Yacht Style, Issue 88
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Yacht Style, Issue 86, Top 100 Superyachts of Indo-Asia-Pacific 2026, Jonathan Beckett, Burgess, Erwin Bamps, Gulf Craft Group, Fraser, Camper & Nicholsons, AB Yachts, AB 95, Van der Valk, Lalabe, Azimut, Grande 30M, Ferretti Yachts, 940, Absolute, Navetta 62, Cannes Yachting Festival, Genoa International Boat Show, Monaco Yacht Show, Lantau Yacht Club Boat Show - Festa Nautica, Rolex SailGP, Maxi Yacht Rolex Cup, Rolex Middle Sea Race, Phuket King’s Cup Regatta, Thailand, Port Takola Yacht Marina & Boatyard, Krabi, Yousuf Al Hashimi, Phoenix Yacht Management, Su Lin Cheah, ICOMIA, Suzy Rayment, Asia-Pacific Superyacht Association, APSA
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yachtstyle2020

Bugatti Marks It’s 110th Anniversary With The Exclusive, High-Performance Baby II

Bugatti Marks It’s 110th Anniversary With The Exclusive, High-Performance Baby II

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The Baby II is a three-quarters-size replica of the Bugatti Type 35, accommodating both adult and children drivers.

 By Julia Roxan

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Celebrating Bugatti’s 110th anniversary, the French car manufacturer, introduces the smallest member of its family, dubbed the Baby II. Limited to a mere 500 builds, this high-performance automobile represents a modern tribute to Italian-born designer and brand founder, Ettore Bugatti’s half-scale Type 35.

Bugatti Marks It’s 110th Anniversary With The Exclusive, High-Performance Baby II

Initially constructed in 1926 for his youngest son, Roland’s fourth birthday, the car which Ettore had intended to be a one-off present, soon became an official Bugatti vehicle, entering production and sold between 1927 and 1936. Cherished by Bugatti enthusiasts worldwide, today no collection is complete without a Baby. However, with only around 500 ever made, they have been the preserve of the lucky few.

Unlike the original, which was only suitable for the youngest drivers, the Baby II is a three-quarters-size replica of the Bugatti Type 35, accommodating both adult and children drivers. With the aim to enable enthusiasts from across generations to share the love of driving and of the classic marque of Bugatti, the Baby II thus features a rear-wheel-drive battery-powered electric powertrain, a removable lithium-ion battery pack, a limited slip differential, and regenerative braking.

Available in two selectable power modes, including a 1kW ‘novice mode’ with top speeds of 20km/h, and a 4kW ‘expert mode’ capable of accelerating to speeds of 45km/h, plus an optional ‘speed key’ upgrade which allows a power top-up of up to 10kW whilst disengaging the speed meter.

Launching almost a century after its predecessor, the Baby II has been created using the latest technology, but with the utmost respect for Bugatti’s automotive heritage. Hand-built with the aid of a precise digital scan of the original Type 35, built for the 1924 French Grand Prix in Lyon, this all-new ride showcases the brand’s iconic ‘Macaron’ badge, made of 50g of solid silver, alongside its own unique plaque and chassis number.

 

Complete with a signature turned aluminium dashboard, leather seating, custom instruments, and scale recreation of the Type 35’s distinctive four-spoke steering wheel, the Baby II is coated in an array of immaculate colourways, including the traditional French Racing Blue.

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For Sale La Villa Baan Ing Phu in Hua Hin, a slice of the Thai Riviera

For Sale La Villa Baan Ing Phu in Hua Hin, a slice of the Thai Riviera

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With a growing reputation for being the “Thai Riviera”, La Villa Baan Ing Phu in Hua Hin is the latest luxury private estate with villa style units available for sale

Aug 11, 2020 | By LUXUO

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Fast developing a reputation of being the “Thai Riviera”,  Hua Hin takes its name from a providential bit of royal history when a 100 years ago, Prince Krom Phra Naresworarit became the first member of the royal family to build his palaces beside the beach, lending credence to its nascent reputation as a growingly luxurious waterfront escape.

Since then, Hua Hin’s natural beauty has attracted monarchs like King Prajadhipok (Rama VII) and other members of Thai aristocracy to embrace Hua Hin as their summer escape. In fact, right up to 2006, it was the full time residence of the much beloved King Bhumibol Adulyadej (Rama IX).

For Sale: La Villa Baan Ing Phu in Hua Hin, a slice of the Thai Riviera

After the building of southern railway connected Hua Hin with Bangkok along with various destinations en route, many Bangkok natives are rediscovering Hua Hin as an elegant getaway from hectic Bangkok, in turn making it the most popular beach resort in the country. This rapid gentrification has led to investment and stay opportunities like La Villa Baan Ing Phu

While the many attractive heritage summer palaces have become a tourist draw in recent history, La Villa Baan Ing Phu is situated in a secluded drive that is off the main road, cleverly avoiding the pitfalls of rapid gentrification while reaping the benefits of growing communal infrastructure like transport and retail experiences.

Nestled next to scenic landscapes like the lush green fairways of Black Mountain Golf Course and neighbouring a peaceful meditative retreat for monks; La Villa Baan Ing Phu sits in a prime location of stunning natural beauty which includes a giant park once reserved for the royal family. Located just 10-km from the centre of Hua Hin, it takes less than 15 minutes to access Hua Hin’s amenities like shops, banks and supermarkets.

Hua Hin’s Growing international connectivity increases La Villa Baan Ing Phu’s attractiveness

La Villa Baan Ing Phu is a perfect getaway destination in one of the most beautiful valleys of Hua Hin. Only 3 hours from Bangkok, its location is ideal for both local and international travellers. In August 2018, the Department of Airports announced that it will spend 3.5 billion baht to upgrade Hua Hin Airport over the next five years with a projected tenfold increase of travellers using the airport to three million a year. The upgrade is part of the “Riviera Thailand” and Southern Economic Corridor projects, opening up Hua Hin to international destinations including: Hong Kong, Shanghai, Guangzhou, Wuhan, Singapore, New Delhi and other ASEAN countries.

Baan Ing Phu is much more than a luxury private estate – it’s an extraordinary lifestyle that epitomises relaxation and refined living for the few. The resort also offers a diverse range of sports and leisure facilities that reflect its five-star environment such as fitness, tennis, paddle tennis, spa, restaurant and security.

Ultimately, La Villa Baan Ing Phu is a relaxed stress-free environment for people who expect exceptional living standards, in a locale which members of Thai Royalty once called home.

Units available at La Villa Baan Ing Phu

  • MAIN VILLA – Master bedroom & bathroom, 2 Bedrooms with private bathrooms, Guest toilet, Open kitchen facing the living room (fully equipped), Separate kitchen with all kitchen utensils, Terrace overlooking pool
  • GUEST VILLA 1 – Office, 2 Bedrooms with private bathroom & toilet, 1 bedroom with King size bed, 1 bedroom with sofa bed, Storage room
  • GUEST VILLA 2 – Private suite: King size bed, Separate bathroom & toilet
  • GUEST VILLA 3 – Family guest house with 2 bedrooms: 1 bedroom with King size bed, 1 bedroom with 2 twin beds, Shared bathroom, Shared toilet (separate from bathroom)

Prices from THB 60,000,000 (sixty million); USD 1,900,000 (one million, nine hundred thousand)

For more information, contact: st@nisekoluxurychalet.com


Yacht Style Issue 54 Out Now: The Charter Issue 2020 - LUXUO

Yacht Style has released Issue 54 (July-August), its Charter Issue for 2020. Flying Fox, the world's largest charter yacht, stars on the front cover of the 208-page magazine, as the 136m megayacht prepares to return to Asia later this year.

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New TAG Heuer Aquaracer Special Editions adds Stylish Aesthetics to Series

New TAG Heuer Aquaracer Special Editions adds Stylish Aesthetics to Series

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Latest 43mm Aquaracer Special Editions introduce new Tortoise Shell effect and olive-green khaki matte aluminium bezels to the series

Jul 17, 2020 | By Julia Roxan

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Three new special edition TAG Heuer Aquaracer models sporting colourful new aesthetics heralds a fashionable beginning to summer. Available in sportive yet stylish olive-green khaki from bezel to strap and tortoiseshell patterns in blue and brown, the ocean-inspired heritage of TAG Heuer’s latest Aquaracer is eminently suitable for a life casual desk diving or literal diving.

New TAG Heuer Aquaracer Special Editions adds Stylish Aesthetics to Series

Ready to accompany wearers during their favourite summertime activities, TAG Heuer’s latest Aquaracer collection introduces two firsts to the sporty series: a new Aquaracer 43mm Khaki Special Edition featuring a slick combination of sturdy fabric strap and sleek anthracite sunray brushed dial joins cool sophistication with a robust “militaristic” aesthetic of olive green aluminium bezel.

Showing casing a polished and fine-brushed steel case, the new 43mm Aquaracer Special Editions match performance with prestige via the La Chaux-de-Fond manufacture’s first use of distinguished tortoiseshell pattern. Inspired by the sunlight reflecting off the ocean waves, TAG Heuer created a magnificent tortoiseshell effect of the bezel using a high tech resin technique.

New resin technique adds Tortoiseshell effect to latest Aquaracer mode

The dark and light blue hues reminiscent of the ocean’s tempestuous waves, plays up the ocean-adventure credentials of the latest Aquaracer 43mm Tortoise Shell Special Edition. Tortoise Shell Editions of the new TAG heuer Aquaracer are also available with a contemporary brown tortoiseshell bezel paired with black sunray brushed dial with horizontal stripes.

Form meets function, the new TAG Heuer Aquaracer Special Editions augment the functionality with 60 minute scale on the unidirectional bezel and an angled magnifying lens over the date window at 3 o’clock. The rhodium plated applied indexes and indicator hands are coated with white Super-LumiNova for enhanced legibility in underwater conditions as well. A new rubber strap like those found on high end sports luxury watches also accompanies the new TAG Heuer Aquaracer Special Editions, featuring an alligator leather pattern and a steel folding clasp with double safety push buttons.

Latest Aquaracer 43mm Khaki Special Edition Price & Specs

Movement Quartz
Case 43mm stainless steel with 300 metres water resistance
Strap Khaki Textile
Price US$1600, S$2250

New Aquaracer 43mm Tortoise Shell Effect Calibre 5 Automatic Price & Specs

Movement Automatic Calibre 5 with 48 hours power reserve
Case 43mm stainless steel with 300 metres water resistance
Strap  Alligator pattern blue rubber strap
Price US$2600, S$3700

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Phuket Options from Asia Marine, The Moorings & Yacht Sourcing: ‘Charter Issue’ 2020

Phuket Options from Asia Marine, The Moorings & Yacht Sourcing: ‘Charter Issue’ 2020

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Home to a big choice of charter companies offering a wide range of yachts, Phuket is the starting point for Andaman Sea destinations including Phang Nga, Phi Phi, Krabi, the Similans and the Surin Islands, while Myanmar to the north and Malaysia to the south offer cross-border journeys.

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The Galeon 460 Mija is one of Asia Marine’s most popular charter yachts, with its drop-down sides creating a large aft social area including a bar to port

Having seen a lot in over three decades of operating in Phuket, Asia Marine is now preparing thoroughly for new-look charter operations post Covid-19, with pleasure boating opening up again in June after three months of on-water lockdown.

Today, Asia Marine has a 10-strong fleet of charter yachts, with recent additions including the Azimut 55 Pillars Spirit and the classic 104ft Camara C, a British-built motor yacht launched in 1961 that’s currently being prepared for its first charter season in Thailand.

Vincent Tabuteau, one of the pioneers of Thailand’s yachting industry, arrived in Phuket in 1983 as a sailing boat skipper and created Asia Marine in 1989, so the Frenchman has lived through a lot of ups and downs including the 2004 Indian Ocean earthquake and tsunami.

Headquartered in Yacht Haven in the north of the island, Asia Marine has been diligently organising for life in the Covid-19 era, with the company following the WHO (World Health Organisation)
recommendations for all employees and crew.

“Over our 30-plus years of operations, we’ve been through several tourism downturns, and we know how tough it can be for everyone, but we can get through this by staying safe and working together to build confidence in yachting again,” Tabuteau says.

The 95ft Aventure is popular for longer trips including north into Myanmar’s Mergui archipelago

To help protect staff and clients, the company’s new safety standards include deep cleaning each boat after a weekly charter, placing a 24-hour hold between bookings, disinfecting surfaces, utensils and cabins, and providing new amenities for each charter.Masks and safety equipment are provided for staff and prepared for guests. Its overall efforts resulted in an Amazing Thailand Safety and Health Administration (SHA) certification by the Tourism Authority of Thailand (TAT).

The six-cabin Camara C is Asia Marine’s most expensive crewed charter, with a weekly rate from about US$50,000 in the summer and US$55,000 in the winter, which runs from November through April.

The company’s crewed superyachts include three sailing yachts, comprising the three-cabin Swan 86 Aspiration – with weekly summer rates starting from US$20,000 – the 95ft, three-cabin ketch Aventure, a four-cabin Sparkman & Stephens 104 and the 131ft, five-cabin La Numero Uno, the first-ever Perini Navi.

 Aventure’s rich wood interior features three cabins and dining for six

Established itineraries for longer charters include from Phuket south to Langkawi, the Similan Islands northwest of Phuket and further north to Myanmar’s Mergui archipelago, while Indonesia’s Anambas Islands, northeast of Singapore, is an increasingly popular request.

“Yachting has developed a lot in Phuket over the last three decades. Our clients used to be primarily sailors and ‘yachties’, but now we see a wide breadth of different tastes, from smaller yachts to larger luxury yachts,” says Tabuteau, whose company also represents Fraser.

“The superyacht market has developed immensely in recent years, with high net worth individuals demanding the very best from their yachts. Our experience, value, service and reliability are so important and why our charter clients keep coming back.”

Asia Marine also offers weekly bareboat charters, on monohulls and catamarans ranging from 38-47ft, while day charter options range from about US$1,100-$5,500 including fuel (four hours), with models including Pillars Spirit and the popular Galeon 460 Mija.

Nearby Phang Nga Bay, Krabi and the Phi Phi islands are the most requested destinations while the Racha islands to the south are also popular with day trippers, whose requests often focus on toys and sound systems.

Launched in the UK in 1961, the historic 104ft Camara C is currently being prepared for her first winter charter season in Thailand

However, Tabuteau says crew are just as important as the yachts and the cruising grounds. “Some charterers get attached to our crew and often request the same Captain when they come back. A good crew providing professional service makes a huge difference for both day and overnight charters, so clients tend to get attached to a particular yacht,” says Tabuteau, who says some tourists rent the same yacht for a day charter every few days.

With its vastly experienced staff, Asia Marine also specialises in yacht management and is a dealer for Galeon, Bali catamarans and Wellcraft fishing boats in partnership with sister company Asiamarine (see PROFILE), headquartered in Hong Kong.

Tabuteau, though, has a soft spot for charter as it offers a wider range of people experience of one of Asia’s most iconic cruising areas.

“We specialise in private charters, so every client’s experience is tailored to their needs. We can decorate a boat for birthdays, find a quiet romantic nook for honeymoons or set out the perfect itinerary
for those that wish to explore. Once people try it, they come back for more,” he says.

Like Camara C, the Azimut 55 Pillars Spirit is a new addition to Asia Marine’s charter fleet in Thailand and is suitable for both day and overnight charters from Phuket

“It’s so enjoyable to be away from it all at sea, with your loved ones and friends. The experience of sleeping on a yacht is so much more memorable than staying in a villa. Waking up to a sunrise at sea is really special.” 

SAILING, POWER CATS FROM GLOBAL OPERATOR
The Moorings, one of the world’s biggest charter companies, has a base in Ao Po Grand Marina in northeast Phuket where it owns Moorings 4000 and 4800 sail catamarans and a 514PC, essentially four-cabin versions of Leopard’s 40, 48 and hugely successful 51PC powercat. Sister company Sunsail offers four Jeanneau sailing monohulls.

 Phuket is the Asia base for The Moorings and sister company Sunsail, and has a network of charter bases and clients from around the world

As well as Phuket, The Moorings has a fleet of catamarans and monohulls in more than 20 bases in the Mediterranean, Caribbean, the Americas, Tahiti and Tonga in the South Pacific, and Seychelles in the Indian Ocean. Ikraam Galant, Business Development Manager for Asia, says the company is confident of a strong recovery once international travel resumes.

“We are gearing up for an increase in business post Covid-19. We are seeing a big shift in the travel industry from mainstream tourism to more experiential travel. Instead of travellers visiting crowded cities in large groups, we are seeing people keener on travelling with close friends or loved ones to remote holiday destinations,” he says.

The Moorings has 40ft and 48ft sailing catamarans and a 51ft powercat in its Phuket base at Ao Po, while sister company Sunsail has four sailing monohulls

“We are already seeing an early increase in demand for 2021, whether it be for the Mediterranean, Caribbean, Indian Ocean or Asia-Pacific.”

Phuket, along with the Seychelles, traditionally has a higher percentage of day charters than the other cruising destinations, where a week is the standard charter duration.

Although itineraries are flexible, a sample crewed day charter itinerary includes the private island of Maiton off Phuket’s southwest tip, lunch on board, then Kai Nok further north for more snorkelling and beach activities before returning to Ao Po.

The Moorings also offers a crewed four-day, three-night itinerary that covers Phang Nga Bay, Krabi (Koh Hong, Railay Beach, Chicken Island) and the Phi Phi Islands before returning to Phuket.

“Onboard Wi-Fi, a barbecue and toys like kayaks, stand-up paddleboards and fishing gear are frequent requests of our charter guests,” says Galant, who believes charters are not as expensive as perceived when costs are shared.

“The perception is that a private yacht charter is expensive, but when you split the cost among a group of six to eight friends or family members, the price is equivalent to staying at a resort or on a cruise liner. However, a charter with The Moorings offers a much more.

NEW KIDS ON THE BLOCK
Indonesia-founded Yacht Sourcing opened its Thailand operation last year and has an office in Royal Phuket Marina on the east coast where it operates charters under two brands – Explore for day trips and Voyage for overnight and longer charters, typically between four to six nights.

Yacht Sourcing Thailand Operations Manager Sontaya Ruennam and Managing Partner Nicolas Monges

The young company is proud to do things differently and is the charter central agent for the 90ft wooden motor yacht Maha Bhetra, which charters for US$5,000/night and was designed by the late Ed Tuttle, best known for his groundbreaking designs for Aman resorts and villas. Other CAs include the Azimut 80 Mirage and the 95ft Lady Eileen II.

“Many of our repeat clients come back for Maha Bhetra, which is really different to anything else out there,” says Nicolas Monges, Managing Partner of Yacht Sourcing Thailand. “They appreciate the comfort, the service, the food, the cabins, the atmosphere … and the price, too!”

Another 16 listings include Fountaine Pajot sailing cats from US$2,500/night to Sunseeker, Azimut, Riva, Sanlorenzo, Princess and Heesen motor yachts, up to 40m and 50m-plus megayachts, with the Similan and Surin islands to the north and southerly islands like Rok, Muk and Lipe among client favourites.

the 90ft Maha Bhetra designed by the late Ed Tuttle

The Explore day charter listing features over 20 options including small powerboats from US$800 as well as sailing and power catamarans, with Phang Nga Bay, Phi Phi, Krabi and Racha the most popular destinations.

However, Monges is trying to offer a range of new experiences and looking into potential tours along Phuket’s popular west coast for those who might want to mix a cruise with cocktails and cuisine on the island.

Tiger Lily, the new Nuova Jolly Prince 38 Sport Cabin, is part of Yacht Sourcing Thailand’s Explore fleet of smaller boats focused on day charters

“We’re creating a lot of charter ideas like wildlife exploration and fishing, and even sunset cruises, bachelor parties and Phuket by night.

These ideas appeal to the younger crowd,” Monges says. “We have requests for weddings or photo shoots, culinary experiences, and tastings for wine, champagne and caviar. We even have Instagram stars who just want the best backgrounds for as many photos as possible! We’re also exploring doing pick-ups from westcoast resorts instead of clients always having to start and finish on the east coast.”

www.asia-marine.net
www.moorings.com
www.yachtsourcing.com

The original article first appeared in Yacht Style Issue 54 (Charter Issue 2020) – see below:
To subscribe to Magzter version, visit: 
magzter.com/SG/Lux-Inc-Media/Yacht-Style/Fashion/
For more information or print subscription enquiries, email: info@lux-inc.com

Yacht Style Issue 54 Out Now: The Charter Issue 2020 - LUXUO

Yacht Style has released Issue 54 (July-August), its Charter Issue for 2020. Flying Fox, the world's largest charter yacht, stars on the front cover of the 208-page magazine, as the 136m megayacht prepares to return to Asia later this year.

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Phuket Options from Asia Marine, The Moorings & Yacht Sourcing: ‘Charter Issue’ 2020 Read More »

Simpson Yacht Charter Offering Special Packages Across Asia: ‘Charter Issue’ 2020

Simpson Yacht Charter Offering Special Packages Across Asia: ‘Charter Issue’ 2020

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Simpson Yacht Charter has expanded the size and variety of its CA listings in its Thailand, Hong Kong and Singapore bases, while its large Lagoon 620 sailing cats offer new destinations in Malaysia, Indonesia and the Philippines. And it’s a good time to book, as the company is offering special prices and packages in 2020.

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 In the summer, the Lagoon 620 Jyohana charters around Malaysia’s Tioman Island and Indonesia’s Anambas Islands, both accessible from Singapore

Simpson Yacht Charter (SYC) has expanded its Central Agent (CA) listing of yachts to 16 following several exciting new additions over the past year to its fleets in both Phuket and also Hong Kong, where the company has been busier than ever in the last few months.

SYC offers access to a wider portfolio of over 250 yachts across the world, which represents about a 40 per cent growth from this time last year when Yacht Style published its 2019 Charter Issue.

There has been a similarly significant growth in the company’s CA listing in Asia, which features a wide range of Lagoon sailing catamarans plus motor yachts from Azimut, Beneteau, Sessa and a Sanlorenzo SL106’
that starts from HK$118,000 (US$12,500) for an eight-hour day charter.

Reanna Wang, SYC’s Group Charter Manager, says: “Following a lot of new additions over the past year, our CA yachts now cover an even wider range of sizes, types and destinations.”

EXPLORING SOUTHEAST ASIA
In Phuket, the Lagoon 40 Nauti Buoy delivered in March is a new addition to the CA fleet and joins another Lagoon 40 (K-35), two 42s (P&B, Cloud Dancer) and the popular 52F Blue Moon. Motor yacht options include the Azimut 55E After 8 and the Beneteau Flyer 8.8 Nauti One.

Simpson Yacht Charter’s fleet of Lagoons includes two 620s in Southeast Asia

The four-cabin Lagoon 40s are at the other end of the price range to the 32m Sanlorenzo, starting from as low as US$600/day for a bareboat charter in Phuket’s low season from May to October.

However, the majority of SYC’s bookings in Southeast Asia are for overnight charters, although charter activity in Phuket only started to re-emerge in June after Covid-19 measures quelled yachting activity for the previous three months.

To celebrate a return to the water, SYC is offering special all-inclusive ‘weekend’ and ‘long weekend’ packages on its Lagoon 42 and 52 models, ranging from about US$3,200 (42) and US$4,700 (52) for two days/one night to US$4,600 (42) and US$6,300 (52) for three days/ two nights.

In addition, SYC is giving international clients a firm incentive to plan ahead by offering a 10 per cent discount in 2020 on all Southeast Asia charters booked for this year and next.

The three-cabin Azimut 55E After 8 is based in Phuket

“Before borders completely reopen and air travel becomes common again, we expect more domestic clients seeking short-term city escapes, so we’re encouraging people living in Thailand to book short or long
weekend trips on our Lagoon cats,” Wang says.

“We’re advising international clients to book for later in 2020 and in 2021 with our special discounted rate. Many charter yachts in the Caribbean and the Med will be busy catching up with rescheduled bookings and might not be able to take many new orders, so we’re also expecting some clients to change their charter destination to Southeast Asia.”

Interestingly, SYC’s two Lagoon 620s, Jyohana and Primetime, are available for charter this summer around Tioman Island in southeast Malaysia – about 90nm north of Singapore – and Indonesia’s pristine Anambas Islands to the east.

The company plans to then charter Primetime even further east, in the Philippines, over the winter, while Jyohana heads to Thailand for the peak season, plying destinations between Phuket and Langkawi and beyond.

 Reanna Wang (second right) and Simpson Yacht Charter colleagues

As an indication, Primetime’s weekly charter rate is about US$25,000-$28,000 depending on season, while Jyohana is slightly more expensive. And if you’re prepared to travel further afield and spend a little more, SYC also offers a Lagoon Seventy 7 – the French builder’s largest sailing cat – in remote French Polynesia.

HONG KONG, HELICOPTERS AND HOTELS
Amid the gloom of the Covid-19 era, Hong Kong has been a bright spark for SYC, with the city enjoying its biggest-ever charter boom in recent months. The company has also been in a position to capitalise on the population’s demand to escape the crowded city, which didn’t impose any official lockdown.

The jacuzzi on the flybridge of the Sanlorenzo SL106’

SYC’s local CA listings feature Lagoon 42 (2019 model), 440 and 450 sailing yachts, and three new motor yachts: Azimut 54, Sessa 68 and Sanlorenzo SL106’. Hong Kong is traditionally a day charter market, but there has been unprecedented demand for overnight trips.

“We’ve had a lot of special deals and promotions in Hong Kong, which is now a very busy market as people can’t travel but they can go out locally, so our day, weekend and longer overnight charters are in high demand,” Wang says. “We have so many overnight charter enquiries and even a few with short-term lease of weeks or months.”

SYC has been promoting special packages, with the four-cabin Lagoon 42 and 440 available for two-day/one-night charters for up to eight guests for HK$35,000 (US$4,500) and HK$25,000 (US$3,200) respectively, including a Captain but excluding fuel.

The ‘Yacht & Flight Package’ is available with any Hong Kong charter until September 30 and features an 18-minute helicopter ride over Victoria Harbour for an extra HK$2,000 (US$250) per person or HK$10,000 (US$1,300) for a group of six.

A new addition to Simpson Yacht Charter’s CA listing, the Sanlorenzo SL106’ is one of Hong Kong’s biggest charter yachts

And throughout 2020, the ‘Yacht & Hotel Package’ offers a complimentary room for two at the St Regis Hong Kong with any day charter booking on the Lagoon 42 or Alice 90 motor yacht.

“We offer the widest price range and best-value charter products in our main destinations such as Phuket, Hong Kong and Singapore,” Wang says.

“Besides, we have over 250 yachts across the globe we can propose, so whatever clients are looking for, we can find them find suitable options.”

www.simpsonyachtcharter.com

The original article first appeared in Yacht Style Issue 54 (Charter Issue 2020) – see below:
To subscribe to Magzter version, visit: 
magzter.com/SG/Lux-Inc-Media/Yacht-Style/Fashion/
For more information or print subscription enquiries, email: info@lux-inc.com

Yacht Style Issue 54 Out Now: The Charter Issue 2020 - LUXUO

Yacht Style has released Issue 54 (July-August), its Charter Issue for 2020. Flying Fox, the world's largest charter yacht, stars on the front cover of the 208-page magazine, as the 136m megayacht prepares to return to Asia later this year.

SHARE

Simpson Yacht Charter Offering Special Packages Across Asia: ‘Charter Issue’ 2020 Read More »

Creative Director Kris Van Assche Crafts The First Berluti Patterned Canvas

Creative Director Kris Van Assche Crafts The First Berluti Patterned Canvas

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“The more I think of the future, the more I want to anchor it in a historical context. This Signature Canvas creates a bridge between the past and the present.” – Creative Director Kris Van Assche.

 By Julia Roxan

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Engraved on a black textured fabric that resists everyday use, the Berluti SIGNATURE pattern marks the Maison’s first patterned canvas created by Belgian fashion designer and Creative Director, Kris Van Assche. Inspired by the archives, the all-new signature canvas remains anchored in a historical context, seamlessly bridging the past with the present, whilst reinventing the boundaries between craftsmanship and style in true Berluti form.

Creative Director Kris Van Assche Crafts The First Berluti Patterned Canvas

 

Offering a variety of briefcases, cross-body bags, clutches, totes, backpacks, travel bags, and a sailor bag, this collection comes complete with the Maison’s trademark finishing alongside its latest emblematic.

Created in collaboration with British luxury travel lifestyle brand, Globe-Trotter, each case represents the product of combined expertise, assembled with the same set of tools Globe-Trotter has used since its foundation, whilst featuring the exclusive Berluti SIGNATURE Canvas.

Berluti - The Signature Canvas Campaign

The new SIGNATURE Canvas features a pattern blending Berluti's new logo and ‪‪the strokes‬ of the iconic Scritto motif. "My idea was to design a printed canv...

Presenting the brand’s first-ever, exclusive handcrafted luggage collection, brand-and-travel-enthusiasts can expect a solid-yet-lightweight base in which 14 layers of Japanese paper are compressed to form an organically textured shell, completed in the brand’s SIGNATURE canvas. With leather handles, corners, and straps, the Globe-Trotter Travel Capsule includes eight hard cases in different formats: 2 rolling suitcases, a shoe trunk holding up to six pairs of shoes, a shoe care kit case, and a watch box, as well as day-to-day accessories such as a messenger bag, a backpack, and a briefcase – all of which, engraved with the Berluti logo.

Yacht Style Issue 54 Out Now: The Charter Issue 2020 - LUXUO

Yacht Style has released Issue 54 (July-August), its Charter Issue for 2020. Flying Fox, the world's largest charter yacht, stars on the front cover of the 208-page magazine, as the 136m megayacht prepares to return to Asia later this year.

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Creative Director Kris Van Assche Crafts The First Berluti Patterned Canvas Read More »

New Pasha de Cartier introduces subtle yet significant improvements on the 1985 original

New Pasha de Cartier introduces subtle yet significant improvements on the 1985 original

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The new Pasha de Cartier revives a beloved early diving watch with a questionable but endearing back story emblematic of the maison, a key appeal to the mystique and wonderment that is uniquely Cartier

 By Jonathan Ho

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Inspired by the original 1932 model made by Louis Cartier for Thami El Glaoui the Pasha de Marrakech, the Pasha de Cartier was eventually revived as a serial collection in 1985. Commissioned by Cartier, Gerald Genta adopted design details which made the Pasha’s watch such an icon, into the serially produced edition for the mass market. Though there’s controversy as to whether this backstory is a work of marketing fiction, there is a convergence of evidence which lends credence to the brand’s story.

New Pasha de Cartier introduces subtle yet significant improvements on the 1985 original

First, back in the 1930s, water resistant watches like the one the Pasha de Marrakech wanted Louis Cartier to design, used external cases that would hermetically seal the movement – this was because crown sealing systems had yet to be invented yet and so Cartier answered the Pasha’s needs with a unique creation, secured and made waterproof with a little screw-on cap that served to seal the crown, hanging on a tiny chain fixed to the case.

 

Second, there would be little necessity, contrary to what some watch journalists assert, to jump on the luxury sports watch bandwagon when Cartier was already in possession of the world’s first pre-eminent sports watch – the Santos de Cartier, complete with bezel secured by visible external screws. And finally, designed as a piece unique originally for aviator Santos Dumont, the Maison already showed historical precedent in acceding to special requests of high profile individuals and luminaries to create timepieces and accessories, elegant yet functional for their lifestyle needs. Nevertheless, regardless of what the truth is, the fact of the matter is – the Pasha de Cartier can be considered not just the Maison’s first attempt at a “diver’s watch” but also its first round watch before the exquisite Ballon Bleu.

Introducing the 2020 Pasha de Cartier

For 2020, the Pasha de Cartier returns with major updates from its 80s predecessor: Two new sizes and a myriad of variations elevate the new Pasha into a full fledged collection thanks to the variety of aesthetic and practical improvements. According to a Cartier representative, the 41 mm and the 35 mm model are not officially designated men’s or women’s editions. Proportionally speaking, both are essentially identical and keep most, if not all, the original elements.

A notable exclusion: the bidirectional-rotating bezel has not made its way into the new collection; instead a host of user-friendly updates including improved functional elements like Cartier’s QuickSwitch quick strap release system and its SmartLink quick bracelet sizing systems can now be found on the 2020 Pasha de Cartier. These innovations made their debut on 2018 Santos de Cartier models and while not new, is the clearest indication that these little ‘quality of life’ updates will soon be seen across most of the Cartier watch collections and not just limited to Santos and Pasha collections.

Returning is the trademark chained crown cover which the new Pasha de Cartier has cleverly hidden a new hidden name plate for personalised initials. Also returning, is the crown cover adorned with sapphire cabochon but now, unscrew the chain-linked “canteen cover” and the crown below surprises the owner with a smaller crown sporting a blue spinel. It’s totally unnecessary but expresses the Cartier penchant for attention to detail.

Sporting Art Deco-style Arabic numerals instead of signature Cartier Roman numerals at cardinal positions 12, 3, 6 and 9 o’clock, the original Pasha de Cartier bore a protective grill over the face which could be flipped open as well as features like a date window at 4 o’clock and the distinctive “Louis Cartier Vendome” lugs. All of those features sans protective grill returns on the new 2020 Pasha de Cartier.

Variants of the new Cartier Pasha de Cartier Prices & Specs

While the original edition had a 35 year run encompassing chronographs and perpetual calendars (including a four button Ref. 30010 made for golf enthusiasts), the new Pasha collection begins in a less gregarious manner with eight appealing novelties: two bejewelled pieces with diamonds across the case, bezel, and even the dial for the 35mm variant and two Pasha de Cartier Tourbillon editions for the 41mm variants. No word on whether the Parisian Maison will be unveiling more complications like moon phases in the future. That said, the tourbillon variant is no longer a Poincon de Geneve stamped edition like its 2011 predecessor, other than that, it remains little changed right down to the iconic “C” tourbillon carriage – naturally, the price matches the new lineage.

Pasha de Cartier

Movement Automatic 1847 MC with 40 hours power reserve
Case 35mm or 41mm stainless steel or gold with 100 metres water resistance
Strap Leather or steel bracelet
Price From S$8,600

Pasha de Cartier Skeleton

Movement Manual winding 9624 MC with 50 hours power reserve
Case 41mm stainless steel with 100 metres water resistance
Strap Leather or steel bracelet
Price S$34,900

Pasha de Cartier Skeleton Tourbillon

Movement Manual winding 9466 MCC with 50 hours power reserve
Case 41mm pink gold or white gold with diamonds with 100 metres water resistance
Strap Alligator
Price From S$138,000

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How Fred Pinel of Pinel et Pinel, Transformed The ‘Trunk’ Into an Item of Contemporary Furnishing

How Fred Pinel of Pinel et Pinel, Transformed The ‘Trunk’ Into an Item of Contemporary Furnishing

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“Fred’s vision of the trunk remains in line with that of contemporary furniture – a flawless fusion of aesthetics into everyday living.”

Aug 06, 2020 | By Ryan Mario

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Founder of Pinel et Pinel, Fred Pinel

When Fred Pinel informed us of his inclination towards luxury cars and watches, we instinctively knew why he was so passionate about making bespoke artisanal trunks. From the dynamism of engine roars on the circuits to the hypnotic gear clicks in a timepiece, there really is much between them for the modern-day malletier to appreciate all that are exquisite as they are practical. Established in 2004, Pinel et Pinel has since been the only brand in the past 150 years that stepped up to the plate and proved the relevance of trunk manufacturing in present times.

How Fred Pinel of Pinel et Pinel, Transformed The ‘Trunk’ Into an Item of Contemporary Furnishing

Malle Arcade 80 GT in Navy White

A quick scan on the history of trunks reveals their heyday to be during the Victorian era from 1870 to 1920. Originally used as luggage, these travelling chests were brought along for extended trips by stagecoach, train, or steamship. Aesthetics of the Victorian era were noted for orderliness and ornamentation, and the angular build of these steamer trunks befits these elements through the sophistication in their displays and ease of storage, while the dome-topped humpback counterparts were religiously used to prevent a build-up of water on their lids. Today, however, given the weight limitations on airplanes and the new, lightweight wheeled luggage available, the number of malletiers has dwindled to the known few who still practice the craft that is worth its weight in gold.

Malle coffre-fort, Vacheron Constantin, 2008.

Formerly from advertising, Fred Pinel’s career switch stemmed from a chanced discovery of an old European leather suitcase in his grandparents’ basement. Intrigued, he took it apart and reassembled the suitcase whilst noting the intricacies of its structure, thereby prompting him to start a leather-making workshop of his own. Gradually, with no former training and only his experimental disposition to fall back on, Fred managed to forge a brand that centres itself around catering to the ever-increasing specifics of client demands. “I was never intent on building an empire,” professed the founder. He also guaranteed that Pinel et Pinel remains a small Parisian company with about 40 qualified personnel in 16 specialised positions to retain the flexibility in addressing the needs of its patrons. “They can ask us for whatever they want, and we will make it!”

“Mais qui êtes vous Monsieur Pinel?” Crédit Ludovic Parisot

Ultimately, Fred’s vision of the trunk remains in line with that of contemporary furniture – a flawless fusion of aesthetics into everyday living. Yet, in contrast to its predecessors, the company’s creations are far more extensive in terms of usability and construction. Be it a humble cigar case or a futuristic DJ trunk that houses the whole shebang complete with turntables and a laptop stand, Fred constantly pushes the envelope in assembling trunks that suit every occasion, no matter how whimsical it may seem. (Yes, Arcade Trunk that houses arcade games from the 80s, we are looking at you.) Fred is most certain of the value in his craft, and he has his list of collaborators to be ensured of it. From Piaget to Vacheron Constantin, and now Berluti, Fred has a hand in all that is required of his fabrications to house the most exquisite products the watch world can bring to the table. For a watch lover like himself, that must have been quite the exhilaration on Fred’s end indeed!

Pinel et Pinel Facade Boutique, Hong Kong – Shop: 4-6 On Lan Street Central Hong Kong

12 years ago, a sale of a picnic trunk to a Chinese client provided Fred with the realisation that Asians have a palate for the elegance of a vintage product made new. He also recounted having a number of Chinese patrons approaching him at his Paris store for rather unique requests. As the East grew bolder in their acquisition of eccentricities, it became apparent to Fred that the market was ready to receive his customisable trunks. In 2019, Hong Kong became home to the region’s inaugural flagship store and his latest pin-drop on map after France, America, and Japan, allowing Fred to further set his sights on artist collaborations and temporary exhibitions within the store itself.

Pinel et Pinel Boutique, Paris – Shop: 4 rue boissy d’Anglas/ 5 bd Malesherbes75008 PARIS

The state of the products bearing the Pinel et Pinel logo is in constant flux; this is to say that, in accordance to the market and locations the flagship boutiques in Paris and Hong Kong serve, new ideas are constantly materialising into newer gadgets that quickly gain appeal amongst the masses. Fred has now ventured into smaller goods like handbags, clutches, and other leather-clad paraphernalia, and we are confident that many more variations of these will be surfaced by the genius of a man with an insatiable thirst for quirkiness.

Immerse yourselves in Fred Pinel’s emporium of boxed curiosities here at https://shop.pineletpinel.com/.

This article was written by Ryan Mario.

All images are courtesy of Pinel & Pinel .

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This 1961 Ferrari 250 GT SWB Berlinetta by Scaglietti, is One of Ferrari and Pininfarina’s Greatest Achievements.

This 1961 Ferrari 250 GT SWB Berlinetta by Scaglietti, is One of Ferrari and Pininfarina’s Greatest Achievements.

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Currently for sale, the 2563GT belongs to an important Ferrari collection, built in a modest quantity of 165 examples.

By Julia Roxan

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Dressed in a bodywork that is widely considered Pinin Farina’s greatest masterpiece, the 1961 Ferrari 250 GT SWB Berlinetta by Scaglietti, breezes through three twin-choke Weber carburettors in a two-cam, all-aluminium power unit, producing up to 280bhp at 7,000rpm, with a top speed of 150mph.

This 1961 Ferrari 250 GT SWB Berlinetta by Scaglietti, is one of Ferrari and Pininfarina’s Greatest Achievements.

Available for sale, this Ferrari 250 GT SWB Berlinetta, was built in a modest quantity of 165 examples, 91 of which were finished in the steel-bodied Lusso street-car configuration, whilst the remaining 74 examples wore alloy coachwork and were specified for racing use.

With a chassis no. 2563GT, this motorcar represents the 78th of just 165 units built, leaving factory production in April 1961, to be sold new to its first of many owners, on 15th May of the same year. Originally ordered with competition 40-DLC-6 carburetors (instead of the regular 36-DLC-3 type), the car eventually passed through the hands of four different Swiss owners, including famous Swiss collector Jean Pierre Slavic of Mies.

Registered under VD 40201, the car for remained in Slavic’s possession for at least 17 years, from 1984 up till 2001, when he traded his 2563GT for a 275 GTB/C 9027 from Anthony Bamford. Within a year from the trade, the Ferrari 250 GT SWB Berlinetta, was sent to GTO Engineering for a complete engine check-up, before entering multiple historic events from 2002 until 2006, including the Tour Auto and Le Mans Classic.

 

A & S Talking Cars: Ferrari 250 GT SWB Berlinetta

This is "A & S Talking Cars: Ferrari 250 GT SWB Berlinetta" by Auxietre & Schmidt on Vimeo, the home for high quality videos and the people who...

With a long, extensive history on file, this Ferrari 250 GT SWB Berlinetta, is a seasoned race car, currently being offered alongside its Ferrari Classiche Certification, in impeccable condition.

Yacht Style Issue 54 Out Now: The Charter Issue 2020 - LUXUO

Yacht Style has released Issue 54 (July-August), its Charter Issue for 2020. Flying Fox, the world's largest charter yacht, stars on the front cover of the 208-page magazine, as the 136m megayacht prepares to return to Asia later this year.

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This 1961 Ferrari 250 GT SWB Berlinetta by Scaglietti, is One of Ferrari and Pininfarina’s Greatest Achievements. Read More »

Custom Line Announces Four Sales in One Month

Custom Line Announces Four Sales in One Month

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Part of the Ferretti Group, Custom Line has announced another milestone with the sale of four new yachts in July.

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Custom Line, one of eight brands within the Ferretti Group, has announced the sales of four yachts in July: a Navetta 42, a Navetta 37 and Navetta 33 from its displacement line, as well as a Custom Line 120’ from its planing line.

 

The sale of four yachts totalling 150m in length within a month shows Custom Line overcoming the challenges of Covid-19 in a year in which the brand is set to launch the four-deck Navetta 30, its smallest model.

 

The four new sales also follow news of 11 Custom Line launches in the first half of the year, as well as Ferretti Group’s sale of 12 yachts into Asia-Pacific in 2020, its record for a single year.

Ferretti Group Sells 12 Yachts in Asia-Pacific in Record Year

Ferretti Group has secured €70 million in sales in Asia-Pacific so far in 2020 and recently signed two new dealerships in Southeast Asia.

The new units will be built at Ferretti Group’s Superyacht Yard in Ancona, where the entire Custom Line fleet is produced.

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Kos Cos Depicts The Canvas of Our Every Emotion Through Dynamic Portraits

Kos Cos Depicts The Canvas of Our Every Emotion Through Dynamic Portraits

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Kos’ work explores beyond the conventional and traditional, adding movement and energy through vivid colour and bold brushstrokes.

Jul 17, 2020 | By Julia Roxan

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In the golden age of hand-drawn signage, Hong Kong-based artist, Kos Cos turned his father’s agency workshop into a personal playground, where he studied and practised brush skills after school. Renowned for portraits that are distinctive through their use of vivid colour and bold brushstrokes, Kos’ work explores beyond the conventional and traditional, adding movement and energy to create a more dynamic piece of work.

Kos Cos Depicts The Canvas of Our Every Emotion Through Dynamic Portraits

Nam in Pink – Oil on Canvas

You were born in 1974 in Sri Lanka in an artistic family. What memories do you have of that specific time of your life, what influence has it had on your art?

I consider myself lucky to have been born to my parents. I had a normal childhood just like other kids growing up in the suburbs of Colombo, Sri Lanka during the late 70s to mid 80s. Life was slow-paced and simple – with lots of greenery and nature. In my mid-teens we moved to Mount Lavinia which is a coastal town: that’s where I developed my relationship with the sea. I still love the sea and I’m currently living close by to the sea! I had a bunch of great friends while growing up: playing cricket was our favourite pastime. I remember being more focused on my studies until high-school. I gradually lost interest in academia and got more focused on the usual ‘teenage activities’ at that time.

My parents wanted me to be an engineer so they pushed me into related studies – and not art and stuff like that. So I never studied art formally, although later on my father sent me to one of his friends – an artist – to learn political cartooning. My homefront was always a creative space and influenced me greatly. My mother used to make patchwork using textiles in her free time. All this was done at this table with lots of colourful textiles next to her sewing machine. I watched her combining colourful pieces of textiles to create fantastic wall hangings etc – I feel this influenced me on colours. My father had his own outdoor advertising agency. I have vivid memories of this when I was 7-8 years old. I remember going to my father’s workshop after school to see artists working on outdoor advertising billboards. Here, I had the first-hand opportunity to see painters creating advertisements from babies to movie stars, milk powder to cigarettes on giant billboards. In addition, there were also many art materials available to me, which I used to paint drawings and make crafts.

Sadly though, that was the last 2-3 decades of hand-painted outdoor billboards: everything went digital after that. I believe I am very fortunate to have that exposure to watch and learn from. Looking back, those outdoor billboards were a heavy influence on my early portrait works.

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Lucid Dreams 03 – Oil stick, Oil paint and Acrylic on Canvas

You moved to Hong Kong in 1999, working in the advertising & creative field. A rather radical change of life. What did Hong Kong inspire you of? When did you decide to focus fully on your art and creation? 

I wasn’t planning on moving to HK; it was an opportunity that came out of the blue. One day I received a call from one of my best friends, who used to work at the same advertising agency as me in Sri Lanka. He asked me if I’d like to come and work in Hong Kong, I said yes and told my parents that I was going away for two years. So here I am, in Hong Kong – after 21 years!

Hong Kong was at the peak of advertising at that time, with agencies producing award-winning creative Ads. It was also much ahead in Multimedia and Web; which was a new learning area for me with new software and a new way of thinking to work with this new media. Working with top creative directors inspired me to come up with out of the box ideas. Having to learn new tools and also think differently to fit new media was a challenge for me initially.

Even at that time, Hong Kong was Asia’s top Art Hub with many international and local galleries, artists and exhibitions. This was a lot of exposure for a young artist and I feel it greatly influenced my art-works. Personally, it was a big change in scenery compared to Colombo/Sri Lanka. It was a great opportunity to learn, experiment and grow as a person.

Coming to Hong Kong  straight from Sri Lanka was like entering a futuristic city with super tall glass and concrete buildings, massive colourful neon signs and infinite energy was an amazing experience. It was definitely sensory overload! Even food was an alien experience because of the bland taste (Sri Lankans love spices!) served with two sticks (chopsticks)!

With the spread of digital and social media, I felt that ‘creativity’ was starting to fade away from the advertising industry. In fact, I sensed this change many years ago. It was at that time when I decided to return to my canvases to express myself without any boundaries. Around 8 years ago, I was fortunate to have my work recognised by a gallery  in Hong Kong. After that I started to show my work regularly in galleries across Hong Kong and the United Kingdom.

In 2019, I finally decided to fully focus on Art as my career and went to open another studio in Belgium with my creative partner.

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Lucid Dreams 03 – Oil stick, Oil paint and Acrylic on Canvas

Portraits are at the very core of your art. Tell us more about your fascination for human faces in all their diversity?

Yes, I’ve always been drawn more towards portraits than any other type of painting. Our face is our identity. The human face is complex and constantly changes with emotions and moods. Of all the things in the world, humans are most susceptible – physiologically and biologically – to take an interest in another human face. This is because it displays a great deal of information about that person. When we meet someone, we look at their face to read their emotions and understand their personality.

I think portraiture has become a dying art with the development of photography. I knew of many artists who were put-off by portraiture as it gradually became out of fashion. So as an artist, I like to challenge myself – this is why I started with portraits. Further, I like to leave portraits artfully unfinished compared to traditional portraits. Not only does this bring a modern-touch but also, the viewer can engage more with the piece.

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Majesty VI_Charcoal and Acrylic on Canvas (Serene Majesty)

Tell us about your painting techniques. You are known for always looking at experimenting new materials and various forms of mixed media?

Oil is my main medium but over the years it has changed with the flow, influence or the subject matter. In my early works, I always started with a charcoal sketch and subsequently covered all the charcoal markings with oil paint.

Later on, I did a series called ‘Serene Majesty’, which was about my most beloved animal of all time – elephants. This series also started with charcoal sketching and then I found it’s better to leave the charcoal marks because with these, I could bring to life the true character of the elephant. Later on, I experimented with pastels after seeing ‘Two Dancers Resting’ by Edgar Degas at Orsay Museum in Paris. Basquiat and George Condo further inspired me to work with oil sticks. Oil sticks are a great expressive medium which I love very much and I still do most of my studies using pastels.

While I have used different mediums, I also try to combine different mediums to create experimental works. So my technique always changes based on the medium that I use.

 Are these thick vivid paint colours you are using your signature as an artist? 

With my early works, yes; I loved to apply thick layers of paint on canvas, as in the “Life goes on within you without you” series. Carefully selected vibrant colours are poured onto the canvas and left until a dried outer-layer forms. The entire portrait is painted over this crusty layer. I then make incisions using a palette knife. This releases the dynamic inner layers of still liquified paint which make their own unique impression along the portrait.

All these were my experiments in the recent past, so I wouldn’t call it my signature as an artist. However, I feel my latest collection resonates more as a unique signature – I have a very positive feeling towards this. In fact, I’m also planning to make sculptures based on this series.

Your art has evolved over the past 15 years. Your latest collection, what story does it tell?

Many artists like to express their thoughts via paintings. However, I thought in the opposite direction for my “Shape of a thought” collection.

For me, the shape of a thought is a very abstract idea to play with. Subjectively our thoughts come from nowhere: they just pop into our heads; no one really knows what it looks like, it’s colour, size, weight, shape or where they originate from. Objectively, we can say that thoughts emerge from neural processes. Thoughts are the result of interrelationships between forms and colours – they create an aesthetic experience which engages sights and emotions.

The thoughts we allow into our brain everyday shape our lives and impact our future. They contribute to our behaviours, decisions and therefore our actions, personality and character are based on our thoughts. We become what we think, our thoughts are as unique as our individual profiles. Therefore I created thoughts as the shape of a human profile in a cylindrical or spherical way, almost looking like a spinning top or a UFO.

Colours also play a major role in this collection as I believe thoughts come in a shape as well as colours. These colours change according to each particular thought. To create this phenomenon, I chose different colour combinations very carefully to convey your thoughts to those scenes. Colours are the tools to imagine what a scene might look like therefore, those combinations offer alternative and subjective interpretations to the viewer.

It’s an idea based on a story of a thought. For instance “Riding a purple unicorn in a lavender field at dawn”, “Paul Smith searching for his lucky rabbits while travelling to Nottingham”, or “Kos walking through a bluebell forest in Belgium” (which btw, is my first ever self-portrait). In a way, it’s more about what we expect a painting to be but the possibilities of what the painting could be if you think about long enough – and that for me, is the coolest aspect of these paintings.

Paul Smith searching for his lucky rabbits while travelling to Nottingham Oil on canvas (Shape of a thought)

5 Words which describe your work best?

Abstract, Colourful, Contemporary, Modern, and Timeless

The Dancers – Oil on Canvas

You have today collectors around Asia and around the world. You are referenced amongst the leading global art websites. What does such recognition inspire you?

I am humbled to have my work recognised locally and internationally. The intention behind my works is to express a point of view – mine. I feel it is important to build your worldview as it becomes your unique visual language. If my work in turn inspires someone else then this is probably the greatest value I can bring.

The Gamers – Oil on Canvas

What are your sentiments on the current art scene in Sri Lanka ? Did you keep strong ties with your native country? Do you have artist friends there?

The art scene wasn’t all that big when I left Sri Lanka – that was 21 years ago. I am happy to say that this has changed significantly in the last decade with new artists and galleries. With the nation emerging from the trauma of the almost three decade conflict, I see more people investing their time (and money) into art.

My parents still live in Sri Lanka. As they are a bit old now, I make it a point to visit them at least twice a year. I also use this time to reconnect with my classmates and friends as well.

I have very few artist-friends from back in the day. That time period wasn’t very promising for artists so, none of my friends made progress in this area. However later on, like me, a few of them changed their careers to become full time artists. In fact, one of them is my brother, who’s currently based in Sri Lanka and pursuing a career as an artist.

Larnce Armstrong – Oil on Canvas

When and where can we expect to see your next solo exhibition? 

I can’t comment on exactly when, because of the current health situation in society. In fact, this affected my most recent plans to open an exhibition in Belgium with my creative partner. Being optimistic and looking at the situation, I hope to have my show in late 2020 or early 2021.

Kristal Blue – Oil on Canvas

Where can we see some of you work online, are these for sale?

Saatchi online. You can find them here. You can view my works on my website www.koscos.net. Selected works are available on Saatchi Art online gallery (https://www.saatchiart.com/KosalaNamal)

Glamorous Yellow Lily – Oil on Canvas

If you were to name one mentor who has inspired you in your life and path as an artist, who would that be? 

It would have to be my father – who has been a lifelong inspiration for me. 76 years young, a wheelchair user and still continues to be a painter!

Web : www.koscos.net

Instagram : https://www.instagram.com/koscos/?hl=en

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Korean Visual Artist Koh Sang Woo Paints The World In Reverse

Korean Visual Artist Koh Sang Woo Paints The World In Reverse

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Consolidating photography, performance art, and painting, Koh Sang Woo reconsiders the way in which we look at others and understand ourselves.

Jul 20, 2020 | By Julia Roxan

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Resistance (2016) 104×104

Capturing his every subject in their most pure and vulnerable form, using negative film, Koh Sang Woo is a visual artist who consolidates photography, performance, and painting – in an effort to present the audience with the opportunity to see the world in reverse, and reconsider the way in which we look at others and understand ourselves.

Korean Visual Artist Koh Sang Woo Paints The World In Reverse

Carrera (2013) 104×104

You were born in Seoul in a family of artists. What attracted you to the US ?

When I was a young student in Seoul, South Korea,  Art education was mainly focused on technique rather than idea and concept.  Techniques based on old masters was a large part of art education. Repeating the techniques over and over again, hours and weeks to duplicate a master.   I realized the US had a different Art education system. After finding out I had to create 20 original artworks for my portfolio to enter college,  I was immediately attracted to study abroad . It required far more creativity and my to see my own vision and style for my portfolio. I wanted to study art in US, where you can have your own style and vision for something else and something new.

You graduated from the Chicago School of Art Institute in 2001 and double-majored in Photography and Performance. Tell us about your first steps as an artist based in New York.

Right after graduation at SAIC, I was picked up by a high profile art gallery in Chicago and had exhibition right away. They helped me to reach early acclaim, as the youngest artist to participate in the Armory Show for 3 straight years in a row. However, Chicago felt too conservative and limiting for me on what I wanted to say as an artist.

I decided it was time for me to try New York City and make the big move to the East coast. NYC was a new environment and seem to always challenge me on questioning different thoughts that ran through my mind.

“What is acceptable in society?”, these questions lead to the visual storytelling of opinions. No longer an outsider to the city, each of my works showcased a combination of color, words, and objects. This translation of mixed media represents my own transformation living in NYC. New York has made me realize many things, including my realization of the human race, not defined from what part of the world I was born in. Without forming any relationships to identify myself, I trace back isolation and fear, pain and sadness, anxiety and loss of existence, and the social aspects of the times of confusing identity, and draw the trip of healing, overcoming social wounds as a stranger. NYC helped me grow challenge me as an artist, I have profound love for a city that shows no boundaries, especially during the early 2000’s.

Walk with me (2018) 104×104

Koreans are known for their strong attachment to their specific culture and rich history. On your side, you have travelled the world, met American, Asian, and European artists. How have these travels influenced your art?

When you are born into a country you are shaped by your environment to a certain point in your life.  I have been fortunate enough to meet and build relationships with people all over the world. This connection has shaped my views and thoughts throughout my formative years. You become the puzzle piece of different cultures that create the whole picture.

Pierrot Lion (2019) 150×150

You are always looking for new techniques in your art. Tell us about the blue technique you have developed in your photographic art and the reference to Man Ray?

The reference to Man Ray is based on how one’s thought to try something new and innovative leads to a signature. Man Ray was one of the first artists to cross pollinate from painting/photo/ representation of thought through simple forms.

The solarization technique was such an innovative move to push boundaries on a medium. I greatly respect this body of work. The blue inverse technique came when I was focusing on analog photography in darkroom and when I was introduced to computer programs for the first time. Photoshop was just being introduced when I was in high school. Technology advancements have been so rapid for the past 2 decades but when I started my work, it was a new element for many.

Pierrot (2012) 100×130

How do you integrate live performances into your art? 

Most of my works start in my mind as a performance. Layering pieces, color, movement and capturing the essence as a still shot. There is a little theatrical attribute to most of my work from the early 2000’s where I was starting to fine tune the movements on film.

Emotion (2016) 90×122

Butterflies and flowers are very present in you art. Supporting nature preservation has been important to you as an artist. Tell us more there?

Butterflies go through a process to become a full grown butterfly.  These stages of metamorphosis, I think we can all relate too. Growing physically and mentally. Flowers represent so many different feelings and what each culture represents flowers to mean. I don’t think I can explain in depth of what each form represents as it really is part of the whole piece. Not just a symbol to represent a thought or feeling.

Paint Over Me (2018) 104×104

The five words that best describe your art?

Love, Life, Passion, Connection, Inspiration

Introvert (2017) 104×104

Some media have described you as an “engaged” artist defending freedom of speech and the right to be different. Does that inspire you?

As an artist or as a member of the human race, I believe we need to defend and stand for what we believe in. Against the grain or not, freedom is something that needs to be defined and defended for all of us to have peace.  We wouldn’t have great artists in any field if we didn’t fight to be heard, keeping the ideas and challenges, evolving.

Everytime I feel like I need to voice an opinion, I create a self portrait. Safety of many tested through verbal attacks. Only ability I felt was safe; occupy my thoughts by returning to self portraits. Expressions reflected through the use of my body as a canvas.

KissII (2009) 77×110

In which city can we expect to see your next solo exhibition ?

Amsterdam, Netherlands. October 2020.

Where can we see some of you work online, are these for sale ?

ArtsyArtnet and my website.

Destiny (2019) 150×150

Lately, Korean culture, aside from music and K-pop, is experiencing global appreciation with movies such as “Burning” (2018) and “Parasite” (2019). What thoughts does that inspire in you? 

I think this goes back to freedom of expression and having the outlet to export these great ideas to a broader global audience. I am an avid film lover and and I love how fellow Korean artist/ directors/ screenwriters are creating a new genres of movies coming out of South Korea.  S Korea is becoming the epicenter for “new” ideas and genres for the global stage and I think this movement will be stronger in the future.

Koh Sangwoo

If you were to name one mentor who has inspired you in your life and path as an artist, who would that be?

My father. He has been creating art for the past 5 decades and the passion I see in his work is undeniable. He is currently in his 70’s and still creates artworks everyday. His resilience and dedication to his art/craft is admirable.

 

Take a tour through Koh Sang Woo’s websiteInstagram or email him personally at kohsangwoo@yahoo.com

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