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Yacht Style, Issue 86, Top 100 Superyachts of Indo-Asia-Pacific 2026, Jonathan Beckett, Burgess, Erwin Bamps, Gulf Craft Group, Fraser, Camper & Nicholsons, AB Yachts, AB 95, Van der Valk, Lalabe, Azimut, Grande 30M, Ferretti Yachts, 940, Absolute, Navetta 62, Cannes Yachting Festival, Genoa International Boat Show, Monaco Yacht Show, Lantau Yacht Club Boat Show - Festa Nautica, Rolex SailGP, Maxi Yacht Rolex Cup, Rolex Middle Sea Race, Phuket King’s Cup Regatta, Thailand, Port Takola Yacht Marina & Boatyard, Krabi, Yousuf Al Hashimi, Phoenix Yacht Management, Su Lin Cheah, ICOMIA, Suzy Rayment, Asia-Pacific Superyacht Association, APSA
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Vijayaraghavan Kannan of Sathguru Catalyser Advisors on Agribusiness investing and Covid Game Changers

Vijayaraghavan Kannan of Sathguru Catalyser Advisors on Agribusiness investing and Covid Game Changers

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India’s agricultural sector provides livelihood to more than 50% of the population and contributes 17-18% to the country’s GDP, yet it lags in agri-productivity, Vijayaraghavan Kannan of Sathguru Catalyser Advisors tells LUXUO what’s next for agribusiness investing and potential covid game-changers

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Augmenting innovative and relevant technology across the agri value chain leading to strategic growth for progressive agribusinesses is one of the many projects handled by Sathguru Catalyser Advisors Private Limited (SCA); a particularly crucial sector considering the Covid-19 crisis has immediate negative effects on food and agricultural supply chains.

The food and agricultural sector accounts for ten percent of global GDP and employs an estimated 1.5 billion people worldwide, the global pandemic will likely have far-reaching and noticeable social and economic consequences for the sector and Hyderabad-based advisory services firm believes in generating long term value for stakeholders by selectively hand picking investments and transforming them into flourishing businesses. LUXUO spoke to Mr Vijayaraghavan Kannan, General Partner of Sathguru Catalyser Advisors, on what’s next for the fund.

Interview with Vijayaraghavan Kannan, General Partner of Sathguru Catalyser Advisors, on Agribusiness investing and Covid Game Changers

You are based in India, tell us more about your Company and its mission?

Sathguru Catalyser Advisors is the Asset Management Company that is spearheading creation of an alternate investment fund, focused on growth driven food and agriculture sector in India. The Fund is registered with SEBI, the Indian securities regulatory agency as a closed-end fund with a tenor of eight years. The fund aims to propel growth in innovation driven, market focused food and agri ventures with investments that can take their products to wider Indian and international markets. India is increasingly embracing innovation in agriculture and health that are providing affordable products to the rest of the world. The fund has unique focus on steering companies that have unique intellectual property that can drive their growth with disruptive products and services. The agri business in India is dominated by Small and Medium enterprises. The new generation enterprises are adopting innovation to challenge established giants. Our focus is to propel the enterprise growth that have potential to enlarge their market presence due to intellectual assets they possess. Since these enterprises are already in the market place, they are not prone to pre-seed or seed stage technology risk.

You were known in the nineties for successfully leading multiple firms through their IPO process. What led you to focus these past years on technological innovations & applications in life sciences ?

India opened its economy to the world in the ‘90s. I had the opportunity to steer some of the global company entry into India, that brought serious competition in a market place that was non-existent in the post-independence socialistic era. The challenge was for domestic companies to face the competition and realize their full potential in the light of unprecedented competition they were subjected to due to market opening. They all built sound enterprises over long years. Many of the Indian enterprises were family owned and constrained by limited family capital they could deploy. Their enterprises had significant intrinsic value due to competitive products they created. These family jewels were taken to public markets to harness the capital needed for them to stay competitive and enlarge their scale by accessing global markets and by creating strategic partnership with global leaders. The ‘90s witnessed focus on basic needs of a growth economy and Indian investments in health, food and agriculture were driven by expanding markets and the opportunity provided by the policy planners to let these companies embrace innovation to gain global competitiveness. India emerged as the world’s largest pharmaceutical exporter of generic medicine. India also accessed innovation in agriculture and food with several companies securing significant capital from the offer of securities to general public. India today commands a market size of over $ 500 Billion, third largest in size  in the farm to market segment.  The equity markets propelled this unprecedented transformation of the Indian life sciences sector to stay competitive and emerge as global players.

India is primarily an agricultural country. The sector provides livelihood to more than 50% of the population and contributes 17-18% to the country’s GDP. However, India lags behind many other countries in agriculture productivity

What are the critical issues India and the whole subcontinent are facing resource-wise ?

The key challenge in India is to meet the long-term capital needs to sustain the high growth in domestic consumption and to deploy natural resources in a responsible manner for sustainable development. With two decades of high growth in the range of 5 to 8 percent, The Indian economy has become three-fold in less than 15 years. The demand for investment in innovation is high to compete with global front-running enterprises that invest 10 to 12 percent of their enormous revenue in innovation. These investments cannot happen from short term funding and would require long term capital for enterprises to create high growth competitiveness. The Private equity investments are one such source and the public equity are another source to propel such growth. Indian public equity markets have attracted global attention, but the private equity investments in India have so far been focused on market brands, online-platforms and real estate. We need to get the private capital to focus on creating highly competitive real assets driven manufacturing entities that can continue to lead global production with affordable products. In the realm of life sciences, we see this transformation in human health, agriculture and animal health sector. Our farm productivity is still one of the lowest though Indian leads in quantum production of food products globally. If we double our farm productivity, we can feed the whole of Africa in addition to meeting the food demand of India and still have surplus produce for rest of the world. Investing in equity in these enterprises requires informed decision making with understanding of relevance of contemporary technologies and a clear understanding of the changing dynamics of markets. Investment in alternate capital assets can provide high returns far above market returns if focused on these high growth segments that have the opportunity to grow due to high demand for market affordable products produced competitively.

Your fund invests in innovation driven growth ventures with potential to transform the agricultural production process. How do you select these firms? 

Our investment selection is driven by rigorous multiple criteria.  The contemporary innovation they bring to the fold is a fundamental drive for growth. The technology savviness of the  entrepreneur and the ability  to drive the innovation to market is another criterion. Intellectual assets in the possession of the company needs adequate global protection for the innovator to drive growth by warding-off competition. Since market disrupting products are subject to regulations, understanding of the regulations and the potential restrictions on the products to reach to wider global market is another element we focus during due diligence. Many of the agricultural innovations have multiple applications across crops and product segments and therefore understanding the whole gamut of the value contributors is another necessity. Our unique ability to holistically assess the enterprise wide advantage factors helps us to attribute optimal value for the investment. Entering at optimal value helps us to build on that value and create value gains when the enterprise market reach is optimized with full application potential of the product in the markets.

Our inter-disciplinary fund management team with expertise in agriculture and food sector innovation, investment modelling, market assessments and valuations, enterprise governance and risk assessment provide us ability to bring a consensus on enterprise valuation with the founders. Our ability to bring in experts from within and outside to steer the growth of the investee company accelerates their ability to reach the growth goals faster. Our pedigree in Sathguru as a global sector advisor provides us the access to proprietary and superior deal references.

How key is the concept of “sustainability” when selecting agricultural projects and companies your fund invests into?

The sustainability of agriculture and food production is seriously impaired by climate change threats that are looming every part of the world but more specifically the tropical agriculture region such as India. The shrinking ground water resource, excessive carbon emission, accumulating salts on soil and the depleting organic matter on soil impact farm productivity significantly. In the post farm arena, food wastage and fossil fuel driven, in-efficient production processes enhance the methane release and carbon accumulation.

Contemporary technologies in crop input needs such as seeds, crop protection products and farm mechanization solutions can help smart adaptation to climate change challenges. Our investments are focused on bringing these changes to farm input needs. In the realm of post-harvest, non-fossil fuel driven solutions and adherence to safe food practices can reduce the methane emission and absorption of carbon. Focus on water use efficiency, energy optimization and soil enrichment help to ensure sustained farm productivity. We assess all our investments to measure judiciously the contribution they make to these sustainability factors. Several innovations in farm productivity enhancement without jeopardizing the soil characteristics or the ground water potential is introduced by product makers in agri-input segment. In the animal health arena, sustainability in poultry production or dairy or meat production is ensured by farm animal nutrition, access to fodder crops that are resilient to climate challenges and animal care with preventive vaccination that can provide higher resilience to diseases in milk producing animals. Our focus on investment ensures that we measure these contributing factors and aim at quantum improvement over the baseline during the effective span of our investment.

How important are human health-focused projects in your fund?

Our investments contribute significantly to enhance human health.  Food and health nexus is age-old. The nutrition is the key driver for a growth economy such as India. Indian middle-income population aspires to consume higher quality food with more protein content. Indian average protein consumption is at the level of 30 grams a day, far lower than the optimal percapita protein consumption. The lower income communities engaged in farm labor save their farm produce to feed their family and it is important for them to secure adequate nutrition with access to diversified farm produce by them to avoid stunting in children and adult anemia.

We focus on investing in processed food ventures that can meet the growing demand for protein. While the world is focusing on alternate protein sources from non-meat ingredients, Indian protein demand is largely met by these alternate non-meat plant sources. We focus on investments that can enhance the access to protein rich plant sources. We focus on investments that can generate health healing, preventive and curative actives that are extracted from Indian spices and farm products. These nutraceuticals drive the pharma innovation currently in multiple areas such as cancer prevention, obesity and diabetes. We focus on investing in animal vaccines and protein rich feed that can ensure animal health and hygiene.

The world is focusing on alternate protein sources from non-meat ingredients, Sathguru Catalyser Advisors hopes to meet Indian protein demand with alternate non-meat plant sources.

Who are your backers? How do you select the financial institutions and private investors investing in your fund and trusting your vision?

Our initial investors are funds and family funds that have gained from investing in life sciences in the past. The investors in Asia understand the small farm agriculture and the demands of the Asian food requirement. Additionally, investors from Europe are focused on sustainability and the future of agriculture in the light of climate change challenges and would like to see enterprise innovation drive climate change adaptation in small holder farms. We have focused on investors who believe in the power of India as an emerging market for growth and the ability of Indian ventures to turn innovation to markets with global footprint.

Where do you see your fund in five years? 

We would like to invest in growth driven life science ventures that can meet changing  human needs and help to provide a better living for all. As human mortality age rises, we would like to see disease free healthy living and our investments will contribute to the healthy living needs. We would like to see successive funds building on the power of innovation to get superior game changing products with wide global acceptability and provide superior return to our investors.

If investors are interested in joining your fund, what are the key principles governance-wise you will inform them of? Who should they contact? 

Our fund is a SEBI Registered alternate investment fund with a tenor of eight years. Investors will be called to subscribe to units in our feeder fund domiciled in Luxembourg or directly into the Trust Fund established in India, depending on their choice of contributing destination. Our investments are focused on growth oriented, real assets driven food and agri enterprises with average investment size of 5 to 8 Million US Dollars. Our global investors can contribute in any currency and are provided with the fiscal advantage of investing in a pass-through fund that will enjoy no tax deduction at source. The subscribers will be contributing to calls that will be predominantly deployed within 18 months of subscription or sooner.  Our key contact will be Venu Gopal, the Investment management Partner in the fund ( venu@sathguru.com)

Has the Covid-19 global pandemic put the spotlight on what you have been advocating for years in terms of resource-control and sustainability?

Yes. In fact, the COVID has brought back the focus on the need for sustainability and access to food in an affordable manner duly deploying natural resources in a most prudent manner. Indeed, two of our investments that we have invested in the last months from our early closure have done exceedingly well during COVID not just financially but in providing all vital inputs to the farmers during the time of pandemic to continue to grow their crops. They have indeed gained higher market share during COVID. In  food and agriculture products, what is needed is real investments that can make crop production with competitive cost advantage providing higher gains to the growers and creating affordable products in the market. The ecommerce can build on that to provide higher accessibility to consumers. However, tons of money invested in ecommerce in the last 18 months in India and other markets will be relying on expensive farm output if competitive crop production is not ensured. Similarly, consumer focused superior food and health products are needed to meet the growing demand for food and health care products in times such as the pandemic. Food and agriculture sector and pharmaceuticals are the only ones that have established growth in India during the last five months.

If you were to name one mentor who has inspired you along your career, who would that be?

I had the opportunity to engage with Dr.Norman Borlaug, the legendary scientist and Nobel Peace prize winner who has revolutionized agriculture in India and South Asia during the green revolution. I am inspired by his vision of bringing innovation to farms to support small farmers gain from contemporary innovation. I am also inspired by Bill Gates who has taken his philanthropic investment to bring food and health care to millions of masses who are denied of basic needs in several countries. Bill Gates has focused on innovation in agriculture and health care delivery to ensure affordable access to food and health care in number of countries in Asia and Africa. My organization is contributing to delivering some of these initiatives funded by the Foundation in needy regions of South Asia and Africa. These two visionaries have contributed to transformation of life in number of countries with their focus on knowledge transfer and investment in healthy living.

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How Petek Sutrisno Uses Art To Talk Pop Culture and Politics in Indonesia

How Petek Sutrisno Uses Art To Talk Pop Culture and Politics in Indonesia

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Petek Sutrisno is part of the generation of artists whose works are heavily influenced by comics, cartoons, illustrations, and pop culture, thus mixing a variety of modern and traditional mediums to create a distinct work of art.

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“Fanatik” – Acrylic on Canvas, 140cm x 180cm, 2019

Part of the young artist generation whose works are heavily influenced by comics, cartoons, illustrations, and pop culture, Petek Sutrisno was born in 1988 and has graduated from the Indonesian Institute of The Art in Yogyakarta. Through blending modern and traditional means, Sutrisno deliberately incorporates his daily life into each piece of work, to portray an intended and relatable message.

How Petek Sutrisno Uses Art To Talk Pop Culture and Politics in Indonesia

“Nothing to Fear” – Acrylic on Canvas, 130cm x 170cm, 2020

You are now established in Yogyakarta which can be considered as the art capital of Indonesia. Tell us more about your first steps as an artist?

I’m interested in art since I was a kid, back then during my childhood my big brother always bring me to art exhibition in Yogyakarta and I always express my interest in art by drawing on all of my school textbooks and on the wall at home. I started to pursue my dream in art by studying art in high school (SMSR) in my city. Then I continue my study in Indonesia Institute of The Arts of Yogyakarta and then I decided to be an artist. That decision bring me a dream, in a bigger picture that one day I want the world see my paintings.

“Regal” – Acrylic on Canvas, 150cm x 120cm, 2020

You art is vibrant colors! Tell us more about the symbolic imagery we can find across your art: from Indonesia divinities & traditional motives to cosmonauts & robot?

Most of my work talk about my childhood experience and current political issues. The cosmonauts and robot symbol came into my mind when during my nostalgic session I contemplated my toys when I was a child. I also gave some traditional culture and modernity touch in my paintings like wayang, batik and I mixed them with few characters and some symbols from pop culture like movies, comic books, animation and illustration. Whenever I paint I feel that I need these exposures, the modernity and my traditional roots, for me they create a harmony on my paintings.

“Finding Home” – Acrylic on Canvas, 140cm x 180cm, 2020

Why this fascination for flowers which are prominently featured in almost all of your artworks?

Love, beauty and peace. I tried to put these 3 elements on my work and I choose flower as the symbol of these 3 things. I always think that I have to put nature element in my work since what I see nowadays so many bad news about our planet. This flower is to remind us that we have to preserve nature and the world where we live now.

“Teenage Fantasy No. 1” – Acrylic on Canvas, 140cm x 180cm, 2020

You are always looking for new techniques in your art. How would you describe your style?

I like to try new technique during the process, I don’t like to repeat the same thing all the time, sometimes it bores me and It’s fun to explore many techniques and possibilities during the painting making. It’s true that it affects my style but honestly I don’t really care about style because I don’t want to set a border in my creativity and set a limit for all the new ideas just because it doesn’t suit my style. So, I decided to freed my imagination and doing what I feel right.

“Teenage Fantasy No. 2” – Acrylic on Canvas, 140cm x 180cm, 2020

You works contains social and political themes. Do you see yourself as an engaged artist.

The influence of social – politic issues reflect the condition of my country, it affects me during the process I create my paintings, it’s like I can’t get those things out of my head so I decided to put all what I had in my mind on canvas. I like to use my work as a media to reflect what I thought. I like being critical, not all of the time but you can see I show what I feel about political injustice and some political issue. for me art is one of some ways to speak about the truth, and we can also fight for what we believe through art.

“Identity No.2” – Acrylic on Canvas, 150cm x 120cm, 2019

Any current or past pop artists who has influenced you?

To be honest I don’t know who is the most influential artist during my career but I really like the work of several artists like Jeff Koons,Takashi Murakami,Andy Warhol,I Nyoman Masriadi & Eko Nugroho, they are amazing and they give me good and  positive influence.

“Diantara” – Acrylic on Canvas, 140cm x 180cm, 2019

How do you view the current art scene in Indonesia? How important is the space given to artists in modern Indonesian society?

In my opinion art in Indonesia has been developed over time and you can see there are many galleries where you can find the work of some young artists. Not only that, the society appreciate art a lot better nowadays. Art in Indonesia already take a part in their life, and we see it as a lifestyle. So I’m very glad see how Indonesians especially the young generations taking part on the art development here.

“Toys Story” – Acrylic on Canvas, 140cm x 200cm, 2020

The five words that best describe your art?

Fun, Funny, Beauty, Interesting and Curious

In which city can we expect to see your next solo exhibition?

Currently I don’t have any plan for solo exhibition because I still have to finish many projects till the end of the year. I hope next year I’ll be able to have my next solo exhibition.

Artotel Surabaya 2015

Where can we see some of your work online, are these for sale?

You can check out my Instagram account, but some of them are already sold.

“Sebelum Hujan Turun” – Acrylic on Canvas, 150cm x 200cm, 2019

If you were to name one mentor who has inspired you in life and path as an artist, who would that be?

The reason why I become an artist is my family, but if I have to mention someone who has encouraged me during my early career is Bambang Toko. He was my lecturer when I was studying in university.


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Luxury Destinations Every Post-Pandemic Traveller’s Been Missing

Luxury Destinations Every Post-Pandemic Traveller’s Been Missing

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Portofino, Saint Tropez, and Ibiza are just a few Insta-worthy destinations some of the world’s super-rich are keenest to head back to.

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Whether it’s ideas for a date night, the trendiest fits, adventure or vacation, Instagram users have long established the site as the go-to platform for all things inspiration. With the world barely recovering from a severe global pandemic and lockdown, here are a few Insta-worthy destinations some of the world’s super-rich are keenest to head back to.

Luxury Destinations Every Post-Pandemic Traveller’s Been Missing

Saint-Tropez

In the Provence-Alpes-Côte d’Azur region of south-eastern France, lies a coastal town on the French Riviera, revered for its long lineage of esteemed artists and international “jet setters”, dating as far back to the 1960s. Remaining known for bustling its beaches and nightlife, the miniscule fishing villages of Saint-Tropez have since evolved and expanded to accommodate a multitude of million dollar yatchs.

Showcasing a collection of beaches, each measuring an estimated 30 metres wide with their own private huts and public tanning areas, along its five-kilometre shore, Saint-Tropez is the ideal destination for windsurfing, sailing, canoeing, and other motorized water sports such as, power boats, jet bikes, water skiing and scuba diving.

Most popularised by the film ‘And God Created Woman’ featuring Brigitte Bardot, Saint-Tropez has earned its reputation an artistic and hedonistic town, but also as a clothing-optional safe-haven.

Antibes

Revered for its old town enclosed by 16th-century ramparts with the star-shaped Fort Carré, the resort town of Antibes between Cannes and Nice on the French Riviera, overlooks a sea of luxury yachts moored at the Port Vauban marina. Generously dotted with grand villas, Antibes borders along the chic resorts of Juan-les-Pins and the Jazz à Juan music festival, buzzing enthusiastically all night long.

Ibiza

Considered one of Balearic islands, and an archipelago of Spain in the Mediterranean Sea, Ibiza is well known for its ideal balance of innumerable European nightclubs, hotels, bars, shops, quiet villages, yoga retreats and beaches of sandy coves backed by pine-clad hills.

Shop the quirkiest fashion, and one-of-a-kind jewellery, accompanied by tasty local food stalls, and live music entertainment, every Wednesday at Es Canar – or stop by the highlight of Ibiza’s daytime party scene, Bora Bora for the ideal mix of music, social gathering, drinks, relaxation, and water-sport.

Sardinia

Boasting coastlines, sandy beaches and a mountainous interior crossed with hiking trails, the rugged landscape of Sardinia spans nearly 2,000km, dotted with thousands of mysterious Bronze Age stone ruins. Rich with a tumultuous history, the Italian island has seen influence from the Arabs, Greeks, and Catalonians, amongst many others who have left their mark.

Home to picturesque town of Ozieri, the atmospheric cliffside ruins of Tharros, and the flavourful San Teodoro, Sardinia is renowned for its architecture, food, culture and heritage – offering an expansive variety of local delicacies, including shellfish mixed platters, with gelato, and the region’s famous fish zuppa, a light seafood stew crammed with crustaceans and fresh catches of the day.

Portofino

Pastel-coloured houses, high-end boutiques and seafood restaurants fringe its Piazzetta, as a small cobbled square overlooks the super-yacht-lined harbour of Portofino. Once a humble fishing village southeast of Genoa city and along the Italian Riviera coastline, Portofino is regarded a 16th-century fortress, encompassing museums with art exhibitions, luxury shopping, panoramic views of the town and the Ligurian Sea, and an array of outdoor activities along the marine reserve.

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Yogyakarta-Based Artist, Lugas Syllabus Paints Life in Captivating Stories

Yogyakarta-Based Artist, Lugas Syllabus Paints Life in Captivating Stories

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Revered for his paintings and sculptures that address the ironies of modern and contemporary society, Lugas Syllabus is a gifted and engaging storyteller, with a greater vision for peace and justice.

Lugas Syllabus, ‘The Garden of Triumph’, 300cm x 200cm. Acrylic on linen. 2015. Exhibited ‘garden of thriump’ solo show Lugas Syllabus. Art Stage 2016, Element art Space Singapore. Collection of Mr. Alim

As a contemporary artist, living and working in Yogyakarta, Indonesia, Lugas Syllabus is highly revered for his paintings and sculptures; His work address the ironies and contradictions in modern and contemporary society. Drawing inspiration from a variety of mediums, Syllabus’ work often incorporate elements of pop culture, media and technology; coupled with memories and folklore. Armed with an undergraduate degree in painting from the Institut Seni Indonesia (ISI) of Yogyakarta, Lugas Syllabus has participated in a multitude of artist-in-residency programmes in Passau, Germany; Brisbane, Australia and Singapore, with a selection of work showcased globally.

Yogyakarta-Based Artist, Lugas Syllabus Paints Life in Captivating Stories

Legenda Pendekar dari Bukit Asia. 200cm x 150cm . Acrylic on Linen. 2014. Collection of Mr. Kevin.

You grew up in Bengkulu, Indonesia, and are now established in Yogyakarta, the art capital. Tell us about your first steps as an artist?

I’ve loved art since I was a kid, and decided to be an artist since senior year in high school after a visit to Yogyakarta with my family. It was my father and my uncle Idran Yusuf, who were both artists as well, who showed me ISI (Indonesia Institute of Art at Yogyakarta). Since then, I pushed myself to make many sketches and paintings everyday, neglecting other subjects, in order to achieve the best results to qualify for admission into ISI.

Living construction in the Garden of Memory. 120cm x 150cm. Acrylic, gold leaf on linen, 2018. Exhibited at Solo Show of Lugas Syllabus. We dance together, curated by Khai Hori. Chan+Hori contemporary Singapore, 2018. Image courtesy of the Artist n Chan+Hori, and Collection of Mr Tan Hon Yik.

You seem to take inspirations from very diverse sources – pop music, television series, movie posters, even video games – how would you describe your style?

I love storytelling, describing through painting, explaining with poetry, and using my own daily life for inspiration.

‘Work Eat Work’ Reconsumerism auto machine. Mural on Lugas Syllabus Solo Show ‘Natural Born Worker’ curated by Patrick D. Flores, Finale Art File Philipine. 2016. Image courtesy of Artist and Finale Art File, Manila.

Your art is vibrant with vivid colours and a palette of images sampled from domains as diverse as nature documentaries, art history and religious icons. Tell us more about the “psychedelic imagery” you are using and the “hidden” messages you seem to be trying to push across?

I like to push my art beyond galleries, fairs, auctions and collector walls. I’m happy if it appears in the public space and is given more attention and contribution. I began expressing myself using hidden messages after I showcased Davinci Codex in Milan during my residency in Europe 2012 and also Goya’s Paper in Madrid. I’m working on my own paper now about the sign and I’d like to keep my upcoming ‘hidden message’ a mystery.

Golden Limousine in the heaven of Art, 200cm x 300cm, Acrylic on Linen, (2016) . Auctioned @Christie’s Hongkong 2017. Price realised HKD 325,000, Collection of Mr. Sunyata Wangsadarma

A lot of your work deals with a sociological observation of societal power structures. Your work also contains political themes (your large-scale artwork “Golden Limousine in the Heaven of Art” or “Golden Prayer” for instance). Do you see yourself as an “engaged” artist?

You are right. I feel an artist should engage in political themes but should not be controlled by it. We describe him as a “knight of social betterment”. This knight considers himself a hero who has given over the meaning of life to his God, he lives focusing on the delight of his extended family and thrives on a just society; he is the one who rallies to drive mankind towards a more beautiful and noble world. I try to work on my own beliefs as well, I want to live a meaningful life for my God also. I believe if society is organised cooperatively, socioeconomic resources can benefit all, there would no longer be corrupt governments as dirty politics would vanish and there would be no more racism. Like in Golden Limousine: I dream of myself driving with my heroes like Michelangelo, Leonardo da Vinci, Raden Saleh, Picasso, Chang Ta Chien, Warhol, Affandi, to name a few. Therefore, with no more racism, no need for power. There would be no additional burdens on a citizen’s obligations to society.

Royal Wedding Series ‘Blessing Family on the Golden Tree’.
Dr. Oei Hong Djien on The Royal Wedding stage.
Set of Painting , Bridal Stage, Photobooth, and Interactive Photo Contest via Media Social. 2019.

Your primary medium of expression is through painting and sculpture. How do you decide which media to use over others?

The concept or story controls the medium. I also like to work across media, for example, in my work ‘royal wedding series’, I made a bridal stage and photo booth contest. In this work, the audience and space are both equally important.

Nature inside Nature. 200 cm x 300 cm. Acrylic, Gold Leaf On Linen. 2018. Collection of TOTO Indonesia.

What is the most challenging aspect about creating your artwork?

To make it similar to my imagination…, there are limits to the material but no limit on my fantasies…

Berbatas tapi tak Terbatas tapi Berbatas’. Interactive Room ‘mushola’ Prayer Room set of Copy Raden Saleh painting ‘Merapi dipagi hari & malam hari’ Medium Variable. 2019. Exhibited at ArtJog MMXIX Jogja National Museum 2019. Image courtesy of the Artist n Art+Jog

You have collectors around the world. You are referenced amongst the leading global art websites. What does such recognition inspire in you?

As Warhol said if Art is a business make a good business, Art Business is more about trust and joy of process. I make many mistakes but I keep learning and I want to enjoy my progress and I don’t want to stop learning.

Title: The Relationship between hope and blood. Medium: Teakwood, Fiberglass, Silicone Rubber, Dand Colouring Car Paint. Year: 2014 – 2017. Size: 160cm x 130cm x 260cm + Variable Dimension Small Stone Sculpture. Exhibited Jogja Biennale XIV ‘stage of Hope’ Jogja national Museum 2017

How do you view the current art scene in Indonesia? How important is the space given to artists in modern Indonesian society?

The Indonesian art scene has made good improvement but it needs more support from the government and art collectors. In Indonesian modern society, artists have more wide space, as they work across many disciplines. But we also need to give more support for artists and Art Promoters (curator, gallery, dealer etc) who try to push their careers onto international platforms, and we promote Indonesian art globally as well.

Lugas Syllabus.
Standing,Running,flying #2. 200cm x 300cm. Acrylic on Linen. 2015.
Exhibited: The Prophet ‘Solo Exhibition Of Lugas Syllabus. Curated by Hendro Wiyanto. Sangkring Art Project.
Collection of Mr Hosiyadi.

The five words that best describe your art?

Theatrical, Landscape, Poetry of Hope.

Forbidden tree and the Golden Age. Acrylic, Gold Leaf on Linen. 200cm x 300cm. 2017.
Exhibited at ‘Lugas Syllabus Solo show’ tomorrow must be better. Art021 Shanghai, Element art Space. 2017. Collection of Micky Tiroche.

In which city can we expect to see your next solo exhibition?

I am working on some plans for a solo show with galleries overseas, perhaps China since it’s the closest. Since my successful sold out solo show at Art021 Shanghai and Museum show at Nanjing, I keep in contact with China Collectors, Curators and Art Friends, and am happy to still sell some work to them even during Covid.

Where can we see some of your work online, are these for sale?

You may find my work on Ocula, through selected auctions at Christie’s, online galleries such as Chan+hori and on my personal page. There is artwork for sale, some is collected, while some is only for visual documentation.

Lugas Syllabus, Pinky Rainbow in the Beautiful Day, 2019. Acrylic on canvas. 200 x 150 cm.exhibited Sea Focus 2020 Singapore. Image courtesy of the artist and Chan+Hori.

You are a very sociable person, far from the cliché of an introvert artist. Who are your best artist friends on the Indonesian art scene?

I have some art friends that often get together in my studio. My studio has a ‘Joglo’ cottage where we drink coffee and discuss art. I don’t want to name names in case of envy, but they are all good friends who inspire each other but there’s also some friendly rivals. We like to debate art .Sometimes the debates get a little salty…and it becomes never-ending, continuing up till late at night. I find that they are all smart but not as genius as me…so i leave them to go to sleep. Sometimes they stay until really late and in the morning. I start work in the morning, I heard a story about them from my studio assistant while they were all still sleeping. I really enjoy listening to stories while I’m painting and drinking coffee, especially when I feel like I’m the winner of night’s debate.

Lugas Syllabus, Better Land for a Better Home, 2019 – 2020. Acrylic, gold leaf, decorfin on linen. 150 x 200 cm. Exhibited ‘where the sidewalk end’ Chan+Hori Contemporary. Collection of Mr. Aaron Teo.

If you were to name one mentor who has inspired you in your life and path as an artist, who would that be?

It would be my father who taught me how to sketch and write. But I also like Goya as he can put his hidden message in his work and show his feelings in many situations. In Indonesia I like S Sudjojono as he can show the true colour of Indonesian Art from his era. But I want to be more than they are, I want to talk about history, the present and the future, that’s why I put no borders on my art.

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Yogyakarta-Based Artist, Lugas Syllabus Paints Life in Captivating Stories Read More »

Art Republic of Kongo: Q&A Part 2

Art Republic of Kongo: Q&A Part 2

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Paris-based Cyril Kongo is returning to his Southeast Asian roots with creative platforms in Vietnam and Singapore.

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Following is the conclusion of a two-part interview by Nina Starr on YachtStyle.co

Kongo, whose grandfather in Vietnam was blinded after he stepped on a mine, painted a vintage Nord 1000 to raise funds to produce The Little Prince tactile art book

Tell us about your partnership with the Antoine de Saint Exupéry Youth Foundation and painting a vintage Nord 1000 airplane.
The idea was to raise funds to produce The Little Prince tactile art book with drawings for the blind. My grandfather was blind. He had jumped on a mine in Vietnam and lost his eyes.

As a kid, I read the newspaper to him, so when the Saint Exupéry Foundation proposed this project, I accepted because it served others. I believe the most important thing in the life of a person is to serve a cause and inspire people.

Art Republic of Kongo: Q&A Part 1

Kongo emerged from the Parisian graffiti art scene and still uses a wide array of colours in his work Describing himself as a 'true citizen of the world', Kongo is a regular visitor to Asia, where he spent his early years before living in Africa and settling in Europe.

How did your connection to Asia lead to presenting street art in China?
I am half Asian. My dad is Vietnamese, so I have always been linked to Asia, especially Southeast Asia, by half my family. I had the chance to progress between Europe, Africa and Asia, so I am a true citizen of the world.

In 2004, I created the Eating Frogs Tour in southern China with a group of friends comprising big names in graffiti, dance and deejaying to present French hip-hop in Guangzhou, Shenzhen and Hong Kong. It’s funny how it takes time, how tightly closed the borders were. It’s opening drop by drop and there is still a lot to do there.

Kongo, whose father is Vietnamese, is opening a gallery in Vietnam

What are your favourite places in Asia?
Each experience is magnificent. I have a special fondness for Singapore, which impresses me by the modernity of its vision. The country is managed like a company and everyone follows the same path. I find it interesting as a Parisian where everything is all over the place. Sometimes it feels good to have some boundaries for the common good and Singapore impresses me a lot in that regard and with its quality of life.

I also love Indonesia, especially Bali, where I find a lot of spirituality and a bit of the disorder of Paris. I particularly like Vietnam because it’s part of my blood. I love Japan for its modernity, the total change of scenery you can have and the vision they have of art.

Kongo’s work has even featured in fashion for Chanel

I am very impressed by China, by its power, how it managed to rebound and become a major force in the world, knowing how to mix politics, industry and capitalism.

Tell us about your collaboration with Singaporean tailor Kevin Seah.
Kevin is above all a friend. Once again, it was an encounter. I held my first exhibition in Singapore in 2012 and Kevin was working in the same building. He is very well dressed and very British, but he was a skateboarder who understands urban culture, so there was mutual respect.

I was impressed by his know-how and that all his suits are sewn by hand. He asked me to make a painting for him and I asked him to make me a jacket, so that’s how it started. He made me a denim jacket, and for the inside lining, he used the silk scarf I’d done for Hermès. It was super chic yet casual, and I loved it. He also made me a camouflage jacket.

A tailored jacket by Kongo

Then we had the idea of making jackets out of linen canvases. He has a linen that is very fine, so I can’t put a lot of paint on it. He sent the linen to me in Paris, I painted the canvases, sent them back to Singapore and he reinterpreted my paintings, cutting them to make unique jackets. We did that in 2013.

I did the collection with Karl Lagerfeld in 2019. It was a completely insane experience, but I didn’t make the collection for Chanel. I met Karl and he asked me to make a whole series of paintings at his atelier on Quai Voltaire, then he chose the paintings to make dresses and bags. It was a real meeting between creators.

After your successful pop-up studio in Paris’s chic 8th arrondissement in 2017, you opened one in Singapore, too.
In November 2018, I told Kevin [Seah] about my ephemeral workshop on Rue François 1er. He asked me about doing one in Singapore and told me to look at a place available next door. The landlord of The Mill, Roy Teo, left me the space to create my workshop for a month, so I did the same pop-up studio concept.

Kongo at work in his studio in Paris

However, it’s no longer ephemeral since I kept it to set up a showroom-atelier because I feel good in Singapore and I’m planning to settle there to create my works to continue the Asian adventure. It will be a private atelier-showroom where people can visit by appointment.

Finally, how is the boutique in Hanoi progressing?
It’s a partnership with a financier who’s opening a Cyril Kongo brand boutique for me to highlight Vietnamese and Southeast Asian artists. He told me that in Vietnam, north and south, many family members went overseas, travelled far and were immigrants in the US, England, Canada, Europe.

He said: “Your case is very special because Vietnamese and Asians who have succeeded consume the brands that have recognised you, so you’re like a hero to them. We know the pain that all families who left Vietnam suffered to get back on track, but very few have succeeded in doing what you have done, like collaborating with Richard Mille and Chanel. You’ve made us proud and we’d like you to express yourself in Vietnam.”

The man, the myth, the enigma …

It will be a store-gallery. I will present objects and original drawings, but I also want to develop the savoir-faire of Southeast Asia like Vietnamese lacquer and carvings, and Indonesian batik. I’ll go around Southeast Asia and reinterpret savoir-faire, much like I interpreted traditional French skills through my work with Daum or La Cornue.

I want to give my contemporary vision on traditional skills we are proud of, but which seem a bit old-fashioned. For example, I want to give my take on sang-de boeuf ceramics and remake batik, which is very traditional and coded. I will present all this exclusively in the boutique in Vietnam and an e-commerce website linked to the store.

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Art Republic of Kongo: Q&A Part 2 Read More »