is the development of signature icons and techniques by some of the world’s most prestigious jewellery houses. Whether it is Van Cleef & Arpels’ fairy-tale creatures or Buccellati’s “rigato” gold, these motifs have not only become recognisable symbols of their respective brands, but also integral parts of the narrative woven into each collection. The lasting allure of these jewellery pieces lies both in their status as coveted treasures and in their ability to evoke elegance and fantasy.

 

Van Cleef & Arpels Treasure Island

Inspired by Robert Louis Stevenson’s classic adventure novel, Treasure Island, Van Cleef & Arpels’ latest High Jewellery collection embarks on a thrilling journey, reimagining the iconic story through breathtaking designs and masterful craftsmanship. The collection — split into three “chapters” — draws from the novel’s journey across the sea, colourful characters, and search for hidden treasures.

 

 

The En haute mer Transformable Necklace and Ring draws inspiration from nautical navigation. The necklace features intricately braided yellow and white gold, mimicking the three-dimensional appearance of ropes used aboard a ship. Varying knots — sheet bends, carrick bends, reef knots, and clove hitches — are replicated through precious metals, making up the collar of the necklace. At the centre of the piece lies a 55.34-carat emerald-cut blue sapphire, nestled within the braided structure. This captivating gemstone can be detached, transforming the necklace into a solitaire ring.

 

In the second chapter, Van Cleef & Arpels explores the vivid landscapes of the so-called island. The Coquilles Mystérieuses Bracelet uses decorative elements from the Rococo era of architecture and design. Flowing lines and three-dimensional shapes are blended together to replicate the curves of seashells found along the island’s shore, finished with scalloped white gold edges. Using their patented Traditional Mystery Set technique, the Maison’s artisans were able to create the illusion of rows of gems held together by themselves, as though no metal structure exists beneath.

For the finale, the jewellery house focuses on the novel’s central treasure hunt plot point and its references to South America. In particular, the Roi d’Uxmal, Gardien de Palenque, and Danseur de Tikal pieces are a trio of clips that utilise Mayan iconography. Each figure features a rose-cut diamond face — a favourite technique of Van Cleef & Arpels since their signature fairies collection was created in the 1940s. Grand headdresses adorn the metal Mayan figures, decorated with a mix of baguette and pear-shaped blue and pink sapphires.

 

Dior Diorama & Diorgami

Romantic imagery has long been associated with the house of Dior, with its iconic Toile de Jouy pattern embellishing many of their collections. The latest iteration of this is its haute joaillerie collection, Diorama & Diorgami. In it, Dior introduces an idyllic, whimsical forest, filled with figures of woodland creatures carved from gemstones.

 

 

The standout piece in the first chapter of Diorama & Diorgami is the Forêt Enchantée — a tableau of squirrels, swans, deers, and rabbits carved from chrysoprase, intertwined into a necklace of tsavorite garnets, diamonds, and a 16.16-carat Colombian emerald.

 

 

Another distinct feature of this dual-themed collection is its ode to pleating techniques, reflected on the jewellery pieces in origami-shaped flowers. To evoke the bright foliage of forest landscapes, a mix of white, pink and yellow gold are used to set rubies, emeralds, pink sapphires, and red spinels. The resulting design is a blooming bouquet of multi-coloured flowers on a necklace, ring, earrings, and ear cuff.

 

 

Dior’s second chapter in its high jewellery collection extends the visual narrative of nature through more stunning pieces. A yellow gold swan takes centre stage on a necklace, ring, and earrings. The graceful features are studded with diamonds, floating atop a mother-of-pearl pond or resting against a brilliant blue sapphire.


Bulgari Aeterna

In celebration of its 140th anniversary, Bulgari has unveiled the Aeterna collection, an extraordinary testament to the brand’s legacy and visionary spirit. Drawing inspiration from Rome — the Eternal City — the collection blends the past, present, and future with a series of breathtaking high jewellery pieces that demonstrate the house’s mastery of jewellery design and watchmaking.

 

 

The centrepiece of the collection is the Serpenti Aeterna necklace, which calls to mind Bulgari’s signature Serpenti motif. This masterpiece features a remarkable 140 carats of D-flawless diamonds, with seven pear-shaped diamonds cut from a 200-carat rough diamond. From there, the diamonds are set in a flexible, sinuous platinum structure that mimics the motion of a snake, further enhanced by 698 baguette diamonds.

 

 

The Sapphire Brocade necklace, crafted with 63.48 carats of diamonds and sapphires, further exemplifies the brand’s commitment to impeccable craftsmanship. Taking two years to assemble the precious stones, this piece features 13 cushion-cut sapphires and buff-top emeralds — so extravagant in its design that it almost resembles a bejeweled lace collar more so than a necklace. Matching earrings complement the piece with sapphires, emeralds, and diamonds, showcasing Bulgari’s signature colour combinations.

 

Tiffany & Co. Blue Book 2024: Tiffany Céleste

Tiffany & Co.’s annual high jewellery collection returns with a new cosmic theme. The 2024 Tiffany Blue Book Collection is named  Tiffany Céleste, in tribute of the House’s legendary jewellery designer Jean Schlumberger, and his fascination with the world’s mysteries. For Tiffany Céleste, the collection looks to Schlumberger’s archival designs, reinterpreting them into four themes: Owl on a Rock, Phoenix, Unicorn, and Star Burst.

 

 

With mystical creatures abound, the Phoenix collection remains a fiery standout. The phoenix’s association with flames and rebirth are translated into two signature pieces: a brooch and a ring, each featuring a radiant fire opal. The brooch showcases a remarkable 29-carat fire opal, accented with Umba sapphires, tsavorites, and diamonds, while the ring highlights a 9-carat fire opal, framed by these same dazzling gemstones. This segment also features a stunning necklace, inspired by the vibrancy and shape of phoenix wings rising from the ashes. Crafted over 1,400 hours, the necklace is set with 17 cushion-cut reubellites, totalling more than 73 carats.

 

 

Schlumberger’s intrigue with mythical creatures is also explored through the Unicorn theme, where his iconic Crazy Twist designs are reimagined in a whimsical style. The unicorn’s spiralled horn is a particular focus in this chapter, prominently showcased on a necklace set with pink and purple sapphires, arranged in a harmonious swirl of colour. Another signature piece is the unicorn brooch, which makes use of a bicolour cushion-cut tourmaline that shifts hues ever-so-slightly as the light touches it.

 

Mikimoto x Chrome Hearts

Mikimoto — known for their exceptional pearl craftsmanship — has joined forces with Chrome Hearts, the avant-garde jeweller renowned for its bold, rock-inspired designs. The result is a fantastical collection that bridges the gap between timeless elegance and rebellious spirit, capturing the essence of both brands.

 

The collaboration showcases eleven fine jewellery pieces, including an edgy safety-pin brooch and heart-shaped pearl drop earrings, fusing Chrome Hearts’ gothic motifs with the delicacy of Mikimoto’s Akoya and White South sea pearls. However, the true showstoppers are the four limited-edition bespoke necklaces. Take, for instance, the hand-crafted choker that perfectly balances the punk aesthetic with refined pearl touches. A chain of Chrome Hearts’ signature cross creates the choker’s lattice, studded with diamonds and set with a cultured pearl in the middle.


Chopard Contes de Fées

Since 1998, Chopard has been the official partner of the Cannes Film Festival, creating a tradition of celebrating the art of cinema in various forms. This year, Chopard’s artistic director Caroline Scheufele has dreamt up the Contes de Fées Red Carpet Collection. The French phrase translates to “fairytale” — a fitting theme for one of the world’s most extravagant film festivals.

In this collection, traditional elements from classic fairytales come to life in the form of whimsical jewellery pieces. Central to this theme is an enchanted forest. A majestic oak tree is alluded to in a mesmerising necklace. The piece features an intricate arrangement of vibrant sapphires, emeralds, tsavorites, demantoid garnets, and diamonds to evoke the woodsy colours and textures found in a forest. Delicate acorns hang from the corded rose gold structure, like tree branches diverging outward.

 

 

The mushroom — often a common appearance in the woods of fairytale stories — are re-interpreted in Chopard’s diamond-encrusted ring. Shades of cognac diamonds make up the mushroom cap, while its stem twines into a circle that sits perfectly on the finger. Meanwhile, pink fairies hang from emerald-studded oak leaf-shaped earrings.

 

The classic “Princess and the Frog” also features in this collection. The Maison’s new frog-inspired ring features two intricately designed frogs that embrace a stunning 17.71-carat rubellite, set atop a gold-crown setting. But no fairytale is complete without a sense of nostalgia. Scheufele’s favourite childhood figure — the clown — is transformed into a delightful diamond pendant. With its cheerful expression and playful costume, this piece invokes a sense of innocence and joy that comes with the fantasy genre.

 

FRED Colours That Shimmer Under FRED’s Sun

Known as “The Sunshine Jeweler,” FRED’s latest collection is a dazzling homage to the colours of the sun and the sea. Each colour story is a visual representation of founder Fred Samuel’s life experiences — the brand’s most popular designs are now imbued with its creator’s most cherished memories.

 

 

One such example is the Pain de Sucre collection, which embodies the essence of the French Riviera — a place deeply cherished by Fred Samuel. The limited-edition set of jewellery features two interchangeable plates crafted with fine inlays, each depicting a serene summer scene. The first plate showcases a pontoon paved with diamonds, leading out to a lapis ocean against a turquoise horizon. The second plate depicts a sandy beach shore, where yellow gold grains meets a turquoise wave sparkling with diamond foam.

 

 

As part of the FRED’s Pretty Woman collection, a lineup of sweet heart-shaped jewellery pieces, the Maxi Hypnotic Ideal Light necklace is meant to create the impression of being drenched in sunlight. The necklace is composed of four movable hearts, paved pink opal, yellow agate, orange carnelian, and red coral. Engraved with the rays of a setting sun, these hearts are reversible, revealing a diamond-paved reverse side, offering a total of 16 different combinations. Meanwhile, the necklace’s pink gold chain is adorned with seven links, each set with a gradient of yellow sapphires, orange sapphires, and rubies.

 

Special Mention:

 

Dior Galons

In celebration of haute couture, Dior Joaillerie introduces the Galons Dior collection, so named for the fabric strips that often finish off each garment. In this collection, Dior’s artistic director Victoire de Castellane transforms decorative trimmings into wearable works of art. The Galons Dior collection pays homage to these elegant adornments through four distinct variations: Milieu du Siècle, Floral, Zigzag, and Pearly Galons. Each design is carefully rendered in rose and yellow gold, with subtle touches of diamonds.

 

 

At the heart of this collection is the Galons Dior necklace, which combines all four fabric techniques and textures to create a feat of high jewellery. With four precisely braided lines of gold, each one is painstakingly assembled using invisible links, allowing the repetitive patterns to hang organically, as if actually placed on the end of Dior’s haute couture silhouettes. These braids twirl, twist, and knot, creating a captivating play of asymmetry and repetition.

 

For more on the latest in luxury jewellery reads, click here.

  

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From prestige to discounted sales: Chinese-owned Châteaux in France

From prestige to discounted sales: Chinese-owned Châteaux in France

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French vineyards owned by Chinese nationals are being offered at deeply discounted prices and Beijing’s crackdown on extravagant public spending has led to problems for these wineries.

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France takes back Chinese-owned vineyards.Chateau Latour-Laguens is just one Chinese-owned vineyard that is back on the market for a fraction of its value. Image: Getty Images/Patrick Aventurier.
 

Château Latour-Laguens was the multimillion-euro flagship in a bold new era of Chinese-owned winemaking only a few years ago. The winery — located 30 miles southwest of Bordeaux — is now dilapidated, abandoned, and being sold for a small portion of its original price.

 

As China loses its love for imported wine, hundreds of Chinese-owned vineyards are sold at knockdown prices. For many investors based in Beijing and Shanghai, the prospect of making a significant profit has turned sour. Several causes are driving the sell-off. Tighter capital controls make it harder for the Chinese to spend money overseas, and a domestic crackdown on corruption has reduced demand for pricey presents.

 

Nine châteaux near Bordeaux — valued at around EUR 35.5 million —  were seized by France in May from a Chinese entrepreneur who had been found guilty of misappropriating Chinese state funds and money laundering. Most importantly, it has been late discovered that a large number of patrons merely dislike the wine. It turns out that the Chinese dinner table just does not suit heavy, tannin-rich red wines.

 

China was one of the world’s most intriguing and rapidly expanding wine markets at the time. Prestigious bottles of French Bordeaux have become the newest status symbol for China’s wealthy elite, who offer them as luxury gifts and display them in their homes like trophies, in tandem with the skyrocketing demand for French luxury goods like Dior, Hermès, and Louis Vuitton.

 

Although foreign ownership has long been common in Bordeaux’s wine-growing region, the influx of Chinese investors was astounding; in a matter of years, they acquired over 200 vineyards to satisfy what was expected to be an insatiable demand for French wine back home.

 

Ten years later, many properties are for sale for a small portion of what they initially cost.

 

When the Chinese real estate company Longhai Investment Group purchased Château Latour-Laguens in 2008, it made headlines as one of the first vineyards to be bought in the Entre-Deux-Mers wine area. Le Figaro stated that the Chinese buyers paid EUR 2 million for the entire lot at the time, even though the original transaction price was not formally revealed. Now that the vines are gone, it is being offered for EUR 150,000.

 

This was different from how it was meant to go.

 

French vineyards

Chateau Latour-Laguens was one of the first wine estates in the Bordeaux region to be bought by a Chinese company. Image: AFP/Philippe Lopez.

 

China’s wine consumption skyrocketed by 142% between 2007 and 2011. China and Hong Kong became the world’s biggest consumers of red wine, with a preference for French Bordeaux. By the end of 2013, they had surpassed France and Italy. Chinese investors eager to take advantage of a fresh business opportunity purchased vineyards and renamed them Gold Rabbit or Imperial Rabbit.

 

To the surprise of the locals, bottles of red wine that would typically retail for EUR 3 or EUR 4 in France were being marked up to EUR 20 to EUR 30. The wines were intended for consumers back in China, with ridiculous profit margins.

 

However, the enthusiasm was too soon. In 2012, wine consumption in China reached a peak. China’s president, Xi Jinping, began an austerity campaign in 2013 that slashed back on extravagant, conspicuous state spending almost immediately after many Chinese millionaires signed ownership documents. The action came after a series of corruption incidents, which frequently involved costly presents or bribery, such as a high-end purse or a pricey bottle of red wine.

 

Chinese investors suffered another setback in 2017 when Beijing imposed new capital controls that restricted the flow of funds outside of China. Ms Li Lijuan, a Chinese estate agent for Vineyards-Bordeaux, stated, “It was catastrophic for business.” She received four to five daily inquiries from affluent Chinese investors who wanted to participate in the Bordeaux wine boom.

 

French vineyards

Ten years on from the Chinese rush to buy vineyards the market has turned sour. Image: Alamy

 

“I keep a dossier, and since I started working in 2013, I have counted about 300 potential Chinese buyers who wanted to buy a domain,” said Ms Li.

 

According to the International Organization of Vine and Wine, China’s wine consumption has continuously declined since 2012, with an average annual loss of 2 million hectoliters since 2018. In 2023, the nation’s wine consumption fell 25% from the previous year due to an ever-dwindling economy.

 

Jérôme Baudouin, the principal editor of the wine publication La Revue du Vin, had long anticipated this tendency. For starters, he notes that wine cannot compete with the typical Chinese meal, which frequently consists of both savoury and sweet foods, such as fish, meat, and vegetables, all served simultaneously at the centre of the table.

 

According to him, bottles are gathered for display purposes but are not drunk, which may account for a significant disparity between wine sales and consumption in China. “For me, it was a mirage. People were wrong on both sides,” he said. “Producers in Bordeaux thought a new market was opening up for them, like the US and UK, and this would last. It was the same for the Chinese who came over to Bordeaux. They thought making wine and making them a lot of money would be easy.”

 

Workers on the estates and in the vineyards were caught in the middle, and many of them complained about unpaid wages, conflicting work cultures, and absentee owners. At Château de Pic in 2020, Hélène Pauly and her five coworkers were not paid by their Chinese employers for about five months. The administrative manager of the estate, Ms Pauly, had to withdraw money from her savings and apply for overdraft protection. Her other coworkers were compelled to use food banks and obtain bank loans. Ultimately, the Bordeaux tribunal sided with the workers and ordered back pay after she led a fight against her boss, Xu Min.

 

“There was never any sincerity or honesty in their explanations, and it was like this all the time,” Ms Pauly told The Telegraph. She talked of working in a problematic atmosphere where she was micromanaged from China and had ridiculous requests made by bosses who needed to learn more about how a vineyard operates, such as harvesting in June rather than September.

 

When she was at her lowest, Ms. Pauly started to fear for her safety. “I didn’t know how far they could go…they knew my address, my habits, they could easily have done something to send me a message.” She retired early as a result of the draining experience. “Some Chinese proprietors simply vanish.” According to Corinne Lantheaume, a union representative for the local CFDT Gironde who assisted Ms. Pauly’s case, the largest challenge is dealing with absentee proprietors in China.

“There are Chinese owners who just completely disappear,” she said. “Our problem is that when there is an issue at some point in France, we don’t know who to contact because everything is in China. If we succeed, the new owner who buys the property pays the back salary on their behalf.”

 

According to Ms. Lantheaume, Chinese companies also tend to mistrust French employees. Rather, they recruit Chinese workers with little to no background in the wine industry or vineyards.

 

“There’s a great mistrust of French employees. And it becomes complicated when you don’t trust people who know the work.”

However, Ms. Lantheaume quickly notes that Peter Kwok, a Hong Kong businessman who owns Maison Vignobles K and is highly regarded by his employees and fellow winemakers, is one of the most admirable employers in the area. Additionally, labour issues at châteaux owned by French people are familiar.

 

Bourdeux tourisme

Château Loudenne is one of several Bordeaux properties that have been reclaimed by French investors. Image: Bordeaux Tourisme.

 

Meanwhile, Ms Li asserts that mistrust can reciprocate, whether earned or not. She describes how she once saw a Chinese employer circumvent the issue of frozen funds by paying his employees in cash. To her dismay, however, the absence of a paper trail enabled the pair to falsely accuse their employer of not paying them in court.

 

According to Ms Li, wealthy Chinese individuals who reside outside China in Malaysia, Singapore, and Thailand have expressed interest in the news of Chinese investors attempting to sell their chateaux in recent weeks. “At this moment, I’m getting about four to five people contacting me weekly.”

 

For more reads on French wines, click here.

 

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The Venetian dream: holidaying at Hotel Danieli

The Venetian dream: holidaying at Hotel Danieli

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Experience the magic of Venetian holidays with Hotel Danieli’s festive feasts, afternoon teas, and an unforgettable New Year’s Eve gala.
Words: Lucas Raven

Hotel Danieli, Venice

Venice sparkles during the festive season, and no place captures its magic better than Hotel Danieli. From cozy afternoon teas to a dazzling New Year’s Eve gala, the hotel offers an unparalleled holiday experience steeped in elegance and tradition.

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Afternoon Tea: A Festive Indulgence


The Dandolo Lounge sets the stage with an opulent afternoon tea featuring Venetian-inspired pastries, including handcrafted pandoro and panettone. Paired with spiced hot chocolate or a glass of Prosecco, it’s the perfect way to bask in the season’s warmth.

 

Christmas Eve Dinner: A Culinary Celebration


At Terrazza Danieli, Christmas Eve dinner begins with delicate creamed snapper and citrus, followed by pumpkin cappellacci with striped prawns and radicchio. A golden-crusted wild sea bass with fennel variations highlights the main course, while port-poached pear with hazelnut cheesecake and homemade holiday cakes provide a sweet finale.

 

Christmas Day Lunch: A Feast to Remember


Christmas Day is marked by a festive lunch where Treviso radicchio risotto and stuffed guinea fowl with black truffle steal the show. A bright white chocolate parfait with yuzu offers a fresh finish, while pandoro and panettone tie the meal to cherished Italian traditions.

 

New Year’s Eve Gala: A Night of Opulence


Ring in the New Year at the gala dinner, featuring luxurious dishes like blue lobster with white truffle, John Dory with Calvisius caviar, and Venetian cuttlefish in cassopipa. Fireworks over the Grand Canal add unforgettable magic, while the midnight toast with lenticchie e cotechino promises prosperity.

 

New Year’s Day Brunch: A Lavish Start


The year begins with a grand brunch, offering everything from fresh pasta with seafood to Amarone-glazed beef. Indulgent desserts like Danieli Tiramisù and the famed Sachertorte complete the celebration.


The Essence of Venetian Holidays



Hotel Danieli’s festive offerings capture the spirit of Venice at its finest. Whether savoring afternoon tea or toasting the New Year, every moment promises unforgettable memories.

 

Hotel Danieli, Venice

Visit hoteldanieli.comt to find out more!

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Jaguar’s rebranding causes global stir

Jaguar’s rebranding causes global stir

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Call it cringey or cool — Jaguar’s rebranding exercise certainly turned heads with its unusual approach with new vibrant yet controversial videos and press images.
Words: Joe Lim

The internet is perplexed by Jaguar’s latest message due to its revolutionary rebranding effort. In contrast to earlier campaigns, the absence of a car in the new images led PR heavyweights and industry veterans to write off Jaguar’s PR efforts as a failure.

 

The new Jaguar rebranding campaign video that features quirky models, nary a car in sight. Image: Jaguar

 

Fans who have followed Jaguar for years have enjoyed driving some of the cars, most admirably the F-Type. So, Jaguar’s new rebranding exercise certainly turned heads worldwide in the luxury car segment. People were curious to see what the rebranding was all about. The images created were colourful and vibrant, encompassing many models looking far too serious for what they were decked up in.

 

The press pack did not offer any new car images or a teaser. Jaguar fans were definitely eager to see the upcoming Jaguar concept car, which will be unveiled next month.

 

The first of Jaguar’s anticipated three ultra-luxury EVs will be displayed at Miami Art Basel next month. However, the first launch is not expected until 2026 — so it will not happen soon. Although the Miami event appears appropriate for this rebranding campaign, many wonder if it is the ideal setting for revealing a high-end vehicle of the future. I hope the Jaguar Design Vision Concept is more than just another strange piece of art.

 

Jaguar’s new type face. Image: Jaguar.

 

With a history spanning more than a century, Jaguar abruptly concluded that the brand’s poor sales performance was due to its image. The British automaker threw out everything, including its ethos, logo, and typeface, to address its issues. It then startled everyone with an odd public relations effort. A graphic package that appears to mimic the fonts used by Smart in its emblem replaced the recognisable Jaguar logo, which has persisted since 1945.

 

The rebranding video that kicked off the campaign made things stranger. For most people, the Jaguar brand conveys elegance and sophistication tempered with its automobile heritage. However, the video served up shock therapy. Perhaps it was necessary to drum up the brand’s image, considering that the marque has fallen behind in sales and identity.

 

One of the bold phrases fronting the Jaguar rebranding exercise. Image: Jaguar 

 

In 2023, Jaguar sold less than 67,000 vehicles globally, nearly half as much as it did during the 2019–2020 fiscal year, which included the pandemic lockups. By presenting a new brand image that would be more enticing to auto purchasers, the rebranding campaign seeks to reverse the situation.

 

However, this is by no means Jaguar’s most contentious action. In preparing for the total brand overhaul, new cars were taken off-sale more than a year ago — with only the upcoming new all-electric car to be unveiled at Art Basel that will only go on sale in 2026. This means Jaguar is ready to keep steady on their downward trend by not introducing newness into the brand and hedge all bets in the new PR move to regain market leadership.

 

The new Jaguar font style does not convey luxury but depicts minimalism. People questioned how the British marque would fend off competition from Mercedes-Benz and BMW, which are in the luxury segment.

 

A Tilda Swinton-esque model raises eyebrows among Jaguar fans. Image: Jaguar.

 

The promo video features a Tilda Swinton-like model swinging a hammer with the caption “Break Moulds,” taking inspiration from the 1984 Apple Macintosh commercial that is still remembered well. Some Jaguar fans said portraying a stale company as imaginative and bold was a reasonable effort.

 

Naysayers of the rebranding campaign say the new logos are questionable. They say the campaign tried to build a new brand identity on the mantra of “copy nothing” while doing the exact opposite in a strange effort.

 

Even the new Jaguar logo gets reimagined. Image: Jaguar.

 

Lulu Cheng Meservey — co-founder of Rostra PR group — made clear the difficulty Jaguar faces by pointing out that sales in the US have decreased by 70% over the last five years. This problem puts the sale of automobiles at the top of any rebranding campaign, which should have emphasised demonstrating that Jaguar recognised the issues and the reasons behind the downturn. In addition to a perplexing market positioning, its new aesthetics are realised with antiquated technologies.

 

Is Jaguar making a leap of faith with its new rebranding? You decide. Image: Jaguar.
 

For a storied British automobile marque that’s going fully electric by 2026, there is still more to be seen how it all comes together when their new EVs are launched and whether all the visuals support their new DNA for EV design. But the proof is in the pudding if Jaguar fans will place orders or win converts.

 

For more on the latest in luxury automotive news and reads, click here.
 

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Celebrity mansions unveiled

Celebrity mansions unveiled

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From Kenyan villas to grand homes perched on a cliff, these celebrity homes go all out in design to wow and entertain guests.

Renowned for throwing their lavish parties, soirees, and opulent dinner events, these celebrities make entertaining at home an occasion for every guest to remember.

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Alicia Keys and Swizz Beatz’s “The Razor House”

 

Alicia Keys The Razor HouseThe “Songs In A Minor” star with her husband, photographed in her “The Razor House”. Image: Times of San Diego
 

The house was constructed to provide seaside views from every angle. It is delicately situated on top of a rock, giving this luxurious house a colossal appearance. The house is 11,545 square feet of white concrete, stainless steel, stone, walnut, and glass. It is an essence of Brutalist yet airy minimalism, with rooftop terraces that take in everything the ocean offers and an underground garage. Singer-songwriter Alicia Keys and her husband, rapper and music producer Swizz Beatz reportedly paid over US$20 million for this mansion.

 

According to the Wall Street Journal, Keys and Swizz Beatz, actual name Kasseem Dean, purchased the home after it had been on the market for about a year. The US$20.8 million sale price is about US$10 million less than its original listed price of US$30 million when it went on the market last summer.

 

Alicia Keys The Razor HouseBrutalist lines and striking architecture make up The Razor House. Image: LA Times.
 

According to Architectural Digest, the home features four bedrooms, a library, a cinema, two steam rooms, a living room with a fireplace, and a custom Ralph Lauren pool table. The house is perched on a cliff with a view of the ocean.

 

Alicia Keys The Razor HouseThe couple regale their guests with wine and nibbles in this jaw-dropping living room overlooking the coastline. Image: Sam Chen for WSJ.
 

The entire house is also made of glass, providing beautiful coastline views. The most recent of Keys’ six studio albums is “Here,” released in 2016. In the last few years, she has judged NBC’s “The Voice” and sold over 60 million CDs. The couple has hosted many memorable parties and dinner events where the panoramic coastline views blow guests.

 

Naomi Campbell’s Kenyan Villa

 

Naomi Campbell Kenyan villa Noami Campbell in her sprawling Kenyan villa. Image: Khadija Farah
 

Naomi Campbell desired to live in a calm and peaceful environment away from the hectic lives of supermodels in London and New York. The expansive space is a modest luxury, filled with natural light and a neutral, earthy colour scheme. It may be the abundance of natural light and earthy materials but the huge stretches don’t feel intimidating. The house is made from many materials, such as woven elements and locally-sourced natural fabric.

 

Naomi Campbell Kenyan villa Bright airy views in this living area greet the swimming pool. Image: Khadija Farah
 

With a saltwater pool extension directly into the living area, the house blurs the lines between indoor and outdoor space. Campbell picks up bits of furniture from Marrakesh and Senegal, but the majority is locally acquired from Malindi. The home is rife with remarkable woodwork from Malindi’s artisans. She has beautiful hand-carved wooden doors by award-winning artist Armando Tanzini.

 

Naomi Campbell Kenyan villaMakuti-thatched roofs are a striking feature of Kenyan architectural heritage. Image: Khadija Farah
 

Many oversized Latika lanterns hang from rafters hailing from Morocco and Egypt. The villa has a saltwater pool that extends outdoors from the centre of her living room, ideal for a quick dip. When the model is entertaining, she has twin voile-curtained pergolas that serve as the perfect space for large family-style dinners. The space for entertaining has the fashion model’s favourite Makuti-thatched roof, formed from the coconut palm’s sun-dried leaves, and the soaring cathedral ceilings. She has thrown lavish parties for many of her friends and fashion and entertainment industry partners.

 

Boy George’s Hampstead Mansion

 

Boy George Kelly HoppenCelebrity interior designer Kelly Hoppen with Boy George. Image: Kelly Hoppen.

Kelly Hoppen, CBE (Commander of the British Empire), is undoubtedly one of the few designers with the foresight to tackle the magnificent three-story Gothic mansion that belongs to Culture Club vocalist Boy George. Speaking to Introspective magazine, Hoppen claims that after seeing her spacious London home and falling in love with it, the pop star — who brought us classics like “Karma Chameleon” and “Do You Really Want to Hurt Me” — asked for her interior design skills.

 

Boy George Kelly HoppenGeorge’s TV room allows guests to cosy up with a good flick. Image: Kelly Hoppen.
 

Although it differs in architecture, George’s home was constructed in the 1860s and features stunning period features, including restored stained-glass windows, wrought iron balustrades, and vaulted ceilings. George has owned the house for almost 40 years; he bought the Hampstead mansion in 1984 when he started gaining notoriety. Not long ago, he put the mansion for sale, reportedly seeking GBP 17 million (US$29.6 million).

 

Highlighting George’s remarkable collection of artwork was essential to the endeavour. Using George’s artwork, many of which the singer and DJ made, Hoppen added: “pops of colour and playfulness throughout the home, adding new depth and dimension to the neutral scheme.” He described his collection as “vibrant” and “expansive.” The house’s interiors feel modern gloss thanks to the solid ceramics and soft grey Italian marble accents that blend with the artwork.

 

To create a fascinating contrast between the old and the modern, Hoppen took care to maintain the house’s Gothic vaulted ceilings and elaborate balustrades on the staircase as the main features. The pillared archways that flank the sitting and eating area of the house, where George enjoys reading and writing, make just as much of a statement as the fantastic spiral staircase at the centre of the building.

 

Boy George Kelly Hoppen A big, open kitchen space in a lick of yellow allows George to meal prep while talking to guests. Image: Kelly Hoppen.
 

Bright, neon-coloured art is everywhere in the estate, including the cosy living room with its black Tamo wood coffee table and fish-eye mirror on the wall. Hoppen used bold, clean, curving forms and neutral-coloured furniture throughout the house to balance the Gothic architecture.

 

The kitchen’s grey marble countertop contrasted with the island cabinets’ whimsical use of a bright, cheery shade of yellow. The finishing touch of modernism is an exposed brick wall and soft ivory cabinets. Utilising natural light, a lovely garden can be seen through floor-to-ceiling glass windows.

 

Martha Stewart’s Maine Home

 

Martha Stewart Maine HomePeriod furniture with modern decor work synergistically to create this beautiful living area to entertain guests. Image: Architectural Digest.
 

Martha Stewart gave the second home to end all first homes a royal name. Stewart’s amazing holiday home, “Skylands,” was first constructed in 1925 as a summer residence for the family of Edsel Ford, an automobile tycoon. Architectural Digest’s July edition, which goes on sale in New York and Los Angeles on Tuesday, includes it.

 

Architect Duncan Candler created the three-storey, twelve-bedroom home on 63 acres with a view of Seal Harbour on Mount Desert Island in Maine. The hilltop where it was built is reached by a steep, winding road that traces the shoreline and terminates with a pink-granite gravel drive on the edge of Acadia National Park. When Stewart purchased the property in 1997, almost everything was original, including the kitchen’s antique Frigidaire refrigerators and the Fords’ silver, glassware, China, and linens. The house became her “favourite place,” she noted.

 

Martha Stewart Maine HomePatio-themed parties are a signature style for Stewart’s lavish meal settings. Image: Architectural Digest.
 

Given her well-known green thumb and earthy taste, it is unsurprising that Stewart has surrounded the house with thick vegetation, including fir trees, spruces, maples, ferns, and kiwi vines that embrace the main building. Instead of just standing on the property’s lush lawn, the house has practically blended in.

 

In addition to spending long weekends there throughout the year, Stewart also spends a portion of time in July and August at the property, where she has hosted gatherings of up to 100 guests. She clarified, “I see myself as the custodian of an American treasure.”

 

Oprah Winfrey’s Spectacular Waterfront Estate

 

Oprah Winfrey Orcas IslandWinfrey’s sprawling home is ensconced in nature. Image: Courtesy of Windermere.
 

We cannot blame Oprah Winfrey for her appreciation of an excellent vacation property. In 2018, she spent over US$8.3 million on a 43-acre house on Orcas Island, one of the San Juan Islands in Washington state, adding to her collection of idyllic retreats. The beachfront property, called Madroneagle, included a main house that was 7,303 square feet and had four bedrooms and five bathrooms.

 

Oprah Winfrey Orcas IslandWinfrey adores cooking and entertaining in her grand kitchen. Image: Courtesy of Windermere.
 

Reclaimed woodwork, radiant heat floors, a stone fireplace, and a kitchen with an integrated pizza oven were all features of the rustic haven. A wine cellar, Asian garden, and sauna were among the other great features. Additionally, there is a guesthouse on the property that is almost 3,000 square feet. Because she was too busy to spend time at the mansion, Winfrey eventually sold it for US$14 million in 2021. She has hosted many dinner gatherings where guests leave with good memories.

 

Cardi B & Offset’s Grand Atlanta Home

 

Cardi B Atlanta HomeCardi B’s enormous estate features manicured gardens and rolling lawns. Image: Homes of the Rich.

Even though Cardi B has risen to the ranks of music and life, she continues to show off her money, making her success story nothing short of a novella in and of itself. Cardi B and Offset most likely gave themselves and their daughter Kulture one of the costliest Christmas presents: a mansion that cost only around US$5.75 million.

 

According to reports, the 22,000-square-foot estate in Atlanta was constructed in 2006. It is an absolute fantasy home, spanning 5.7 acres of stunning terrain.

 

Cardi B Atlanta HomeA spacious, light-filled living room to entertain guests. Image: Homes of the Rich.
 

This five-bedroom, seven-bathroom estate features European interior design, including a gleaming white living area for entertaining guests and a well-stocked wine cellar for those wine-tasting gatherings. This cosy-looking study would make you want to curl up with a book even if you haven’t read a word in years, and the kitchen has a vintage allure that tempts you to cook even if you can’t.

 

Cardi B Atlanta HomeCardi B and her husband are wine enthusiasts. Image: Homes of the Rich.
 

Offset will have a studio, Cardi B will have her own walk-in closet and makeup room, and Kulture will undoubtedly get a larger play area than our office. The room makes you want to take a nap that has been put off for more than 10 years, while the bathroom makes you want to plunge into your existential crisis.

 

As the open and truthful superstar that she is, Cardi B provided a brief home tour with Offset and some incredible commentary that makes us feel both delighted for her and incredibly poor as we scroll down.

 

RuPaul’s Beverly Hills Mansion

 

RuPaul Beverly Hills MansionRuPaul prefers to host intimate parties in this ballroom. Image: Doug Friedman for Architectural Digest.
 

RuPaul Andre Charles and Martyn Lawrence Bullard are the most blissfully matched clients and decorators since Carlos de Beistegui, Emilio Terry, Auntie Mame, and Yul Uhlu. RuPaul is the queen of drag, a world-renowned performer and glamorous figure. Bullard, a staple of the AD100, has a reputation for unrepentant, frequently outré beauty and is no stranger to enchantment himself.

 

Naturally, the Drag Race mogul and his husband, rancher Georges LeBar, relied on Bullard, a friend of almost thirty years, to make it pop when they bought a mansion in Beverly Hills as their new home base in Los Angeles. RuPaul explains, “We trusted Martyn because we’ve always loved his aesthetic.” “I told you to go for it. I can go as far as you can imagine us going.

And he went for it. Bullard draped his magician’s shroud over an opulent but uninspired 1980s home, transforming it into a Hollywood Regency fever dream that combines classic Beverly Hills grandeur with his client’s vibrant, larger-than-life personality. This is the home of Ru, a stylish mansion built as the focal point for the most well-known and renowned international drag queen star. “I couldn’t think of a more fitting location for the universe’s drag mother to hold court,” the designer exclaims, calling it the ideal runway for the world’s supermodel.

 

RuPaul Beverly Hills MansionThe accent green on furniture and decor pair perfectly well with the monochrome theme. Image: Doug Friedman for Architectural Digest.
 

By altering the mansard roof, rearranging the colonnades and railings, and incorporating other neoclassical elements, Bullard, in collaboration with architect Christopher Hatch McLean, transformed the house’s appearance. As for the decorative drama, the kill bells ring when one enters the grand, powdery-rose entry hall with a sweeping stairway and severe Mommie Dearest undertones.

 

With jewel-toned textiles and pagoda-shaped accents that pay homage to the legendary decorator Tony Duquett, the formal living room is situated to the right. To the left is the stunning ballroom, a coup de théâtre adorned with various enormous disco balls and pictures of celebrities like Dorothy Dandri, Grace Jones, Eartha Kitt, and Billie Holiday. A tondo with a 1975 photograph of Diana Ross by Harry Langdon on top of a specially designed fireplace that references the work of Dorothy Draper, one of the inspirations for Bullard’s decor.

 

One may anticipate that the ballroom would host wild parties with hordes of glitterati due to its enormous size and spectacle. As it happens, no. “I don’t entertain in my house; I do it on TV. RuPaul emphasises his fondness for small dance parties and intimate get-togethers with close pals, saying, “When you live such a public life, you need boundaries.” However, there are many areas for elegant gatherings, most notably an outdoor dining room with black-and-white stripes, fruit trees, topiaries, and chairs designed by Elsie de Wolfe, another significant influence on Bullard. “The stripe treatment is meant to feel like a tent. The room has orangery vibes, but technically, it’s more of a kumquatery,” the designer muses.

 

RuPaul Beverly Hills MansionThe dining room features RuPaul’s favourite colour orange embellished on the dining chairs. Image: Doug Friedman for Architectural Digest.
 

RuPaul’s favourite colour, orange, is also used in the kitchen and breakfast area next to it, the performer’s lacquered office, and the opulent main bedroom, where a claw-foot daybed worthy of Joan Crawford, covered in orange velvet, sits beneath a chandelier that mimics Dorothy Draper’s draped plaster confections. “The bedroom is very glam, very romantic, but weirdly, it still has some masculinity to it,” Bullard avers. The entertainer’s inevitably extensive collection of suits and gowns and a queen’s ransom in glittering bijoux are housed in two gigantic closets, one designated for male attire and the other for drag. “It feels like you’re skipping into Bergdorf’s, the chicest boutique you could dream of,” RuPaul says of the kaleidoscopic closets.

 

By adding a graphic zellige-tiled spa to the pool and covering the hillside with a variety of drought-tolerant plants, landscape architect James Hyatt redesigned the garden to highlight the atmosphere of classic Beverly Hills opulence and the neoclassical influences that adorn the interiors. The performers’ Tinseltown Shangri-la is perfect, and the golden cameos perfectly capture the remarkable convergence of their brains. “The house is a touchstone that reminds me to inspire people to feel the seemingly elusive magic these days,” RuPaul asserts. “It’s meant to be whimsical and fun. None of it is to be taken too seriously—except for love and kindness.

 

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Kevin Pietersen, Hublot’s collaborator who saves rhinos

Kevin Pietersen, Hublot’s collaborator who saves rhinos

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Luxury watch label Hublot unveils a rhino-inspired Spirit of Big Bang thanks to legendary cricketer Kevin Pietersen.

Bees are a keystone species because of the vital role they play in pollination. We also know about the disastrous consequences if they were to stop pollinating plants.

 

But let’s talk about Rhinos for a moment because they just don’t get the attention they deserve. As a fellow keystone species, they play a crucial role in the structure and foundation of our ecosystem. Their presence alone supports biodiversity, promotes ecosystem health, and maintains balance. For example, every time a rhino rolls around in mud, it creates a natural waterhole that other animals rely on for drinking. Every time they feed on large amounts of grass, it helps prevent overgrowth, allowing smaller animals to feed. It also simultaneously reduces the risk of wildfires as dry grass can become fuel if left unchecked. You see the point—letting this species go extinct would be catastrophic.

 

(BRIAN LILLY)

 

This is where SORAI steps in. Otherwise known as Save Our Rhinos Africa and India, SORAI is a rhino conservation organisation founded by former international cricketer and Hublot ambassador Kevin Pietersen. As a “socially conscious enterprise”, their aim is to bring people and businesses together to build a more sustainable approach to conservation. Since 2018, they’ve supported grassroots organisations that rescue abandoned, injured, and orphaned endangered species and rehabilitate them where possible.

 

Hublot recognises the importance of rhino conservation, so they’re getting in on the action. They’re partnering with SORAI once again to release the Spirit of Big Bang SORAI, a 30-piece limited-edition of the iconic tonneau-shaped hand-wound tourbillon. As the fourth collaborative watch between both entities, part of the proceeds from the watch’s sales will be donated to the organisation as it continues fighting to protect the rhinos.

 

Spirit of Big Bang SORAI Grey

We catch up with Pietersen to learn more about SORAI’s efforts, the story behind the new watch, and how the rest of us can pitch in to help these mystical beasts stick around for a few more millennia. 


Kevin Pietersen wearing the SOBB Tourbillon Sorai
 

SORAI has been making strides in rhino conservation since its inception, can you share a significant moment that ignited your commitment to found this organisation?

Kevin Pietersen (KP):There wasn’t a singular moment but it was just a generic continuation of all the conservation and awareness that I have been doing since 2013, because it was 2018 when SORAI started and when I launched the brand and thought of the brand, so it was just a stepping stone in a direction where we thought that we need to up our game in making sure that we continue to raise awareness and significant sums of money and get more people involved.

 

Can you tell us about the most significant achievements of SORAI since its inception?

KP:Significant achievements so far, I don’t want to talk about SORAI, I don’t want to talk about Hublot. What I want to talk about is the fact that rhino poaching seems to be on the decline at the moment which is exactly why we started doing what we are doing and exactly why we are sitting here now, because of the incredible sums of money that has been raised, because of the targeted direction of where those funds go.

 

We’ve been very specific on what we spend our money on because we know that if you are specific and you work with trusted organisations and you funnel all the money in the right way, you will make a difference. If you just shoot a lot of money into the air and think, “Hey guys, go and enjoy yourselves” then that’s where you become stuck, especially in a country like South Africa. We have been very targeted on technology, on running the sanctuary, on education and kids. We’ve seen lots of success and when you talk about the rhino numbers coming down it makes you smile.

 

 

What do you want the buyers of this watch to feel or understand about their purchase?

KP: The togetherness, the unity and the people. This is about the people, this is really about the men and women, the boys and girls that live in the area and are part of a huge responsibility in looking after a keystone species.

 

How the proceeds of this watch allocated within SORAI’s initiatives?

KP: It’s for the people, education and technology. The first edition was for “Care for Wild”, that’s why this is so important because of the ability it gives us with the US dollar to convert it into Rands and US dollars goes a long way when it comes to Rands.

 

How can everyday people contribute to the rhino conservation?

KP: We recently set up a SORAI Rangers Programme which comes from the need to build a human fence. Everybody around the world can in some way shape a form and feel they can make a difference. So we set up a subscription program where people can subscribe for as little as one pound a month and they can feel like they are a part of the human fence no matter where they live and that goes at an incredibly long way in helping us protect these keystone species.

 

This article was first seen on Esquire.Sg

 

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From vineyard to festival: Italy’s wine culture uncorked

From vineyard to festival: Italy’s wine culture uncorked

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Recent wine festivals across Italy highlight the crucial role these events play in promoting regional wine heritage, strengthening ties between producers and consumers, and boosting local economies.

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The Colosseum Rome, Metropolitan City of Rome, Italy
 

Wine Market Growth and Italy’s Position in 2024

Over the last five years, the global wine market has seen steady growth, with an annual average increase of five per cent. This consistent rise has been driven primarily by three key players — France, Italy, and the United States — which collectively represent approximately 60 per cent of the global wine market. The industry’s overall value is expected to reach approximately US$353.4 billion by the end of 2024, with global wine consumption projected at 25.3 billion litres.

 

 

Despite facing increased competition, Italy remains a significant force in the wine sector. In 2024, Italian wine exports saw a notable growth of seven per cent, reaching a value of EUR 2.5 billion. While Italy may have lost its title as the world’s largest wine producer to France, the country has shifted its focus towards enhancing quality over sheer volume, with experts predicting that Italian wine exports will surpass eight billion euros within the next two years. Regions such as Emilia-Romagna and Puglia are expected to experience the highest growth in exports for 2024, with projected increases of 4.6 per cent and 4.3 per cent. This highlights the increasing importance of regional diversity and local terroirs in Italy’s wine-making success.

 

Italy’s wine culture is deeply rooted in centuries of tradition and has long been a hallmark of the country’s identity. However, the past few decades have witnessed a remarkable evolution in the way the nation’s wine industry is celebrated and marketed. Wine festivals have emerged as a powerful force in bridging the gap between vineyard and consumer, transforming Italy’s wine industry into a vibrant and community-centered celebration. From the scenic vineyards of Tuscany to the bustling streets of Rome, these festivals not only boost local economies but also promote Italy’s diverse regional wine heritage. LUXUO delves into the importance of Italy’s wine industry and the significant role it plays in preserving culture, fostering connections, and driving economic growth.

 

Emerging Trends in the Wine Industry

 

The antique façade of a wine and olive oil store in Rome, Italy 
 
The wine market in 2024 is also characterised by several key trends. One significant shift is the rising popularity of natural wines, which appeal to consumers seeking minimally processed products with fewer additives. Additionally, online wine purchases are growing, making wine more accessible to a global audience. With increasing consumer demand for transparency, a strong focus on traceability is another emerging trend. This is coupled with the industry’s move towards sustainable packaging, as eco-conscious buyers look for products that align with environmental values.

These findings are drawn from the report titled “Italy in the Global Wine Market. Evolution and Perspectives,” curated by Valerio Mancini, director of the Rome Business School’s Research Centre. This report underscores Italy’s ongoing evolution within the global wine industry, shifting towards high-quality production and embracing new consumer trends to maintain its competitiveness on the world stage.

 

Driving Local Economies and Tourism

 

The Sagra dell’Uva festival in Marino

Italy is world-renowned for its vibrant autumn wine festivals, which celebrate the diversity and uniqueness of each region’s terroir – from the volcanic soils of Sicily to the rolling hills of Piedmont and Tuscany. These festivals are key to promoting local wine traditions and showcasing how the land itself shapes the distinct flavours of Italian wines. Rome, as the gateway to many of these renowned wine regions, also hosts several notable events. A prime example is the Sagra dell’Uva in Marino, a charming town in the Castelli Romani region, just outside Rome.

This festival, which celebrated its 100th edition between the end of September and early October 2024, is one of Italy’s oldest and most beloved wine events. The Sagra dell’Uva not only honours the annual grape harvest but also highlights the deep-rooted connection between the land, the people, and the wine that has been produced in the region for centuries. The event is a grand celebration of local culture, with processions, historical re-enactments, and — of course — ample wine tastings.

 

A view of Mt Vesuvius through a vineyard from the Pompeii ruins near Naples, Italy.

By drawing thousands of visitors to these small towns, festivals like the Sagra dell’Uva play a vital role in sustaining the local economy and ensuring that Italy’s rich winemaking heritage continues to flourish. These events provide a unique opportunity for wine enthusiasts to experience the intersection of tradition, culture, and modern innovation in winemaking.

Wine festivals have a significant economic impact on local communities by drawing tourists from around the world. These events generate revenue not just for vineyards, but also for nearby hotels, restaurants, and artisanal markets. The influx of visitors provides a vital boost to rural economies, especially in less frequented wine-producing regions which help sustain these areas economically, even outside of peak travel seasons.

 

Wine as a Cultural & Sustainable Experience

 

Italian wine festivals are more than just about wine – they are holistic cultural experiences. The inclusion of local cuisine, art, and music alongside wine tastings enhances the overall experience for attendees. This fusion of wine and culture deepens the consumer’s emotional connection to the product, making it an integral part of Italian lifestyle and identity. Festivals like Calici di Stelle (Goblets of Stars) offer attendees the opportunity to pair their wine tastings with stargazing, local art displays, and regional delicacies. This multi-sensory experience creates a memorable connection that reinforces wine’s role in the broader cultural and social fabric of Italy.

When it comes to promoting sustainability, events like Slow Wine Fair and Sicilia en Primeur promote organic, biodynamic, and natural wines. They also serve as spaces where producers can share innovations in eco-friendly wine production, reinforcing Italy’s leadership in sustainable winemaking on a global scale. With growing concerns about climate change and the environmental impact of agriculture, Italian wine festivals are also becoming educational platforms that raise awareness about sustainability. Vintners who practice organic or biodynamic farming use these events to showcase their commitment to eco-friendly production methods.

 

A shelf full of Italian wine and spirits in Rome

Italy’s wine festivals are not just a celebration of fine vintages – they are dynamic engines of cultural preservation, economic development, and sustainability. These events serve as vital platforms for promoting regional wine heritage, fostering direct relationships between producers and consumers, and boosting local economies. Additionally, the emphasis on sustainability and the integration of cultural heritage make these events essential for preserving Italy’s wine traditions for future generations. As wine enthusiasts and producers come together to celebrate, the country’s unique combination of tradition, innovation, and passion for wine continues to be shared with the world.

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Patek Philippe Cubitus proves it’s hip to be square

Patek Philippe Cubitus Proves It’s Hip to be Square

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Patek Philippe introduces the Cubitus, its first new collection in over two decades, marking a daring foray into square watches with both elegant and complex designs.

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Patek PhilippeFrom left: Patek Philippe 5821/1A, Patek Philippe 5822P and Patek Philippe 5821/1AR

 

Patek Philippe has launched its first new collection of watches in 25 years with the Cubitus, which is also the Geneva watchmaker’s first square watch to enter the permanent collection. There are three new Patek Philippe Cubitus references for now, two time-only with date models (Ref. 5821/1A-001 and 5821/1AR-001) and one very impressive grand date watch with day of the week and moon phase indications (Ref. 5822P-001).

 

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To dig into this a bit for those for whom the naming terms are arcane, Ref. 5821/1A is cased in steel, with a matching bracelet while Ref. 5821/1AR combines steel and rose gold, again with a bracelet that matches. In terms of movements, which is at the heart of any conversation about Patek Philippe watches, the simple models use existing calibres (26-330 S C) while the complicated model introduces a new one (240 PS CI J LU).

 

Patek PhilippePatek Philippe, 5822P
 

Real news is harder to find in watchmaking than evidence of water on Mars but this reveal by Patek Philippe certainly qualifies. Yes, it is that significant. We will have much more to say about Ref. 5822P but first, we must discuss the character of the collection, which means the look and feel. You will not be alone in thinking that the Cubitus looks like some kind of long lost Nautilus relative and Patek Philippe does reference the sports elegance concept, which is closely related to that legendary collection. Patek Philippe President Thierry Stern notes that what we see as Nautilus references are really key elements of the brand his family has led for three generations. He also noted that a true square watch was always in his mind.


“(Two reasons why the square shape is important), first because I never had it in (the brand’s permanent) collection, and I always enjoy seeing some of the square watches (from other brands),” said Stern. “And secondly, because I thought it would be good to surprise people with it. It’s a personal challenge for me also to say, well, nobody expected me to go there!”

 

As for the name, apparently, Cubitus just popped into Stern’s mind before anything else. At the press briefing for the launch, it was clear that many options were considered in the four years or so that the collection was in development. The use of the existing calibres, including the base 240 calibre, does indicate that the brand was flexible in its approach.

Those familiar with the Nautilus will note that the Cubitus looks to be a sort of second coming in particular for the now-discontinued Ref. 5711A. If this occurred to you, consider that there are no significant models in sports elegance from any brand that are square. Not to make comparisons but since Stern brought it up, even icons such as the Cartier Santos or Jaeger-LeCoultre Reverso are either not square or not sports elegance.

In short, this is new territory for Patek Philippe, even if it appears to be finding water in the Sahara rather than off-world. On that note, we do not expect the heat of Ref. 5711 transferring to Ref. 5821, although Stern anticipates that new collection will be oversubscribed, just as the Nautilus and Aquanaut references are. On that somewhat gnarly subject of scarcity, Stern confirms that production will not be scaling up; for reference, current production levels are approximately 72,000 pieces annually and we had it last at 70,000 last year.

Patek Philippe

 

240 PS CI J LU Movement

 

Finally, we will leave off with the feel of the watches, which we were privileged to experience at the launch in Munich. The brand promised that the feel of the piece would drive off any doubts we might have. The proof is in the wearing, especially since all three watches are 45mm. Of course, this is a proper square and the integrated lugs mean that the size is actually comfortable. For the versions with bracelets, the Nautilus impression will be unmistakeable, right down to the pins and the alternating finishings (which are also mirrored on the case, just like the Nautilus).

 

Patek PhilippeFrom left: Patek Philippe 5821/1A, Patek Philippe 5822P and Patek Philippe 5821/1AR
 

In this example, the images do tell the story, although we are curious to try a Nautilus on for comparison. Sadly, while such comparisons are useful, they will be difficult to arrange, given the availability issues. For now though, those of you who recall the Ref. 5711 fondly and missed it will find plenty to like about the Cubitus. Only time will tell if the Ref. 5821 will merit the same desirability. As for the technically compelling Ref. 5822, we will save that for another more detailed post because it deserves its own space.

 

And, to really finish, prices have been updated on the Patek Philippe website and the new watches shape up as follows: Ref. 5822P-001 – SGD 128,000; Ref. 5821/1A-001 – SGD 59,700; Ref. 5821/1AR-001 – SDG 88,700.

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Gold and platinum redefine fine watchmaking

Gold and platinum redefine fine watchmaking

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Precious metals promise to put the ‘fine’ back into fine watchmaking, after years of being overshadowed by more prosaic materials.

Patek Philippe Ref.5236P with the diamond indicating that the case is platinum

After almost a decade of deep dives into material innovation in traditional watchmaking, we have finally come full circle. Way back in 2016, we published a longish treatise on gold in watchmaking, which is unsurprising given the popularity of the metal over the centuries. We write centuries here but really we mean the entirety of human history, written and otherwise, because contemporary timepieces are also pieces of jewellery. And so it should surprise absolutely no one that in this second take on gold, we will be outdoing ourselves. In fact, we already have because we published a preamble to this story in the Spring this year.

The watchmaking business has always been about both style and substance. Timekeeping is, even today, primarily a utility that drives productivity, efficiency and accuracy – it can literally tell us our place in the universe, depending on how the question is phrased. As with anything this important, there is a symbolic value to be had. It is a value with both power and prestige, which the ruling classes have always understood. Thus, we have arrived at the simplest connection between time and gold.

Now, we will have to address the matter of price quite prominently in this story (and its constituent parts) but it is worth bearing in mind, from the outset, that price is just one of many facets. More than any other precious metal, gold has a certain reputation as a proven store of value, a hedge against both inflation and deflation, and a stable investment class. Gold and silver are the only precious metals to be widely used as both jewellery and currency, distinguishing them from other precious metals. Gold is especially relevant for this examination because there is only one wristwatch in silver today that is widely recognised.


Growing and Retaining Value

These are all complicated points and we will be covering them briefly. We bring this point to the fore because fine watchmaking has been in the public eye itself recently for the investment angle. Specifically, some types of watches might qualify as alternative investment assets. To be clear, we have always argued (or at least cautioned) against this but we acknowledge reality and there are many of you, dear readers, who are intrigued by the potential of watches to not only retain value but also to grow it.

Some years ago, before we dared to comment on the phenomenon of investing in watches, we hinted at what a dark world this might herald. It was an Editor’s Note with the catchy title Watches as Currency, and watches cased in precious metal are the personification of this idea. If gold, in particular, is a kind of currency, then wearing watches cased in this material will really be like having cash strapped to one’s wrist. Well, perhaps just a digital display that indicates how much the watch in question is valued at. A good way to grab the attention of thieves you say? Welcome to the world of those who rock all-gold watches, and Singapore might just be the safest place on earth to do this.

As a counterpoint, the watch-buying community knows all too well that the best deals available on the secondary market are timepieces cased in precious metals. That means any precious metal, not just gold. To be blunt, these are the types of watches that shed the most value, including examples from the biggest names in Swiss watchmaking. Generally speaking, the why of this is hard to explain, especially versus amped-up valuations on steel watches, but the hypothesis (from specialists, including us) is that the precious metal recommended retail prices have always been too high. This is especially true when any given brand also offers a model in a non-precious metal variant too.


Reversal of Fortune

The current environment, which has seen prices falling on the secondary market across the board while also registering record prices for gold (US$2,431.55 in April), is an interesting one. If brands are really forcing an ascent of the price-to-value peak right now, then we expect that a number will not make it to base camp. Pay close attention to the new precious metal models when they settle in at your retailer – or whenever you get the call with regards to something particularly desirable. If it is desirable, that is.

This is the moment that this introduction gets a little contentious because there is no inherent novelty in steel or gold cases. The great innovation of Audemars Piguet and Patek Philippe in proposing steel watches that were as expensive as the same in gold was mainly about price. As my peer Ruckdee Chotjinda once joked, the innovation there was the price. Enter Richard Mille with ultra-contemporary materials at a price far beyond what the same watch would be in precious metals – it helped that no such watches existed, of course but the innovation here still hangs on the matter of price. As far as even the most exotic of gold options out there go, price innovation is difficult to achieve.

Now, this is not to say that something with a functional benefit, such as honey gold or armor gold and almost certainly magic gold, does not add value; it does. The limiting factor is the 18k standard, which is a regulatory matter. Steel does not have this issue, and of course the clever composites and alloys deployed by Hublot, Richard Mille and Panerai have no limits. So, in a way, this story argues at key moments that gold and other precious metals have to be brutally honest because they are being held to account. Pricing innovation can only go so far here, but it is certainly not absent.

Qualified Honesty

This (qualified) honesty has everything to do with why we buy watches. Watch lovers have always purchased mechanical watches for watchmaking content. Before you protest about marketing talk, we simply mean everything that makes any given watch literally tick. In the 500 years or so that mechanical clockwork has been with us, creating the housing for the mechanical bits and bobs has been trivial by comparison. Recall, for example, that it took until physicists Robert Hooke and Christiaan Huygens before springs could be used as regulators.

Remember also that Hooke and Huygens were working separately on different projects (Huygens was following up on his own invention of the pendulum regulator), and effectively building on Galileo’s foundational work with timekeeping. These scientists were all pioneering forces of their day, and their contributions – and those like them – represented the true value of time, as far as humans could measure it. In many ways, it still is; the precious metal cases and parts are just signifiers of this value. A well-made case in a precious metal is an indicator of the precisely engineered contemporary horological engine housed within. Indeed, such a case or bracelet might not be completely solid, just to keep the watch comfortably wearable. At this point, if you compare steel watch with a gold one, for example, you might wonder why then is the price jump so high…

Before we move on to these matters of value (in the section on the uses of gold in watchmaking), we do have to mention the issue of sustainability. Gold production has been in the crosshairs of activists for some years, especially the so-called artisanal mines. These are the non-industrialised mining activities of smallholders, which are somewhat obscured by statistics and figures concerned mainly with the largest producers. These, as any quick Internet search will tell you, are China, Russia and Australia as far as gold is concerned (and we will come back to this shortly).

Pricing Issues

Now, watchmaking is not the biggest user of gold in the consumer segment – that would be jewellery. But given that brands such as Cartier, Chopard and Bvlgari are all major players in the watch world too, the ethical issues regarding dirty gold cannot be easily set aside. We give the issue a brief mention in the section on the Responsible Jewellery Council (RJC) and the Dodd- Frank Act (2010) but we concede that the issue requires more in-depth work.

This brings us back to the value proposition and the lack of clarity in the matter of gold and precious metals in watchmaking. How much more should one pay for a watch in gold over the same in steel? Why is a watch cased in platinum endowed with a higher retail price when the raw material has been cheaper than gold since the Great Recession? As we noted in our special on platinum, this metal represents an opportunity for watchmakers to do interesting things but brands have work to do in making the case (no pun intended) for it. Intriguingly, this might include technical innovation because platinum remains tough to work with and that partly accounts for why the material remains underused in jewellery and watches.

Continuing on this admittedly dangerous path, there is also the matter of persistently high prices on the secondary market for the biggest and most desirable brands. Mostly, this has to do with steel models and said models often eclipse the RRP of their gold counterparts (or get perilously close to doing so). Thus, switching focus to more precious metal options is only logical, especially when one considers that the top two percent of the world’s high rollers account for a massive 40 percent of all luxury purchases (according to Bain & Co).


A Bvlgari Serpenti Misteriosi Chimera in the process of being assembled

Pure Capital

As for power players, central banks are gobbling up gold like pandemic-spooked shoppers making a run on toilet paper. There is plenty of evidence for this, thanks to transparency laws and the like (therefore, see the news). Not for nothing, the Swiss consider gold a currency so the material is not subject to VAT and other seemingly relevant taxes. On the matter of consumer markets, anecdotal evidence suggests that some of the most important ones do not shy away from the precious stuff. This refers to Asian countries of all sorts, for those who might be confused; unhappily, there is not much separation between demand for investment purposes and for aesthetics. It is worth noting though that if you have bullion or coins, that is an investment. If your gold is in watches then that is something else.

This all adds up to a scenario where things are looking on the up for gold and its kin, whatever the price of the raw stuff does. Arguably, if you look at prices of precious metals and how it relates to watches, it has never been straightforward and has never needed to be – no one ever asked that watches cased in steel follow the price trends of the raw material. We do agree that this should be understood in the context of watchmaking content, as mentioned earlier, as long as that also includes branding.

This collection of stories about precious metals in watchmaking does try to stick to what is factual, for practical reasons, because we cannot add brand value into the picture in any meaningful way. That does not mean it does not exist and is not impactful. This one is entirely up to you, the would-be buyer. Some models look promising but only because you have already justified the premium to yourself.


Palladium

Used very sparingly in watchmaking, palladium is – like some other metals in these sidebars – a platinum group metal. In the periodic table, it is known by the symbol Pd, and its atomic number is 46. Palladium shares many of the same properties of platinum, including density and malleability. In fact, it is the least dense of the metals in its group and its melting point is the least extreme, although still high. It also shares the same catalytic properties that make it as appealing as platinum to industry, and it was the most cost- effective. In the recent past, palladium

ore prices have outpaced platinum, in turn putting pressure on platinum ore prices. Besides the problematic issue of most supply coming from Russia, important mines there had already been hit by environmental issues. As a result, palladium is estimated by some sources (Statista) to be 15 times as rare as platinum, which itself is just about as rare as gold. Since 2016, the price of palladium (per gramme) has increased fourfold; obviously, the effects of COVID-19 and the current conflict in Ukraine have not been factored in yet.

On the other hand, there is no good reason to use palladium for watches, since it is very similar to platinum but does not have the cachet of that precious metal. At the same time, it might also be a good deal more dear than platinum, because of industrial demand and various supply constraints. Among Swiss watchmakers, Ulysse Nardin, Audemars Piguet and H. Moser & Cie have used palladium in recent years. Interestingly, the bulk metallic glass (BMG) of the Royal Oak Jumbo Extra-Thin 15202XT for a recent (though not the most recent) edition of OnlyWatch featured palladium in the mix.

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What makes Dubai a new global powerhouse

What makes Dubai a new global powerhouse

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Alongside its reputation as a city of innovation and opportunity, Dubai has firmly established itself as a leader in luxury living and high-end experiences.

Dubai evening skyline

Dubai’s innovative approach to business, luxury commerce, real estate, and art is redefining the city as a leading global hub, attracting diverse industries and talent, and establishing itself as a key player in today’s landscape of international business and trade. Once a modest trading port, Dubai has transformed itself into a dynamic metropolis that attracts industries and talent from around the world. From cutting-edge skyscrapers to world-class shopping experiences, the city is redefining the modern urban landscape and setting new standards for luxury and innovation. LUXUO takes a closer look at how Dubai is shaping its future and solidifying its place as the new powerhouse of the Middle East.


Business-Centric Ethos


Dubai International Financial Centre has been a catalyst for development in the Gulf region

Dubai’s geographic location places it at the crossroads of Europe, Asia, and Africa, making it a natural hub for global trade and tourism. This alongside the city’s pro-business policies — including tax incentives, free zones, and minimal regulation — have made it a magnet for entrepreneurs and global corporations. With 100 percent foreign ownership allowed in various sectors, Dubai attracts foreign direct investment (FDI) and is ranked high in the World Bank’s Ease of Doing Business Index. Initiatives like Dubai Future Accelerators and Expo 2020 have positioned Dubai as a leading city for innovation and tech startups.

 

Dubai International Finance Centre Grows at Record-Breaking Pace in 2022Dubai International Finance Centre (DIFC) grows at Record-Breaking Pace

The Dubai International Financial Centre (DIFC) is a leading financial hub in the Middle East, Africa, and South Asia (MEASA) region. It attracts top-tier financial institutions, hedge funds, and private equity firms. Dubai’s flexible regulatory framework and status as a tax haven make it an attractive destination for high-net-worth individuals and family offices. It also boasts a rapidly growing fintech sector, supported by government initiatives aimed at fostering digital finance


Dubai’s cosmopolitan nature is reflected in its highly diverse population, with over 200 nationalities calling the city home. This diversity allows the city to draw on a global talent pool, creating a melting pot of ideas, skills, and innovation. With prestigious universities, specialised training centres, and government efforts to upskill local talent, Dubai is fast becoming a hub for knowledge and human capital development.

 

Immersive Luxury Retail Experiences


The Dubai Mall

Dubai is synonymous with luxury shopping, boasting some of the world’s largest malls, such as The Dubai Mall and Mall of the Emirates. These are not just retail spaces — they are immersive experiences combining high-end fashion, fine dining, and entertainment. The city’s love for luxury extends to its thriving jewellery market, particularly in gold — making Dubai the “City of Gold.” Its malls and retail spaces also serve as international fashion hubs, hosting top global brands and luxury designers. 

As an integral part of Downtown Dubai, The Dubai Mall is the largest shopping mall in the world and boasts an internal floor area of 5.9 million square feet, with 3.77 million square feet of gross leasable space. It houses over 1,200 retail stores, two anchor department stores, and more than 200 food and beverage outlets. The mall features stunning design elements, including an indoor ice rink, an aquarium, and a vast array of dining options and is a hub of activity, attracting millions of visitors each year and serves as a key destination for shopping, entertainment, and leisure in the city.

 

Burj Al Arab

The Dubai Mall is only one part of Dubai’s luxury hospitality landscape which is unrivalled when combined with some of the world’s most luxurious hotels like the Burj Al Arab and Atlantis, The Palm. The city’s ability to offer a mix of desert safaris, beach resorts, skyscrapers, and cultural experiences has made it a top tourist destination, attracting millions of visitors annually. Dubai’s focus on experiential tourism — from culinary excellence to adventure tourism — delivers a diverse experience for travellers and reinforces its status as a global tourism hub.


Growing Real Estate Industry


Dubai Marina

Dubai is renowned for its ambitious real estate projects, such as the Palm Jumeirah, Burj Khalifa, and Dubai Marina. These architectural feats have become iconic landmarks, symbolising Dubai’s rapid ascent as a modern metropolis. The city’s real estate market offers everything from luxury beachfront properties to futuristic smart cities, which attract global investors. Sustainable development initiatives like Masdar City showcase Dubai’s efforts to embrace green technologies and environmentally friendly urban planning.

 

While Dubai is commonly known for its stunning architecture, luxurious shopping malls, and extravagant lifestyle, the city has evolved beyond being one of the most sought-after travel destinations in the world. With the influx of entrepreneurs and businesses, the real estate market has been on a steady rise, with luxurious properties becoming increasingly popular. According to data from Knight Frank, the average price per square meter for a luxury property in Dubai increased by 1.5 percent in the first quarter of 2022. This trend is set to continue as more investors flock to the city. Savills — a global real estate service provider — reported that the high-end residential market in Dubai has seen a 5.6 percent growth in the first quarter of 2022 compared to the previous year.

 

The Arabian Business reports that Dubai’s real estate sector achieved a record of AED 38.6 billion in sales in their third quarter. According to fäm Properties, quarter 3 saw 50,423 property sales in Dubai, marking a 37.9 percent year-on-year increase and a 16.6 percent rise from quarter 2.

 

Jumeirah Village Circle

The top-performing areas for real estate transactions included Jumeirah Village Circle, which saw AED 5.33 billion (approximately USD 1.4 billion) from 4,467 transactions, and Dubai South, with AED 8.25 billion (approximately USD 2.2 billion) from 2,910 deals. Third was Business Bay which recorded AED 7.22 billion (approximately USD 2 billion) from 2,651 sales followed by Wadi Al Safa 5 which generated AED 5.3 billion (approximately USD 1.4 billion) from 2,382 transactions, and Dubai Hills Estate followed closely with AED 7.38 billion (approximately USD 2 billion) from 2,358 deals.

 

In terms of property values, 31 percent of sales were for properties priced between AED 1 to 2 million (approximately USD 272,000 to 544,000), while 29 percent were for properties below AED 1 million (approximately USD 272,000). Sales between AED 2 to 3 million (approximately USD 544,000 to USD 817,000) accounted for 18 percent of the market, while 14 percent of transactions involved properties priced between AED 3-5 million (approximately USD 817,000 to 1.4 million). Properties over AED 5 million (approximately USD 1.4 million) represented 8 percent of the total sales.


Leveraging Rich Cultural Heritage


Dubai Opera

Dubai has invested heavily in becoming a cultural hub, with the development of the Dubai Opera, the Louvre Abu Dhabi, and Alserkal Avenue — which houses art galleries, exhibitions, and cultural events. By integrating art and culture into its urban development, Dubai appeals not only to business elites but also to creatives, artists, and innovators from around the world. The growing art scene reflects Dubai’s vision of becoming a cosmopolitan city that blends tradition with modernity.

 

Prominent events such as Art Dubai and the Sikka Art Fair showcase both international and local talent, strengthening Dubai’s reputation as a center for the creative economy. These events, alongside projects like the transformation of Dubai Metro stations into art galleries, reflect the city’s commitment to becoming a beacon of cultural innovation. Dubai Culture also supports emerging artists through partnerships with institutions such as Art Jameel and Alserkal Avenue, offering platforms for artists to display their work and connect with a global audience. With ambitious plans to further double its creative economy under the Dubai Economic Agenda (D33), the city is increasingly becoming a major player in the international art world.

 

Speaking exclusivity to LUXUO, Malaysian art curator and journalist Zena Khan notes “… a strong mix of commercial and critical activity Dubai has used its geographical location be a leading gateway to the art of the MENASA region — and beyond”.

 

Sustainability and Long-Term Goals


 

Dubai’s leadership has set ambitious sustainability goals under its Dubai Clean Energy Strategy 2050 and Dubai Plan 2021. Initiatives like the construction of the world’s largest solar park and green building regulations are making Dubai a leader in environmental sustainability. Dubai’s visionary leadership has consistently pushed for modernisation and long-term growth, positioning it as a resilient city with global aspirations.

 

When it comes to technological innovation, initiatives such as the Dubai Internet City, Dubai Silicon Oasis, Dubai Blockchain Strategy and Dubai’s Smart City show its commitment to future-proofing the city’s infrastructure. It has also become a leader in drone technology and 3D printing, with bold plans to create the world’s first 3D-printed skyscraper.

 

Dubai’s rise as a new global powerhouse comes from a willingness to push boundaries in business, culture, and technology, Dubai has transformed itself into one of the world’s most dynamic and forward-thinking cities, setting the benchmark for future urban centres across the globe.

 

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